Well somebody loaned me a RUN RONNIE RUN screener and it happens to have THE REAL CANCUN on the same disc. Not sure what happened there but somehow accidentally I dropped the disc into the player and pressed a combination of buttons that caused it to play the movie and then also I watched the whole thing. It was weird.
What the movie is: the producers of The Real World tv show cast a bunch of rich kid morons in their early 20s and then paid them to go drink jagermeister and high five each other in front of cameras. I thought it was funny that they called this a “reality movie” since they apparently are going for an audience that does not know that there is such a thing as documentaries. But after seeing it I realize that it’s actually better not to call this a documentary. A documentary you find real people who are already doing something (pimping, selling bibles, living in subway tunnels, living in a house infested by raccoons, etc.) and you attempt to follow them with minimal interference in their actual life. This is the opposite where you find people and make them go do something. For example I do not believe that these kids, if they had gone to Cancun on their own, would’ve paid money to go bungie jumping and have a dolphin encounter and that type of crap. That was for hollywood. The only major difference from The Real World is that they don’t make them have a job and they use cameras that look more like film. (read the rest of this shit…)

Hey folks, Harry here… Stuart Gordon is one of those directors that I just keep waiting on to break a film into orbit. When you look at what he’s done on no money, and just how incredibly entertaining his movies consistently are. From RE-ANIMATOR to SPACE TRUCKERS to THE WONDERFUL ICE CREAM SUIT to DAGON… Here’s a guy making low-budget indies that I demand to own on DVD – even if it means seeking them out in other regions. On top of that, he’s just a great guy. Humble, friendly and eager to tell you about all of his stories and dreams. So it is with great glee that I read Vern’s review of KING OF THE ANTS… This is a brutal crime film that Stuart has had his eye on for a while now, and from Vern’s review… It’ll be one of those movies we seek out all year long, and I’m instantly going to contact Stuart about doing a screening here in Austin with the Drafthouse! Here’s VERN –
Hey folks, Harry here… 800 BALAS is brilliant, wonderful and perfection. The cold cracked heart of a cynic without familial love and respect that has killed their own inner child is the only type that wouldn’t appreciate this movie. A film that dreams of a community of Spaghetti Western Stunt Men – a dying breed trying to hold on to the culture and life they’ve built and carved out of the tough terrain of Spain. A story about a boy raised by women trying to find the man within himself by seeking out his Grandfather. It’s about old men and their old tales and the truths behind all those lies they tell. Here’s Vern with his take on one of my absolutely favorite films of 2002…
SPOILER ALERT !!
Hey folks, Harry here… Underground Comix are one of the great joys on this planet, one that unfortunately… many in the world have not experienced. Most folks that know of Harvey Pekar, probably know of him via either his Letterman appearances long ago or his radio show. However, they are missing the glory that is AMERICAN SPLENDOR. A comic with his brilliant narrative and the illustrative talents of gods like Robert Crumb (you know him), Paul Mavrides (co-artist with Gilbert Shelton on some of the genius that is THE FABULOUS FURRY FREAK BROS.) and Frank Stack (those wonderful NEW ADVENTURES OF JESUS!) While I’m dying to see this film, having been a reader of AMERICAN SPLENDOR – pretty much all my life… at least since STAR WARS entered the world, I have one thing that I’m dying to see more than this flick… Next year’s edition of AMERICAN SPLENDOR – which will deal with Pekar’s experiences at Sundance, Cannes and whatnot. Could be AMAZING stuff. His Blog at
Hey folks, Harry here… With reports beginning to leak online that Sean Connery is now the man overseeing the editing of LEAGUE OF EXTRAORDINARY GENTLEMEN and a bizarre belittling of Norrington in the Post process on that film, it just sounds like a nightmare. I’m still pulling for a fun movie, but I recognize that there has been quite a bit of chaos behind the scenes on this film, and frankly… I’m saddened about it because I saw THE LAST MINUTE last year at Sitges and the film was quite wonderful. Norrington’s most complete film so far, stylistically unique as well as being emotionally satisfying and challenging. This was sent to Moriarty, but right now, Moriarty is recovering from a tragic fatal computer malfunction that seems to be putting into danger the fate of about 5 years worth of writing. He’ll be working to recover this information and will be offline for a bit while doing this. Let’s all wish him the best of luck. Meanwhile, here’s Vern with a look at Norrington’s THE LAST MINUTE…
Hey folks, Harry here – Actually, while Vern kinda rags a bit on this, I’m curious to see this for the exact same reasons stated in his opening paragraph… I’ve seen 28 DAYS LATER, CABIN FEVER, DADDY DAY CARE – but I haven’t seen CITY OF SARS (I hear that’s shooting in Toronto currently) or SINCE THE END OF THE WORLD and thus far… the best one is CABIN FEVER, and I’m sure it’ll remain, though I still think the best virus/end of the world flick is NO BLADE OF GRASS, but since 10 people have seen that… I’m probably in the minority there. Here’s Vern at the Seattle International Film Festival…
Harry here – the idea that this film is reviewed the same day I review FINDING NEMO disturbs me. I don’t know why, but be afraid of Vern. He sees disturbing things. Perhaps, he is a disturbing thing.
Hey folks, Harry here… Vern sent in a review for a movie I’ve just plum never heard of? From the sound of it, I’m shocked we haven’t. I mean a Bruce Campbell movie left uncovered by AICN? Hey Zeus Morales! Ya know? And with Don Coscarelli, you’d think Quint might’ve reported in, but that lazy bastard’s been holding out on us! Well, no more. Vern here is breaking what can only be a conspiracy of silence at the very heights of the corporate whores at AICN, and he’s breaking that door down to tell you folks for the first time about BUBBA HO-TEP… A film that studios everywhere are conspiring to keep from you. The bastards! Here ya go… Thank Beezlebub for Vern!
This might bother some of you but I just want to say it up front: put me in the camp of people who say the original MATRIX really is “the shit” as the kids say when they mean that it is not shit but actually the opposite of shit, which is I guess in this case THE MATRIX. Because what these boys the Wachowski Brothers did was an extremely well executed twilight zone concept for the post William Gibson days which also happened to be the perfect vehicle to combine over the top Hong Kong martial arts traditions with american actors and computer effects AND an appropriate metaphor for our times.

















