15 MINUTES is a transitional Robert De Niro thriller bridging the Everybody Respects Robert De Niro era with the Robert De Niro Is a Guy Who Stars In DTV Movies With 50 Cent one. Here De Niro plays Detective Eddie Flemming, famous NYC supercop who steps on the toes of younger hot shot Fire Marshal Jordy Warsaw (Ed Burns in a practice run of his sidekick character in ALEX CROSS) when both report to the scene of a deadly apartment fire.
Eddie is famous for being on the tabloid show Top Story, where he lets the host, Robert Hawkins (Kelsey Grammer, Cheetos*), follow him on busts, so everybody treats him like a rock star and it pisses Warsaw off. But he really has been around the block and has alot of wisdom to share, so it’s a buddy movie where they butt heads but then he unexpectedly goes out on a limb for the kid and sort of mentors him and what not. All that type of stuff.
But also this is a satire about this crime celebrity culture, that’s what that title’s about. Back in the late ’80s, early 2000s we were very concerned about tabloid news shows and their morbid obsession with O.J. Simpson, the Menendez Brothers and etc., so here is a movie coming years after after MAN BITES DOG, SERIAL MOM, NATURAL BORN KILLERS, SCREAM, etc., and hitting at kind of an embarrassingly obvious target in my opinion. But it does get a little bit of novelty by framing it as the American dream, showing a crime spree committed by two European immigrants (introducing Karel Roden and Oleg Taktarov) who have come to America seeking opportunity. Well, actually to collect their share of the money from a bank robbery, which it turns out their buddy already spent while they were in prison. Whoops. Sorry fellas.
By the way I wonder if they ever met Yuri Boyka in prison? (read the rest of this shit…)
You know, if I find some funk record I never heard of I look at the year, if it came out between 1970 and 1976 then I get higher hopes. ’77 and later is risky. This is a similar concept. There’s still a few Dolph Lundgren pictures I haven’t seen, but I figured COVER-UP was the most promising one because of where it came in his filmography: 1991, that glorious time between the late ’80s and mid-’90s when American action movies were reaching their peak fitness levels, their maximum potential. Dolph did 
The traditional action hero is a loner. He might have friends, but he lives and travels by himself. He drifts into town on a motorcycle or on foot, or he lives alone in a filthy apartment, loft, car, or trailer. Maybe he has a kid, usually a daughter, but if so she’s likely been kidnapped and he’s trying to get her back. He might’ve had a family before, might be seeking revenge for their deaths. More likely he just screwed it up. He was too obsessed with his job, or with a specific case or vendetta. She wanted him to quit. Couldn’t take all the worrying anymore. He meant well but he knows it was all his fault. Now he drinks.
Do you guys remember how LAST ACTION HERO was the big ticket for ’93?
In the opening of TEQUILA SUNRISE, Mel Gibson as “Mac” McKussic comes to a motel with a guy and a briefcase full of coke for one of those business transactions that guys with briefcases full of coke have at hotels. One of the guys who comes to meet him is Nick Frescia (Kurt Russell), talking cocky, hair all slicked back. Mac immediately knows that Nick is a cop so he talks his way out of the room and makes a run for it, doing a parkour-like swing from a balconly, nimbly hopping fences, ducking under a freeway overpass, trudging through water, dodging police searchlights. 
THE 13TH WARRIOR sounds like a pretty badass thing to be, but let’s be clear: Ahmed ibn Fadlan (Antonio Banderas) is number thirteen out of thirteen. In other words, the last guy to be picked.
Okay, so it’s got nothin on his fighting career, but UFC Hall of Famer Randy Couture hasn’t done too bad in his play for an action movie future. He’s had MMA-related bit parts like 
“You know, we are not getting along.”
We’ve all noticed by now that Sylvester Stallone has been trying to settle on the magic EXPENDABLES casting formula. The action icons (Dolph, Wesley, Arnold, Bruce, Jet) are surrounded by a protective layer of athletes (Couture, Austin, Ortiz, Rousey) and youths. For 
