The other day I was reading an article about Jack Abramoff, the notorious Republican lobbyist at the middle of a bribery scandal that’s dragging down Tom Delay and supposedly ties in to at least 30 other DC ho’s. The whole thing is real complicated and the charge right now is for wire fraud but the investigation has brought to light all kinds of payoffs, exploitation of Native Americans, embarrassing racist emails and a supposedly coincidental death that anybody with at least one eye will notice appears to be a mafia style hit. We’re talking more corruption than even Senator Billy Jack probaly knew about.
Anyway, the particular article I read referred to Abramoff as a “former b-movie producer.” Holy shit! I thought. I guess I hadn’t been following this closely enough because I hadn’t heard that before. The trusty ol’ internet movie database explained that Abramoff had produced and wrote the story for the Dolph Lundgren picture RED SCORPION, not to be confused with RED SONJA, RED DAWN, RED SUN, RED EYE, THE RED VIOLIN, THE RED BALLOON, or Krysztof Kieslowski’s THREE COLORS: RED. He’s also credited as executive producer on RED SCORPION 2. That’s it although his brother Robert went on to produce a bunch of other movies I never heard of. (read the rest of this shit…)
Hey folks, Harry here – Vern brings up a very important issue… Lee Marvin should have to fight Andy Serkis in a weird revenge film using the latest in time travel technology. What? Oh – read the review – you’ll get why that’s cool. Or maybe you intuitively get it. You rule. Here’s Vern…
This is one of those movies that on the cover should have a big quote from Roger Ebert or somebody saying “Seriously, not that bad!” I’m not gonna try to convince anybody that ROLL BOUNCE is great but it is actually very well made and watchable for a movie about kids rollerskating. You can face that fact or not, I don’t give a fuck, but there it is. ROLL BOUNCE is kind of good.
CANDYMAN in: FAREWELL TO THE FLESH and CANDYMAN in: DAY OF THE DEAD
THE SQUID AND THE WHALE meets THE WEATHER MAN
Ahoy, squirts! Quint here with my man Vern and his opinion of the newest cheesefest from Mr. Steven Seagal. If you know Vern, you know you’re in for a treat. If you don’t, then shame on you, but you’ve still got a chance to redeem yourself! Read below brother! Vern’s got the gospel for ya’!
This movie surprised me. Everything about it is classier than I expected. From his reputation you’d think this Candyman guy is just a B-list Jason or Freddy type. But it turns out he’s more a classic movie monster like Dracula or the Phantom of the Opera. And his movie has more subtext than all of Freddy and Jason’s pictures put together, including
Well as you know I am always searching for straight to video movies that don’t suck. And even I sometimes forget why that is my mission, so let me put it down in writing here as a reminder. See, in the old days you had b-movies, you had exploitation movies, etc. And the idea of these movies was low budget, lowbrow, easy investment quickie moneymaker. Like squeezing out sausages. And there was alot of disposable garbage made, because that was the whole point. But within that world there were people like Roger Corman, William Castle, Jack Hill etc. who sometimes made movies that transcended just being a product, movies that some people still watch and hold dear today. Lots of directors like John Sayles, John Demme and maybe one or two other guys got their start working on cheapo Roger Corman movies about women in prison or giant alligators. Also unfortunately Ron Howard but that doesn’t count. And people like George Romero and Sam Raimi started with low budget independent movies made for the drive-ins, movies that nobody would expect to still be considered great all these years later. 
