What this movie is about is pie fucking. There is a kid who fucks a pie in it. There is also a guy who fucks a grapefruit apparently but you don’t see that. But this guy fucks a pie.
The version I saw is the unrated DVD, which I guess has extra pie fucking footage. in the original apparently it was a standing up with the pie position, wheras here it is a missionary position with the kid mounting the pie. The cover of the unrated DVD shows all the young gals on the cover but don’t be fooled, none of them do any pie fucking in the movie, it is only this one guy. (read the rest of this shit…)

It pains me to be that jackass who tries to point out that the remake is not as good as the original. Whoah, you’re blowin my mind, Galileo! But facts are facts, and science is science, fellas. The one and only mainstream event movie of the summer of 2001 is a big fat mess.
To: harry@aintitcool.com
(working title: BORING: THE MOVIE)
Baby Boy is the underrated new picture by young Johnny Singleton, the director of Shaft 2K who was also the youngest fella to ever get nominated for a best director oscar. That was for Boyz N the Hood, and what makes Baby Boy interesting is that it is a companion piece to that movie, telling the story of thugs and gangstas in South Central Los Angeles. But now Singleton is older and he sees things differently. So instead of portraying these thugs as a menace to society, he portrays them as a bunch of fucking babies who need their mommies.
Well as you know I am on the cutting edge of our Cinematic type culture here, so let me tell you this for sure. This movie, which had a release that made BONES look like HENRY fucking PORTER, will be discovered on video and cherished right and left by every motherfucker and his uncle for years to come.
OUTLAW CRITIC IS FIRST TO ADMIT, “I ACTUALLY THOUGHT A.I. WAS PRETTY FUCKIN GOOD”
There are many arbitrary ways to divide filmatists into two groups. Today I’m gonna separate out the ones who have an obvious vision/theme/style/obsession (good or bad) that can be seen throughout most of their works. For example you can look at your Alfred Hitchcock or your David Lynch or your Roger Vadim and you can usually tell who is responsible for this business. I mean even a Michael Bay or a Kevin Smithee, the lowest of the low, has a signature style. Or you can at least see what the dude was going for there.
Hey, everyone. “Moriarty” here with some Rumblings From The Lab.

















