This lesser-but-still-good Arnold Schwarzenegger vehicle came in 1986, a breather between COMMANDO and PREDATOR. It opens with some mobsters shooting up a house where cops are protecting a witness. The first line in the movie is a cop reading a Trivial Pursuits question about how many Oscars John Wayne won. The correct answer is never given, but we get the idea: John Wayne is awesome, we’re not in this for the Oscars, but John Wayne deserved Oscars, and so do we, etc.
(note: Marcel from Brooklyn points out that Wayne did get an Oscar for TRUE GRIT. So I guess RAW DEAL is supposed to be Schwarzenegger’s TRUE GRIT or something. I haven’t looked up if he got an Oscar for it or not.) (read the rest of this shit…)
COMMANDO is a rare commodity – a Schwarzenegger picture on a low enough budget to feel like the early Seagal and Van Damme pictures. The good ones, though. Schwarzenegger plays John Matrix, the perfect name for an ex-special forces muscleman who lives in a cabin out in the woods with his daughter Alyssa Milano. (Who is the boss, anyway? I never did figure that out.) She doesn’t want him going on dangerous missions anymore so he stays home and spends his days chopping wood and feeding deer with her. Luckily, before he gets too bored with this Snow White lifestyle some other soldiers he used to be knee dip in the shit with kidnap his daughter as a way to force him to assassinate some South American leader or other. So he gets to go to war. And to be honest he looks more comfortable running around with camoflauge paint on then he does feeding a deer. We all have our little things we’re good at, you know. 
In James Cameron’s idea of a romantic comedy Schwarzenegger plays Harry Tasker, an agent for the “Omega Sector” secret spy agency who protect America from terrorism and are led by Charlton Heston with an eyepatch. He has one eye on the enemy, the other eye on infinity. Or something. The opening shows that Harry is willing to blow shit up but is more of a suave James Bond type than the usual Schwarzenegger character. He gets his way through trickery, wears a tux and even does a tango with Tia Carrera. (Remember when she was supposed to be a big deal?) He just happens to be a muscleman under that tux but nobody seems to notice in the movie, it’s not really relevant to the character.
Hey folks, Harry here with Vern… he’s our magical little friend from up in Seattle and he doesn’t like KRULL! What sort of soulless mutherfucker doesn’t dig on KRULL! KRULL is the film that introduced the GLAVE and THE GLAVE is the fucking weapon of choice in my D&D household! And the Spider sequence… the sand in the hand… Ancient bitter love… FIRESTEEDS! Oh absolutely it’s got levels of funk 4 feet deep all about, but I love all sorts of crazy shit in that movie, and would love to see it in 70mm. ENVY! Ok, here’s Vern, who I still like, even if he’s too backwoods to get KRULL!
