"CATCH YOU FUCKERS AT A BAD TIME?"

Vern sees TROPIC THUNDER! The horror! The horror!

SPOILER ALERT !!

TROPIC THUNDER pretty much won me over only a few seconds in when I realized that the rapper character played by Brandon T. Jackson called himself “Alpa Chino.” Completely ridiculous and totally plausible. So many rappers are obsessed with SCARFACE, CARLITO’S WAY and THE GODFATHER, and so many name themselves after notorious figures: Capone, Noreaga, Moriarty, Scarface, Rick Ross, Freeway, 50 Cent, Beanie Sigel, Irv Gotti, Young Gotti, Daz Dillinger, Kenn Starr, Jim Jones, Hittler. And I seriously only made up two of those names. So the possibility of Alpa Chino’s Booty Sweat Energy Drink actually existing is so likely that I think most of the crowd really wasn’t sure if the movie had started or if this was a real advertisement. (read the rest of this shit…)

Hit List

Here’s a VHS only action piece from director William Lustig, who I got some respect for due to the sleazy horror movie MANIAC and the badass Robert Forster revenge thriller VIGILANTE. (whoah, I never realized how similar those two titles are.) This one is closer to VIGILANTE although it was a work-for-hire deal for Lustig and not his usual New York-based independent filmmaking.

Basically this is the story of a regular guy whose kid is mistakenly kidnapped and he tries to get him back. I thought because of the title that he would have a list of people to get revenge on, but really he’s just going after this one guy who has his kid. (read the rest of this shit…)

WALL-E

By now you’ve heard of WALL-E. Lovable robot, etc.

I’m no cartoon fetishist, but I’m not blind. Pixar is America’s most consistently great studio, and on first glance this is probaly the best they’ve done so far. You never thought you’d see something like WALT DISNEY’S 2001 A SPACE ODYSSEY, but that’s what the first act of this feels like. This movie is deep. There is a poetically tragic beauty to it that has never been captured in any cartoon all the way from PINOCCHIO to BARBIE’S FAIRY MERMAID CASTLE 2 or even (arguably) OSMOSIS JONES. (read the rest of this shit…)

Kiss Kiss Bang Bang

A couple years ago Shane Black, the hot shot wunderkind enfant terrible wave of the future 22 year old millionaire kid who wrote LETHAL WEAPON and a couple other movies, then got burnt out and disappeared for years, suddenly resurfaced as the writer-director of this well-received if not smash hit smart-alecky mystery comedy. I heard alot of good things about it so one Wednesday afternoon I checked the movie times and went downtown to see it. Unfortunately this was the day that movie about 50 Cent came out and all the showings of KISS KISS BANG BANG had been dropped without the movie times being updated online. I was so hurt that I didn’t watch the movie until just the other day.

Fortunately this one lives up to the word-of-the-mouth. This summer everybody’s excited about Robert Downey Jr.’s funny turn and ad-libs in IRON MAN, but it must’ve been less surprising to people who saw this one. Not only is Downey the star, he is the narrator who possesses the powers of someone recording a DVD commentary. He can skip around, make jokes, apologize for bad narration, complain about movie conventions (specifically comparing one scene to a shot in THE HUNT FOR RED OCTOBER). (read the rest of this shit…)

Unforgiven

I saw this movie years ago and like anybody I loved it. But watching it again recently I was surprised to find that it was better than I remembered. UNFORGIVEN is a GFM (Great Fucking Movie) for many different reasons, most of them you know, but I’ll try to point out a few of them.

For one thing it’s a story that you never quite know where it’s going. Supposedly it’s designed so you think Little Bill (Gene Hackman) is the good guy, since he’s the sheriff. I didn’t get that though because the first time you see him he comes in to settle this dispute in the brothel where some assholes cut up a prostitute because she gave a giggle at his “teeny pecker”. Little Bill isn’t evil but he obviously makes a poor decision by not punishing these guys but just fining them a couple ponies. No even horses, he specifically says ponies. (read the rest of this shit…)

Taped For Justice: Vern Announces The Winners Of The SEAGALOGY Youtube Contest!

About a month and a half ago I announced the Seagalogy Youtube contest put together by Titan Books. To promote my skull-shattering new book SEAGALOGY: A STUDY OF THE ASSKICKING FILMS OF STEVEN SEAGAL they wanted people to submit short videos “based on the principles of Seagalogy, the study of the ass-kicking films of Steven Seagal.” I know there was alot of whining in the talkback that the contest should be done by somebody else, to promote some other thing, with a different thing that you do, and different prizes to win. Fortunately, there were more than enough standup individuals who did enter the actual existing contest and I was very impressed by the high quality of their work. I honestly wish I could give everybody a prize, but you know the rules. One first prize and five runners up. So here I will present the winners and I hope you’ll watch their videos. (read the rest of this shit…)

