I’m kinda hesitant to write about this on Halloween, but holy shit, that’s crazy news that George Lucas sold off all his shit to Disney for $4 billion plus and that they’re gonna make STAR WARS 7, 8 and 9 and (if people are reading this right) 1o and 11 and 12 and 13 and more every two to three years until the superstorms swallow us up.
My initial thoughts:
1. I can’t help but see this as the Nerd Empire celebrating the expression of an individual artist making the official switch to a Franchise, a Property, a Trademark. I think I read something on the internet a while back about how some people only like the earlier Star Warses, but still. It was clearly the vision of one particular guy, who took independent film far beyond what anybody else ever did. There is something about even those prequels that you hate so much that is clearly him. Nobody else could or would make movies like that, both the good parts and the bad parts. And that’s why Star Wars is special. Not because of the pajamas that you remember you had. Although I’m sure they were great. (read the rest of this shit…)


PLEDGE NIGHT, that could be a good slasher movie, right? It’s got “Night” in the title, that’s scary. Implies a horrific massacre that occurred on one specific date in history. And after dark. The “Pledge” part means it takes place at a college, so it’s the young people whose blood usually fuels the slashers, but not too young. Kind of adults, in a way. I don’t know.
Here’s another one that doesn’t really fit the slasher definition I was looking for, but it’s such a better version of kind of the same premise as HIDE AND GO SHRIEK that I welcome it. This one is Australian, the directical debut of Stephen Hopkins, whose second and third films were A NIGHTMARE ON ELM STREET 5: THE DREAM CHILD and PREDATOR 2.
“I hate all this scary stuff you guys, come on!”
“Listen to me, I am not losing my daughter to a god damn 900 year old goat head!”
THE POOL is from 2001 and is one of these slick studio style slasher movies that came out because of SCREAM. I guess Australia got 
THE LOST pulled me in right away. On the screen it says “Once upon a time, a boy named Ray Pye put crushed beer cans in his boots to make himself taller.” And to the tune of what sounds like an old rock ‘n roll tune (but is actually a modern song I guess – the time period of the movie is indistinct) we see these boots strutting awkwardly toward an outhouse. Their owner surprises a buxom young girl (Erin Brown, better known as Misty Mundae) on her way out, buck naked. “I thought we were alone out here,” she says, embarrassed. He asks her if she has a cigarette.

















