THE MEATEATER (1979) is a pretty good really bad one I found. I looked up the director, writer and lead actors and none of them have any other credits except the leading man Peter Spitzer had a small part in a Cannon movie the same year called GAS PUMP GIRLS. I can’t vouch for that one, but THE MEATEATER has a certain charm to it because you can tell they’re trying hard but the amateurish acting, dialogue and pacing make it feel more like an Ed Wood movie than like other low budget horror of the era.
The story is about a Florida traveling shoe salesman named Mitford Webster (Spitzer) who comes home one day, makes his wife come out on the porch (maybe they weren’t allowed to film inside?) and complains about being unfulfilled. Then he checks the mail and oh what a surprise, he bought a movie theater in some town somewhere. (read the rest of this shit…)
THE HILLS RUN RED probly isn’t a new classic, but I think it’s a solid DTV horror and a good take on the “meta-slasher” sub-subgenre that includes SCREAM and my unfavorite BEHIND THE MASK: THE RISE OF etc. etc. This is another one about people making a documentary, but thank the Lord Christ it’s not presented as a documentary. Tyler (Tad Hilgenbrink, some guy from DISASTER MOVIE) is a film school nerd obsessed with a 1982 slasher movie called THE HILLS RUN RED (wait a minute… that’s what this movie is called! what on earth is going on here?). It was supposedly so horrifying it was pulled from release. The director and all prints of the movie have been missing for over 20 years. 
Attention New Yorkers, Los Angelenos, Philadelphiacs, Atlantians, Chicagoians and Seattleors:
In other BLACK DYNAMITE news, the soundtrack and score albums finally came out this week. They didn’t get them at my local record store though, so I have them on order. But 
One year before PREDATOR, two years before DIE HARD, John McTiernan wrote and directed this unusual thriller about ghostly demons or demonic ghosts. (Actually I thought they were ghosts, but the back of the DVD calls them demons. So let’s split the difference.) NOMADS stars Lesley-Anne Down as Dr. Flax, recently moved to L.A. One night after 32 hours on shift she sees a patient covered in blood, babbling in French, so crazed that they have to cuff him. He’s played by “Pierce Brosnan, the star of REMINGTON STEELE like you’ve never seen him before” according to the trailer narrator.
Well, say hello to the bad guy. The wet blanket, the party pooper, parade pisser, Gloomy Gus, Whiny Waldorf, Joyless Jim, Bum-out Benjamin. I’m talking about me here, the guy who achieved the dubious record of “First Person Not To Like [REC] Very Much.” Sorry guys. Didn’t think it would be me, so I didn’t prepare a speech.
Loosely based on Hanna-Barbera’s YOGI BEAR, GRIZZLY is the story of an uptight forest ranger (Christopher George) who just can’t stand that a bear is running around his woods living the free, unencumbered life of fun that his conformist philosophy won’t allow him. This is the more realistic BATMAN BEGINS version though so Yogi doesn’t talk or wear a hat or tie. Instead he’s 15 feet tall and weighs over a ton. Instead of stealing pic-a-nic baskets he steals people, by which I mean he eats them. Boo Boo is not a major character but is represented by a bear cub who some yokel hunters decide to capture and use as bait for Yogi. Yogi’s wiseass response? He eats Boo Boo. 
HALLOWEEN III isn’t the worst HALLOWEEN sequel, but it’s probly the most hated because it’s a new story unrelated to Michael Myers. Producer John Carpenter had this knuckleheaded idea that it was better to treat it like an anthology series, each one a new story having something to do with the holiday. What he didn’t consider seriously enough, maybe because he’s too modest, is that the first HALLOWEEN is a masterpiece and not a whole lot of stories or concepts feel worthy of being in the same series. Maybe if he’d done HALLOWEEN III: THE THING people would’ve gone for it, but not this.
