Red Sonja (Brigitte Nielsen) is a warrior gal with red hair. Like all fantasy heroes her village was burned down and her parents were killed and she has to go on a journey where she will eventually save the world from the bitch that did it and throw her into some lava. Because she was a girl she also got raped (so we hear, luckily this is not a I SPIT ON YOUR GRAVE type approach) and that adds an extra dimension to the revenge.
So some ghostly spirit lady appears to her and tells her she’ll give her powers so she can get revenge. The only catch is she has to vow not to be “had” by any man that doesn’t defeat her in battle first. That’s kind of some fucked up magic small print, isn’t it? She got raped so she has to keep getting raped, basically? I’m against it. (read the rest of this shit…)

Two years ago give or take a couple days I wrote about
Luc Besson might be back. For a while there he was doing those ARTHUR movies for kids, then he said he wasn’t gonna direct anymore. To be fair I haven’t watched the ARTHUR movies, because in the U.S. the Weinsteins own them and only released them in a version where the characters are dubbed by Snoop Dogg and Madonna – I’m not joking about that, that’s for real. Besson also directed that black and white movie called ANGEL-A, which I haven’t seen and don’t even know which way to pronounce.
DETECTIVE DEE AND THE MYSTERY OF THE PHANTOM FLAME is the latest directorial work from Mr. Tsui Hark. Yeah, admittedly I still mainly love him for the Van Damme/Rodman/Rourke picture DOUBLE TEAM, but he’s actually a respectable director too. This was nominated for best picture in last year’s Hong Kong Film Awards. It lost to GALLANTS but #1 I personally liked this better than GALLANTS and #2 Tsui won best director anyway. Like Soderbergh over Ridley Scott. Take that, GALLANTS.
Months ago over on
I forget who it was that put this on my radar a while back when it was a big deal in Norway, but they were right, this is an interesting movie. NORWEGIAN NINJA is hard to describe. You’d kind of need to see it for yourself to understand. So I’ll try to explain it enough that you might want to see it for yourself and then understand.
TROLLHUNTER starts out exactly like any one of these post-BLAIR WITCH fakumentaries: 3 somewhat obnoxious college kids are making a documentary (about a bear poacher?) when they stumble across something scary (a troll) and shine some lights and cameras around the woods at night getting spooked by sounds and shadows. So it’s first time actors pretending to be non-actors trying to catch something on tape and we’re supposed to sit at home watching it and pretending we think it’s real so we can be scared if they “happen” to catch something scary blurred out on the camera for like 2 seconds. 
Yesterday I ran my last review from the Summer of 2001 10th Anniversary retrospective series, so let’s go over our findings. I hope I didn’t ruin it by spreading some of the reviews out to the anniversaries of their releases. I actually watched them all close together in chronological order and wrote about them but I wanted to have an ongoing series throughout the summer. At the end of this post I have the links to all of them in order in case anybody ever wants to read them in one long chunk. 
If a horror movie is a big hit, and it doesn’t look totally stupid, and especially if it ends up getting theatrically released sequels, I usually watch it at some point, just to give it a shot, or to understand it. For example after a while I sat down and watched all the SAW movies they had made up to that point, even though it was not something I had followed before. As a subscriber to Fangoria Magazine it is my duty. They got those “Chainsaw Awards” you can vote on every year, you want to take that shit seriously. But I always avoided JEEPERS CREEPERS. 

















