A conversation between me and the internet about HOUSE OF THE DEVIL:
INTERNET: Man, have you heard about this movie HOUSE OF THE DEVIL? It’s supposed to be a totally ’80s style horror!
ME: Huh.
INTERNET: You know, like ’80s style! They even have Mary Woronov in it!
ME: From DEATH RACE 2000 (1975)? (read the rest of this shit…)
Apparently the ESCAPE FROM NEW YORK remake is still happening. You guys know how I feel about that. In the unlikely event that somebody good was doing it this could actually be a good story to retell. The problems are
1. who the fuck you gonna get to play Snake Plissken? I mean, come on
2. that means no ESCAPE FROM EARTH, and fuck that. Kurt Russell is even cooler at this age than he was then, I want to see him play Snake again.
And of course the odds are against them choosing somebody great to direct, so I was happy when I thought this had fallen apart.
Anyway, this new article from the Vulture blog reveals some new information about the script and, most importantly that John Carpenter included a few important clauses when handing over the remake rights:
New Line had to sign a contract with John Carpenter stipulating, among other things, that Plissken “must be called ‘Snake'”; “must wear an eye patch”; and that he would — and we’re not making this up — “always be a ‘bad-ass.'”
I guess that means that keeping Snake Plissken Snake Plissken is more important to him than ASSAULT ON PRECINCT 13 and some of the other ones. Or maybe he learned from those remakes. (read the rest of this shit…)
I laughed the first time I saw this DVD cover, Christian Slater with a combover and nerd glasses beneath that title, and clutching a bunch of dynamite. But I thought it was a serious movie. It turns out it’s a bit of a dark comedy and since it’s the only other movie from Frank Cappello, director of AMERICAN YAKUZA and NO WAY BACK, I decided to give it a shot.
The feel is very showed-a-couple-times-at-a-film-festival-somewhere, complete with low budget CGI, still-learning-supporting-actors and William H. Macy as the boss. But for what it is it’s pretty good.
Slater plays an ominously narrating fed up office drone who loads the gun in his desk and tells us who each bullet is meant for. But he decides today is not the day to go postal – timing is important. When he gets home his goldfish (a CGI cartoon like the one in the CAT IN THE HAT movie) scolds him for pussying out. “If I’d gone through with it nobody would be here to feed you,” he says, but the fish isn’t convinced. “I don’t care as long as the bastards are dead!” This is definitely one of the bitterest CGI animals outside of, obviously, Garfield. (read the rest of this shit…)
The new Steven Seagal picture comes out in the States today. I couldn’t wait so I already imported the UK version. I like the design of the American cover a little better, but I don’t regret a thing because the UK one has the all important “Steven Seagal is” before the title, something that’s been sorely lacking from Seagal movies lately, not to mention from movies in general.
(STEVEN SEAGAL IS A SERIOUS MAN. STEVEN SEAGAL IS A SINGLE MAN. STEVEN SEAGAL IS AN EDUCATION. STEVEN SEAGAL IS PRECIOUS BASED ON THE NOVEL PUSH BY SAPPHIRE. etc. ) (read the rest of this shit…)
I wasn’t planning to see THE BLIND SIDE, but I’d seen 8 out of the 10 best picture nominees already, and I heard it wasn’t that bad. So what the hell. Figured I could start filling out the checklist and have a review for Super Bowl Sunday.
Adapted from part of a Michael Lewis football book, this is the true story of how a completely uneducated homeless kid in Tennessee who barely spoke and didn’t know what an ocean was got brought into a private Christian school, adopted by rich white people, learned how to play football and got his grades up enough for a college football scholarship. He was Michael Oher, now an offensive lineman for the Baltimore Ravens. (read the rest of this shit…)
This is the kind of story that’s best to go in dark and just watch how things unfold. But I’m gonna have to describe some of it to explain the movie. At the start Jimmy (David Caruso) is on parole, he’s got a young daughter, and he and his wife (Helen Hunt) are both recovering alcoholics. She got a babysitter so they could go to a meeting together but he didn’t know that was the plan so he already went to a meeting by himself earlier. While he stays home watching the baby his cousin Ronnie (Michael Rappaport) shows up and begs him to come drive a truck loaded with stolen cars. Jimmy tries to throw Ronnie out (“I could go to jail just for talking to you”) but Ronnie has a broken finger and convinces his cousin that somebody’s gonna kill him if he doesn’t find a driver. And Jimmy’s the last on the list. (read the rest of this shit…)
Precious (Gabourey Sidibe) is a very overweight young black woman, afraid to talk in her junior high math class, fantasizing about being married to her teacher. She reminds me of the kid from BAD SANTA – a nice, kind of weird, troubled kid keeping to herself and holding up an emotionless face as everybody throws things at her (both literally and figuratively). So far it seems like problems we can handle. But then she gets called into the principal’s office and gets kicked out of school for being pregnant. With her second child. To her own father.
And trust me, it gets worse. This is like 5 minutes into the movie, including the opening credits. (read the rest of this shit…)
The LAWMAN season finale is on tonight, so before that airs I thought I should catch up on reviewing the previous two episodes. The show continues to be interesting to Seagalogists, each time throwing in a few new elements instead of simply repeating itself. These episodes include shit-talking Jean-Claude Van Damme, being mistaken for another famous action star, a sad look at the War on Drugs and a genuinely cute moment that will make you say “Aaaahhhhh, that was a genuinely cute moment.”
So I watched this poorly subtitled Chinese import of BANLIEUE 13 – ULTIMATUM, which I think is about to be released dubbed in the US as DISTRICT 13: ULTIMATUM, the sequel to what we call DISTRICT B13, which pretty much translates to “District District 13.” This one reunites Cyril Rafaelli (last seen tossed into a fan by John McClane) and David Belle for more near-future parkour and martial arts action.
It’s 3 years later and the government has made good on its promise for regime change, but nothing else. The district is still walled in, and the cops still treat everybody like shit. Leito (Belle) doesn’t want to let it go so he has a hobby of strolling around casually attaching bombs to walls and blowing shit up. Then he gets chased by cops and the gangs, or “clans,” get pissed at him because they sort of like their lives behind the walls and don’t want him fucking it up. (read the rest of this shit…)
hello everybody welcome to my first ever LIVE BLOG, I am watching E and there is alot to be said about this all new wave speed slimming ssystem. It is the most effective total body slimming system ever due to cardio, strength, speed slimming intervals.the reason why is the afterburn effect, it keeps burtning fat even as you sleep or drive. what i am getting at is they’re not announcing the thing yet
wait here it goes. did that guy just say viva rock vegas was gonna win? I’m tired
here they go. that’s ann whatsisidck from havoc
Hurt locker. what, blompkamp? i’m confused. not sure about these ones. hmmm, very interesting. ah, fascinating. something something, avatar. very farmiga from orphan, No surprise. wait, up in the air? that’s outside the box
ten nominees this year, changes the whole dynamicals. i’m hearing words. none of them are port of call. none of them are squeakquel. oh, district 9 again. well, that’s weird. butnothing too embarrassing.
big upsets this year: i don’t see terminator 2 in there, I don’t see wesley snipes. i think it is a little too early for me though
hope i will do many more liveblogginf for the futur thanks gan
Toss me a couple bucks a month, support the good shit, also get access to a bunch of exclusive writing. This is my primary source of writing money that has allowed me to cut down to part time at the day job. Thank you!
(NOTE: My ten year contract has passed on the Titan books, so I don't get residuals on them like I do WORM ON A HOOK and NIKETOWN, but I would love for you to read them because I'm proud of them)
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