Wanted

Take one part THE MATRIX, one part FIGHT CLUB, two parts THE MATRIX, one part EQUILIBRIUM (one part THE MATRIX, one part straight to video), and one part THE MATRIX, but not as good, and you have the new motion picture WANTED. James Macavoy (the British Zach Braff) plays an unhappy office drone who out of the blue has his world turned upside down when a super hot asskicking gun babe in leather tells him he’s destined to be a super warrior and whisks him off to a secret organization of gun-obsessed rebels who teach him how to bend reality, do super gun tricks and martial arts in various showoffy camera-rotating slo-mo special effects action sequences, killing enemies without feeling bad because they have complete faith in the righteousness of their mission.
But there’s no computer world involved so on second thought this is not at all like THE MATRIX in any way. I doubt these filmatists even know about THE MATRIX. This is probaly one of those “yeah, people told me afterwards it was like THE MATRIX, but honestly I never heard of it, it’s just a weird coincidence” type deals. Plus Morgan Freeman plays Morpheus instead of Laurence Fishburne. Totally different. 100% new and original creation.

Okay, I have to admit that I somewhat enjoyed this dumb ass movie, but I think I’m still within my rights as an action fan to bust its movie balls, because there are rules. Once again I must refer to my “action movies are like the blues” comparison. In the blues there are traditions, there are standards, you don’t have to be shockingly original, you can follow a traditional sound and then put your own spin on it, express yourself from within that framework. But you don’t blatantly copy one specific person’s unique style. You don’t copy Jimi Hendrix’s approach to blues, for example, or if Muddy Waters’ ‘Electric Mud’ had caught on you would’ve looked like an asshole if all the sudden you came out with your acid rock blues album. (read the rest of this shit…)

In the Line of Fire

Here’s a movie not directed by Clint Eastwood (it’s Wolfgang Peterson, the DAS BOOT guy) but like alot of his directorial works of the past 20 years it deals with him getting old. Clint plays a Secret Service agent named Frank Horrigan. He’s still working but he’s washed up – he was there when JFK got shot and is still haunted by his failure. After that he became a huge asshole, he started drinking and his wife and daughter left. But this is Clint we’re talking about so we still like him, and also he plays jazz piano.

This is a good example of those ’90s big budget studio action thrillers along the lines of EXECUTIVE DECISION and DIE HARD WITH A VENGEANCE, movies that depict the workings of a city and its various departments as they respond to an emergency. In this case it’s the Secret Service responding to a threat against the president. We see Clint and his new partner (Dylan McDermott, or possibly Dermot Mulrooney – I don’t know which is which so if it’s important to you check IMDb) making their rounds, so first they have to shoot some guys over counterfeit money, then they have to check out a report of “some weirdo.” It just so happens that this is the one in a thousand of those calls that really is a dude planning to kill the president. He’s not home but he sees Clint in his apartment from afar and the game begins. (read the rest of this shit…)

The Enforcer

In the third Dirty Harry picture Inspector Callahan has become some sort of an enforcer, a guy who travels around enforcing things. Alot of people tend to dismiss the series after MAGNUM FORCE, and it’s true that this one isn’t as good as the two before it, but I gotta admit I like it.

Alot of the goofiest shit from ’70s and ’80s cop movies, the cliches that get made fun of all the time, might be traced directly to this movie. This is definitely a prime example of the cartoonishly out of line bureaucrats in the police headquarters who demand the police “clean up the streets” but get mad at them when they do. “I didn’t say to use violence.” It’s got the scene where he gets suspended and has to give back his badge, which is memorable because Harry calls it a “seven point suppository… you heard me, stick it up your ass!” And the opening section of the movie is about him driving around encountering different police situations unrelated to the plot just so they can show the funny/abrasive way he deals with criminals, like the guy supposedly having a heart attack in a restaurant who he kicks and tells to get up or the liquor store hostage-takers who demand a car, so he “gives it to them” by driving through the front of the liquor store. (Of course followed by a scene where the aforementioned bureaucrat yells at him with a tally of all the damage done.) (read the rest of this shit…)

The Incredible Hulk

Listen up Hulkamaniacs –

This new Hulk remake/sequel/do-over/all new adventure starts out with an opening credits montage of flashbacks and headlines to explain his Incredible origin. It’s like the opening to a TV show, setting up what you need to know. So I’m gonna do a TV show opening for this review to: I don’t know the comic strips, vaguely remember the TV show, still love the Ang Lee movie no matter what you say, but was open to and kind of excited about the notion of the goofball director of fucking TRANSPORTER 2 taking over to do the flip side of that coin.

But I got a little worried when I read that Edward Norton had rewritten the script. Uh oh. That means he thinks he’s making the serious Hulk movie. Did he not know about the Ang Lee one? I think he did, because I read that he turned it down. I guess he regretted that maybe. It’s true, Louis Letterier is not in TRANSPORTER 2 mode here. He’s more in DANNY THE DOG aka UNLEASHED mode: a movie with elements of crazy action fun, but that is trying really hard to be a serious drama. (read the rest of this shit…)