How are you gonna get em back on JUDGE DREDD with Sylvester Stallone when they’ve seen DREDD with Karl Urban? The new version is lower budget and streamlined and way better. It’s dedicated to the purity of this fascist character and the ugly world he lives in, and doesn’t worry about commercial considerations. (And sure enough did not do well commercially.) The new version is cool because it’s just about this larger than life character on one day doing one job. The old one, of course, had to be the story of the biggest thing that ever happened to Judge Dredd. It has all the weaknesses of calculated blockbuster type filmmaking, and only some of the strengths.
But you know what, it’s pretty fun to watch. There’s alot of good shit in here anyway, especially at the beginning. It’s a little better than I remembered. (read the rest of this shit…)

Here’s an interesting oddity, a 1975 b-movie sleazefest about rape, racism and rednecks, exploitation but with bursts of SWEET SWEETBACK type artistic pretension. According to the historical essay in the extras it was actually financed by a notorious Atlanta pornographer named Michael Thevis (he also funded Oliver Stone’s SEIZURE). 
How do you make a narrative film about Alfred Hitchcock filming PSYCHO? Adequately.
With DIAL M FOR MURDER fresh on my mind I was really curious how they updated it in the 1998 remake A PERFECT MURDER. In this one Michael Douglas plays the scheming husband, Gwyneth Paltrow is the wife and Viggo Mortensen (when he was still a rising character actor and not yet the guy from LORD OF THE RINGS) is her boyfriend.
DIAL M FOR MURDER is a minimalistic talk ‘n murder from our boy Alfred Hitchcock circa 1954. It doesn’t have the same “all in one shot” camera gimmick as ROPE (which was 6 years earlier), but it’s similar because 95% of it takes place in one apartment where an arrogant guy thinks he can get away with murder and an inquisitive guy tries to outsmart him and figure out what went down.
OZ THE GREAT AND POWERFUL could also be called WALT DISNEY’S SAM RAIMI 3D. That’s what I was hoping to see, and that’s what I got. If it had been a WIZARD OF OZ prequel movie made by somebody not as exciting as Raimi I don’t know that I would’ve even bothered, and it’s not my first choice of what he should be doing now that he’s stopped being a captive of SPIDER-MAN. But it turns out to be a better-than-expected use of Raimi’s time and mine.
I guess different people are free to interpret Elmore Leonard different ways, but to me he writes serious stories that are funny. As far as this movie is concerned he writes comedies. I guess that’s the GET SHORTY approach as opposed to the OUT OF SIGHT/JACKIE BROWN/Justified one. Too bad this isn’t as good as GET SHORTY.
MASTERS OF THE UNIVERSE is a Golan and Globus production starring Dolph Lundgren, but it’s a little more mainstream than that implies because it’s for the children, it’s based on action figures and on a cartoon based on action figures. I was looking for that same authorial voice and unique perspective we saw represented in the TRANSFORMERSes and GI JOE, but it turns out that’s Hasbro, this one is based on the works of Mattel. That’s like mixing up H.P. Lovecraft and Edgar Allan Poe. I feel like an idiot.

















