It’s hard not to think of EVERYTHING EVERYWHERE ALL AT ONCE as some kind of miracle movie. I had no idea it was something I needed, or something that anyone would think to make, until a couple months ago when the trailer came out. It stars Michelle Yeoh in her best ever English language role, a very layered character who gets to be funny and goofy and troubled and kind of an asshole but totally lovable and yes, she also does some kung fu. It co-stars Ke Huy Quan, who we knew as a child star in INDIANA JONES AND THE TEMPLE OF DOOM and THE GOONIES, but who hasn’t been in a movie in almost 20 years, making a triumphant return in surely his best part ever (and he also gets to fight).
It would be worth celebrating just for putting those two actors together, even if it didn’t entirely work. But this thing is much more advanced than that. Written and directed by “Daniels” (Dan Kwan and Daniel Scheinert, of SWISS ARMY MAN and various music videos), it’s a very original movie, but if I had to give it a short hand description based on other people’s work I’d go with “if Michel Gondry made THE MATRIX.” Or if that scares you, substitute Stephen Chow. It uses a convoluted sci-fi gimmick as a vehicle for some absurd humor, artfully hand-crafted imagery and outlandish action, which all weaves together to explore ideas about life and relationships and family and happiness. That title is no lie. (read the rest of this shit…)
Believe it or not, I kinda consider myself kind of a Shang-Chi guy. As in, I dig that comic book character, before there was a movie. That’s definitely overstating it, because I don’t know that much more about his history than the next guy, but I’m attached to him because of my fascination with the period that created him, just a couple years before I was born, when American pop culture was catching on to the existence of kung fu and kung fu movies, and trying to cash in.
hat’s a ‘70s Marvel Magazine, the type you know is gonna include a full page ad for a “complete audiovisual home study course in dynamic KUNG FU & KARATE” for less than 16¢ a lesson with a 10 day no risk money back guarantee. But it’s mainly black-and-white comics about martial arts characters including Shang-Chi, Iron Fist and The Sons of the Tiger interspersed with crude martial arts-related articles. In issue #1, writer J. David Warner visits the Fred Hamilton All-Dojo Martial Arts Tournament, reviews THE CHINESE MECHANIC starring Barry Chan, and has a news column previewing upcoming Shaw Brothers and Golden Harvest releases, as well as western movies with co-stars from Asian cinema, like YAKUZA, STONER and PAPER TIGER. It also mentions WHEN TAEKWONDO STRIKES, 
UNLUCKY STARS (2015) is a no-budget indie action movie in this pretty new and rare category of fan-made action movies. That’s kind of selling it short, because these are legit, accomplished stuntmen, martial artists and choreographers, and it’s designed mainly to showcase their work. But they’re also all about throwing in little movie homages and cameos in a way more common to no-budget horror. Like they have a detective agency called Golden Harvest Private Investigations (with the Golden Harvest logo and everything), Simon Rhee has a cameo and is apparently meant to be his 
THE PAPER TIGERS is a warm-hearted indie underdog comedy set in the martial arts world. It’s about three former American gung fu (that’s the spelling and pronunciation they use) prodigies now living unremarkable middle aged lives, who reunite after their master is killed. It has a smattering of jokes that are too broad for me, but it takes its characters and its martial arts very seriously, and it’s so full of heart it’s hard not to love. So why fight it?
