If you read me alot you’ve probly seen me rambling about my love for the writer Charles Willeford now and then. He’s the guy that wrote the books of COCKFIGHTER and MIAMI BLUES and also one I love called The Burnt Orange Heresy that Neil Labute is supposed to be doing, although I don’t see how it would work as a movie. (It’s about a sociopathic art critic, told in first person, and he thinks he’s the good guy.) Back in 2005 I reviewed the little-seen gem of a movie version of THE WOMAN CHASER. Since then I read the book and respect the movie even more because it’s a very faithful and well done adaptation, but I rarely run into anybody who’s even heard of it.
So I was surprised and excited by the new WOMAN CHASER episode of Mike (not the guy who did CHUCK AND BUCK) White’s The Projection Booth podcast. He talks about the movie and interviews director Robinson Devor (who went on to do the acclaimed horsefucking documentary ZOO), executive producer Joe McSpadden and star Patrick Warburton. Since I knew very little about the making and even release of the movie this was really enlightening. Among other mysteries it explains why to this day it’s only been released on VHS.
I should probly cast more of these episodes into my pod. Of the ones I’ve listened to I would recommend the interview-heavy look at THE WARRIORS and especially their excellent ROBOCOP episode. I was impressed by the interviews with Ed Neumeier and others, and also by the use of ROBOCOP related novelty songs between segments. And wait a minute, Monte Hellman shot which scenes!? That episode turned my world upside down.

Is SUPER HEROES a DECLINE OF WESTERN CIVILIZATION for the Nerd Age? This more-interesting-than-I-expected documentary takes a look at the burgeoning subculture of “Real Life Super Heroes,” people who create their own comic book inspired personas and costumes and “fight crime” (which seems to mostly mean walking around at night with other Real Life Super Heroes).
Oh, is this what “hipsters” are that everybody’s always worried about? I can never really tell. I definitely don’t think these are “geeks,” unless it’s the honorary kind that have to have somebody on the internet vouch for them, like “no, Vin Diesel really is a geek, he showed me he had Dungeons and Dragons dice in his glove compartment.” No, I get the idea these guys are hip, and therefore hipsters. But they might just be civilians. I’m not very good at this.
Holy shit! There’s another good werewolf movie! And it’s from the ’90s. This is not really one of my favorite subgenres, but there’s definitely a couple good ones of this type. Obviously AN AMERICAN WEREWOLF IN LONDON is one of the greatest horror movies of all time and still the most perfect specimen of the scary/funny balance. Then I like THE HOWLING 1&3 and GINGER SNAPS is pretty good with decent sequels by DTV standards (even if they were theatrical in Canada). And DOG SOLDIERS I remember enjoying. The end.
FIREFOX – not the cinematic adaptation of the popular web browser, but the spy thriller – was the Clint Eastwood movie I chose to watch on Veteran’s Day. It’s not a war movie, but Clint’s character is a Vietnam vet who suffers from PTSD and has flashbacks during stressful moments. This wasn’t really the best choice of an Eastwood movie to watch, it turns out. Unfortunately it’s a pretty dull one.
THE REUNION is another entertaining and kinda unexpected release from the prestigious WWE Studios. Even more than INSIDE OUT it doesn’t really follow THE MARINE’S approach of just sticking one of their wrestlers into the lead of a formula action movie. This one’s an ensemble crime comedy with only one wrestler, WWE Heavyweight Champion of the World or whatever John Cena, as Sam, one of three estranged brothers forced to work together in a family business to earn a big-ass inheritance. The other two brothers are Leo (Ethan Embry), a fast-talking fuckup bail bondsman, and Douglas (Boyd Holbrook), a James Dean type leather-jacket wearing, brooding, fresh-out-of-lockup half brother they didn’t even know about ’cause he grew up in youth homes. Embry wears an I’m-quirky-and-sort-of-retro hat like Michael Rapaport in INSIDE OUT or like a less boneheaded Matt Dillon in THERE’S SOMETHING ABOUT MARY.
Well I’m not gonna start reviewing circus acts in my opinion but last Thursday I did go see the Michael Jackson themed one that’s touring around like a monster truck show so I thought maybe it would be worth writing down a few thoughts about it.
Okay, let’s do some DTV math here. If there’s a new Jason Statham movie, I’m probly gonna watch it. If it also has Mickey Rourke, Ray Winstone and Ben Gazzara in the cast I’m even more probly gonna watch it. All of these people do crappy movies sometimes, but they’re actors I like, so with all of them together that adds up to hope.
THE HIT LIST is a DTV suspense thriller with a great, almost Larry Cohen type premise: 2 drunk guys in a bar commiserate over their shitty days; one claims to be a hitman, the other plays along and writes down on a napkin the five people he’d like dead. And then of course, in the hung over haze of the next morning, he finds out that #5 on the list, the boss that passed him over for a promotion, has been assassinated. Oh shit. So he has to put the kibosh on this thing, if not immediately then at least before the motherfucker gets to #1 on the list. I mean yeah, he caught her cheating, but he doesn’t want his wife dead. They haven’t even tried counseling.
POWER KIDS is another Thai action movie but for kids. It stars the same two girls from MUAY THAI GIANT plus three boys, and no giant. There’s the Thai Wil Wheaton as sort of the main kid, the Thai Corey Feldman as the slicked back hair charmer guy who thinks he’s hot shit, and the first kid’s little brother who has a weak heart.

















