"CATCH YOU FUCKERS AT A BAD TIME?"

Archive for the ‘Mystery’ Category

Brotherhood of the Wolf

Wednesday, October 2nd, 2002

The box’ll get you expecting some weird french version of CROUCHING TIGER, HIDDEN DRAGON, but I say it’s a 2000s Hammer movie. So you got a period piece with a mysterious beast eating people in a village, and the townspeople are trying to hunt it but they’re on the wrong track, and some colorful experts come to town to get the job done FOR REAL.

All that, but it’s the 2000s so they all do karate. Just like Charlie’s Angels, Mission: Impossible, X-Men, Superman, Charles In Charge, anybody that’s resurrected in the 2000s, they’re gonna do karate. Why? The Matrix. When? The 2000s. Where? A big screen near you. This includes not just americans, but also the French. The Musketeer did karate and Vidocq did detective style kung fu, and this movie introduces until-now-unknown traditions of French and Native American martial arts. Those scenes are kind of tossed in there, but it’s not quite as crazy as it sounds. If you like the movie like I did, it will probaly be due to the classic story of the monster eating the villagers, and the dudes trying to track the monster. Not the karate. (read the rest of this shit…)

A Good Month For the DVDs of Badass Cinema

Tuesday, September 24th, 2002

Yeah I know, this Iraq deal is getting even worse but let’s just take one fuckin column to talk about what I used to talk about, the movies.

This month has been hard on the wallet not just because of the economy but also because of numerous high quality dvd releases of important films of Badass Cinema. Today I will take some time to review a few of those dvds.

First of all we got my pick for the best movie of the year so far, BLADE II. I feel I have already written enough about the many fine qualities of this picture so I will focus this review only on the many fine dvd extras brought to you by one of our best directors, Mr. Guillermo del Toro. This is a part of the “New Line Platinum Series” which I have come to know and trust as a series of dvds with extra material above and beyond your “theatrical trailer” or your “chapter stops” or even your “weblinks.” (Does anybody really have a DVD-ROM drive? And if so, do they really need a dvd to figure out how to find the web site for BONES?) BLADE II is no exception, in fact it has even better extras than BLADE I. (read the rest of this shit…)

Blood Work

Saturday, August 10th, 2002

This latest directorial work by our greatest Badass Laureate, Mr. Clint Eastwood, didn’t go over too well in theaters. It was barely advertised and it disappeared about as fast as Mr. De Palma’s great FEMME FATALE. I figured how could you go wrong – starring Clint, directed by Clint, written by Brian Helgeland who wrote the Outlaw Award winning picture PAYBACK. But everyone told me it wasn’t too hot, kind of boring, with a predictable plot twist.

Well now I’ve finally caught up with it and although it’s not an outstanding new high for Clint like FEMME FATALE is for Brian DePalma, there is nothing wrong with it at all. In fact any fan of Badass Cinema owes it to themselves to see it as one of the only american pictures relevant to our genre this year. It’s an old school cop thriller but for some reason it reminded me most of IN THE LINE OF FIRE. I think one reason Clint has stayed relevant (well, up until now I guess since nobody saw this one) is because he acts his age. He doesn’t pretend to be a young man even if he’s kissing gals who are younger than him. He is very conscious of being an old man. (read the rest of this shit…)

Signs

Friday, August 2nd, 2002

There are bigger fans of M. Night Shymalan than me. He seems a little too nice to me, trying too hard to please everybody. They call him a new Spielberg but if so he’s a new Spielberg who skipped over the young vital years of Spielberg when he made shit like DUEL and JAWS. Still, I really like this young man’s style. He seems to have a couple of trademarks already. He treats supernatural themes very seriously and in a unique style that tricks mainstream audiences into thinking they are not watching a genre picture. He populates his stories with precocious child actors and movie stars who give uncharacteristically quiet performances. His stories have themes of tragedy and loss, and they are much more about character and suspense than about actual action. SIXTH SENSE was about discovering what’s goin on with these ghosts, not running from them or fighting them. And UNBREAKABLE was a super hero movie without a single scene of somebody swingin on a rope or shooting a laser or something. (read the rest of this shit…)

Dagon

Wednesday, July 24th, 2002

Well here we are with another slightly above average horror picture from Stuart Gordon, the guy who did REANIMATOR and a couple other halfway decent movies, but who seems to live next door to Full Moon Video or something. By this I do not mean that he only makes movies about little bastards like ghoulies, demonic toys, subspecieses, dollmen, shrunken heads, puppet masters, and etceteras. All I mean is that he seems to share alot of stylistic choices, collaborators and straight to video horror blood with those guys. But this is one of his movies that seems a little better. A little.

