This is not an official review, but I wanted to give some attention to a low budget independent slasher movie called MURDER LOVES KILLERS TOO which just hit DVD and was written and directed by one of my readers, Drew Barnhardt.
Every once in a while somebody sends me their no-budget movie and I’m afraid to watch it because I know they put their blood sweat and tears into it and I don’t want to have to tell them “yeah, sure, I watched it… yeah, good effort, I liked the, uh, some of the lighting was very professional” or whatever. So I had this thing sitting around for months and forgot about it and then for some reason I decided to put it in.
To my surprise MURDER LOVES KILLERS TOO is a very solid (if somewhat home made) slasher movie that’s just to my taste because it follows traditional slasher formulas and gets the mechanics right (tense chases and cat and mouse moments) but has a very weird and darkly humorous but not postmodern twist. There’s some funny shit, some cool DePalmian camerawork and I am told this is the first ever slasher movie with a reference to BARRY LYNDON. There’s not a huge amount of gore and it’s obviously the work of people with no money, but I had a fun time and hope I get to see Drew make a movie with a bit of a budget, because he seems to have the right idea. He told me he had that idea many people have after watching crappy DTV horror movies that he could do something better, but unlike most of us he then went out and did it.
My apologies to other readers whose works I meant to plug and didn’t, but I really want this one to succeed because he told me the idea he has for his next movie and it’s right exactly down the center of my alley.
Okay, first off, this is not a fair review. I didn’t go into this thing in good faith. I never thought there was a possibility I would genuinely like this movie. So don’t think I’m trying to be objective here. But I’ve been getting emails and comments for months asking me to review this sequel to a movie I hated, and there’s a hell of a conversation going on in the comments for my review of the first one. And to be honest I was strangely excited to see it. It just sounded so insane, and as a fan and scholar of the summer blockbuster movie maybe it was important that I see it, just like I saw MY GIANT for the sake of Seagalogy. Whatever my excuse is, the same guy who got me into the first one for free hooked me up for this one too. So your wish is my command. 
It’s not like there’s anything new that needs to be pointed out about Michael Jackson, but I can’t think about anything else. Over the years I’ve spun off on many tangents about his talent, his fascinating persona and the tragic circumstances of his life, so it’s nothing really new except for the unhappy ending, the lid put on my dreams of what could happen next. But maybe putting it into words again will help me accept that this has really happened. 
If you didn’t hear yet, they are reporting that Michael Jackson died. Michael was a true genius and you guys know how much I always dreamed and speculated about the great things he could still do. Well it looks like I’ll miss out on that. I’m devastated about this news so forgive me if I don’t get those reviews I promised up for a bit, I can’t really think about that shit right now.
I meant to put this review up months ago when DERBY was new on DVD, but I lost it or something. I bet you didn’t know it came out or that it existed anyway so let’s pretend it’s real timely.
So we got this French director Alexandre Aja who I think of as one of the good ones, but to tell you the truth he’s more potential than actual achievement at this point. When I read that he wanted to do WOLVERINE, or when I thought about they could’ve hired him for CONAN or FRIDAY THE 13TH instead of Marcus Nispel, I imagine these great movies I think he could’ve made. But this is just based on the chops he showed in HIGH TENSION before the stupid twist derailed the whole thing, and on how much I like his HILLS HAVE EYES remake. But even that has that scene where the “Big Brain” character makes a big speech explaining everything, which makes me cringe every time I think about it.
I don’t know if you can sense it in the air or anything. It doesn’t really come until the end of the year, but this is the 20th anniversary of TANGO & CASH. To be honest I don’t think I ever saw this one before, but I wanted to see it and review it a little ahead of all the hoopla. As much as people like you and I are will to talk about TANGO & CASH all the time I’m sure eventually we’re gonna get a little worn out by all the retrospectives and parades and everything that I’m sure they’ve been planning.
BIKER GANGS SAVING P.O.W.s IN VIETNAM DOUBLE FEATURE: THE LOSERS and NAM ANGELS
From the director of ENTER THE DRAGON comes Jim Kelly as BLACK BELT JONES. Black Belt Jones is a cool, afro-sporting karate expert and sometimes government agent. He doesn’t have any other first name, but you can call him “B.B.” if you want. He tries to stay out of conflicts but then a crime lord named Pinky (Malik Carter) kills the owner of the karate school, Poppa “Pops” Byrd (Scatman Crothers). The government or somebody wants the land, so the mafia pushes Pinky, so Pinky is after the karate school. Pops wills it to a daughter nobody knew about named Sydney (Gloria Hendry from BLACK CAESAR), they use threats and kidnapping to try to force her to give it over, Black Belt helps out, etc.
