There’s a new version of THE PHANTOM out on DVD that tries to be BATMAN-BEGINS-realistic instead of old-fashioned-serial-goofy. It uses the same concept of the Walker family and associates passing down the name and methods of The Ghost Who Walks, but in the context of the modern world. You know, computers and internet and shit. The new Phantom can do acrobatics and what not but not because of jungle training. He does it because he’s a parkour dude. I actually thought that was a good way to explain it. I just didn’t like the dad saying, “None of this parkay stuff” and the kid whines “Daaa-aad, it’s called parkour!”
This new Phantom (Ryan Carnes) is a young pretty boy law student, what is commonly referred to as a bag containing douche. He’s not rich like Batman, Iron Man or Green Hornet, but he follows that same currently popular super hero formula of self-absorbed do-nothing finds his purpose through a masked alternative lifestyle. These stories tell us that you will never truly be happy with yourself until you help others. The Fountainhead would hate the Phantom. Actually, The Fountainhead would be a really good nemesis for a future Phantom movie. The Phantom could rescue people from his building before he blows it up. (read the rest of this shit…)

You know what movie gets a bad rap, or unfairly ignored? Well, you probly already guessed it’s gonna be the one I wrote the title of above and then there’s a picture of it to the left. Maybe this is not the best format for a guessing game of this type, now that I think about it. If that’s your answer then you are correct, THE PHANTOM from 1996 starring Billy Zane gets a bad rap or is unfairly ignored.
You guys ever heard of this one?
You know when you got a relative who thinks you’re into, say, motorcycle races or whatever, so every time they find a newspaper article that has a motorcycle in it they clip it out and send it to you? And you don’t really feel like you need to read about “Motorcycle Trail raises money for scholarships” or “Harley-Riding Lawyer Part of Biker Group That Helps Abused Pets,” but it’s kind of sweet anyway? Well, that’s gonna be me right now, I am that relative for you guys.
I’m starting to think the underground fighting movie is to modern DTV what the western was to b-movies in the ’50s. They just never stop coming and yet somehow they’re not all terrible, in fact a few of them are great. You got BLOOD AND BONE of course, you got UNDISPUTED II-III (unless you consider prison fighting a separate genre), DAMAGE with Stone Cold Steve Austin was surprisingly good, and there’s even a good theatrically released one, FIGHTING. I’d recommend all of those above PIT FIGHTER, but I’ll be damned, here’s another pretty enjoyable and distinctively different take on this same type of storyline.
THE LOST MAN is a 1969 Sidney Poitier heist movie, a pretty obscure one, never released on DVD. Maybe if it was better known then Tony Scott and Denzel would do a juiced up remake. But actually it’s already sort of a remake, based on a novel that was made as ODD MAN OUT in ’47, but that version had James Mason as an IRA type, this has Poitier as a Black Panther type.
It’s weird how the secret to a good movie idea sometimes is just to think of a really limited location and then figure out everything that could happen inside there. Like there’s that movie coming out where Ryan Reynolds is buried alive, and there was the one where Colin Farrell couldn’t leave the phone booth. There’s the building in 
Albert Johnson (Charles Motherfuckin Bronson) is a trapper drifting through snowy 1931 Canada when he happens to come across some assholes betting on dog fights. One of the dogs is injured and apparently Albert loves animals (when he’s not trapping them) so he takes the dog at gunpoint. In order to smooth things over he gives the owner $200, but just to be clear he’s not negotiating. He’s taking the dog. It’s just like a convenience charge or a dogfight interruption processing fee or something like that. The owner of the dog is Ed Lauter, so this whole incident must be why they don’t seem to like each other in 

