I know this one got a small amount of theatrical play here in seattle and that alone is an amazing accomplishment for Stuart these days. In case you are wondering it is not about dragons. If you look closely there is no R. In fact it is about a village of fish people, which could only mean that it is based on stories by Howard P. Lovecraft. (read the rest of this shit…)

Waking Life

Wednesday, May 8th, 2002

It took me a while to get to this one because 1) cartoons are only for children and 2) it wasn’t nominated for the best animated feature oscar so it must not have been any good. so I watched Jimmy Neutron instead.

Actually that is all bullshit. I know this movie was beloved by critics and people alike. I even talked to one dude who hates all Richard Linklaters other movies but liked this one. As you probaly already know this is a movie that Linklater shot on digital video, then had computer animators paint over the video in their computer programs and turn it into surreal computer art type business. What the plot is about is this kid is dreaming, but he can’t wake up, and everywhere he goes people talk to him about free will or lucid dreaming or show off that they have some wacky quirk like they pretend their car is a boat. (read the rest of this shit…)

Vidocq

Friday, April 12th, 2002

[Originally Written for The Ain’t It Cool News – received no response]

HARRY — A while back you were real excited about a french picture called VIDOCQ. It’s directed by the fellow Pitof, who did special effects type work for CITY OF THE LOST CHILDREN and ALIENS RESURRECTED and the joan of arc picture with Milla Jovovich. Also Marc Caro – the only man in the world who can say he directed DELICATESSEN but has never done a romantic comedy – designed the look of the characters. It’s based on some old detective character called Vidocq, who I guess must be the french Sherlock Holmes although americans have never heard of him on account of his name is spelled weird. (read the rest of this shit…)

Vanilla Sky

Saturday, December 15th, 2001

Vanilla Sky is an american remake of OPEN YOUR EYES, the second picture by the young spanish gentleman Alejandro Amenabar, who also did THESIS and THE OTHERS. After the movie I was saying to a gal that the ending was kinda different on the original, and the guy next to me was saying the same thing to his friend. Except he was just getting out of OCEAN’S 11.

Everything is fucking remakes now, huh? The above took place in Seattle, Washington, where as we speak the Dreamworks company is hard at work on an unneccesary remake of (the) RING. History has not been kind to american remakes of foreign pictures. Even when you get the same guy to remake it – like with THE VANISHING or NIGHTWATCH – the movie will piss everybody off and the director will be forgotten forever. (read the rest of this shit…)

Donnie Darko

Sunday, October 28th, 2001

I gotta admit I was surprised by this picture. It is about a young man (named Donnie Darko [that is why the movie is called Donnie Darko, it is the dude’s name]) to whom all the weird shit happens. Like for example a demonic rabbit lures him out of bed to a golf course, whispering mysterious type business to him in a spooky voice. In the morning he comes home and, you know, a plane engine has fallen onto his bedroom. Only one thing is, nobody knows what happened to the plane the engine fell off of. And it would be bad enough to have a plane engine fall into your room in the first place, then you gotta throw in all this mysterious bermuda triangle type business too. I mean he has a hard enough time just with school work now he has to deal with this shit.

This movie didn’t get much of a release and I don’t know, maybe it’s because it’s coming out in a time when Donnie Darko’s life doesn’t seem all that different from ours. Engines do fall out of the sky. I mean they have ax fights on planes now. They have shoe bombs and shit. They’re gonna have baboon attacks pretty soon, the way things are going in my opinion. Pilots gored by elephants after that. I mean why do they allow elephants in the cargo hold anyway is what they’re gonna say. We shoulda seen that loophole. (read the rest of this shit…)

From Hell

Friday, October 19th, 2001

Maybe I mentioned that I’ve been on a documentary kick. I mean I’ve been watching the works of documentationists left and right. Not just BIGGIE AND TUPAC, but all the Maysles brothers direct cinema shit, Pumping Iron, Hoop Dreams, you name it. If it’s a documentary, and I’ve seen it, then I’ve seen it lately. But as great as some of these movies are, only some of them are greater than 2000’s Outlaw Award Winning picture AMERICAN PIMP by the Hughes Brothers. This is the definitive pimpumentary, I don’t care what you say about PIMPS UP, HOES DOWN it’s no AMERICAN PIMP.

The Hughes brothers are identical twin brothers who look the same. Because they are identical twins. Other than that, they seem very down to earth. They got alot of attention very fast with the huge success of their first picture, MENACE II SOCIETY which basically started the whole “young black director makes first low budget movie about life in the hood” thing back in the ’90s. They followed that up with the underrated heist/Vietnam movie DEAD PRESIDENTS, which got bad reviews and which they disavow on every subsequent dvd release. (read the rest of this shit…)