DYLAN DOG: DEAD OF NIGHT is a semi-clever and watchable but also not all that great or original supernatural detective type deal. It’s like CONSTANTINE but not as well directed and with more jokes.
Brandon Routh plays the title character (well, the “Dylan Dog” part of the title; the “Dead of Night” part is played by various undead creatures). I’m not really clear if “Dog” is his last name or if it’s just a cool nick name. Nobody ever calls him “Dylan Doggy Dogg,” but it might be short for that. Anyway he’s a private eye who is in on the secret information that there are vampires, zombies and other monsters living among us. (read the rest of this shit…)
Okay, that’s not official, but I’m going by the time honored rule that if the insider Hollywood people report a “short list” of possible directors it will go to one of the worst or least interesting on the list. For example this happened with THE WOLFMAN (Joe Johnston over John Landis, Frank Darabont, Bill Condon). In this case 
ASSASSINATION GAMES teams up two of the best working action guys, Jean-Claude Van Damme and Scott Adkins. They were already in THE SHEPHERD: BORDER PATROL together and will both be in UNIVERSAL SOLDIER: A NEW DIMENSION, but this is the first one where they’re co-leads. They play two elite assassins who work together after they realize they’re after the same guy (for Van Damme it’s business, for Adkins it’s personal). It would be one of the most anticipated DTV movies of the year if it wasn’t getting a negligible (Oscar qualifying?) theatrical release today. It’s not playing on my coast, but luckily I was able to get a DVD screener. (
So Captain America was in WWII in THE FIRST AVENGER, he’ll be revived in 2012 in THE AVENGERS, but what did he do in between? And specifically I’m talking about in the ’70s?
released July 27, 2001
CAPTAIN AMERICA: THE FIRST AVENGER is the last of the Marvel Comics soda can labels before next year when all the separate labels will be united into one all-star label called THE AVENGERS (the comics one, not the one with Sean Connery in the teddy bear costume). The IRON MANs, THOR and INCREDIBLE HULK were all on Dr. Pepper I believe, though, and this one’s on 7-UP. So it’s a whole new ball game. I think it dips a bit into the cheesy side visually and filmatism-wise, but it’s an enjoyable story that’s a little different from the other super hero guys and stands on its own better than THOR. In fact the way it leads up to this AVENGERS movie allows it to end on an odd emotional note that it wouldn’t have otherwise.
Remember THE WARRIOR’S WAY? Kind of an under the radar cowboys ‘n samurais movie from last year, director with no track record, Geoffrey Rush and Kate Bosworth in the cast, hard to know what to expect from that weird combination of factors. I heard it was pretty good, but I also heard it was one of those movies that’s pretty much all done in front of green screens. I almost went to see it for the week or two it was playing in theaters, but I chickened out, waited for the spinning disc. 
First we waited for them to decide to release HAYWIRE (it’s set for January 20th), now thanks to the nerds of comics conventioning they decided to also try to advertise it. They had a panel at the San Diego Comics Club (anybody go?) so they also released the poster and the trailer online.
I got an email recently from Ricardo S., who recommended I should see this new movie SECUESTRO EXPRESS which he said was very popular in his country of Venezuela and “We usually don’t give a shit about our own films here, because, they usually suck balls.” So I filed that title away in the back of my mind and remembered to rent it and now here is my review.
This guy Vlad Martinescu contacts me every once in a while to keep me up to date on Jean-Claude Van Damme happenings. He wrote to me today to tell me I should post about the upcoming super-limited theatrical release of 
