"I'll just get my gear."

Archive for March, 2004

Never Die Alone

Friday, March 26th, 2004

Well for a while now I have been saying that this young man DMX is gonna do some good movies. He started out in a flawed but very artful crime picture called BELLY, before buddying up with Jet Li and my man Seagal and then riding around on those go-carts and doing wheelies and shit. (I guess I better rent that one.) He is still not a very convincing actor but he just has such a presence and charisma that I have faith in the dude for some reason. Too bad it’s not panning out so far.

See, I really thought this was gonna be his breakthrough. It’s the first movie where he does not have a co-star of equal or greater “star power.” He is the main attraction. And at the same time it is not some Hollywood action vehicle that the Rock or somebody turned down, it is an independent crime movie based on a novel by the legendary black crime writer Donald Goines. Also it’s directed by the sometimes decent director Ernest Dickerson, who has some credibility because he used to be Spike Lee’s cinematographer. Also because I kind of liked BONES. (read the rest of this shit…)


Thursday, March 25th, 2004

Hey folks, Harry here… I’m so envious of Vern… he’s seen STARSHIP TROOPERS 2 – and while I know it was shot for 3 shiny canadian loons, I can’t help but hope it has more pretty people with vacant eyes being torn to shreds by big bugs! I can hope… right? Here he is…

Dear fellas,

As promised back when I reviewed WILD THINGS 2: DARK TERRITORY, I have returned with a review of STARSHIP TROOPERS 2: HERO OF THE FEDERATION, a much better straight to video sequel in my opinion. But that’s not saying much. But it’s okay though.

This part 2 is directed by Mr. Phil Tippett, the special effects genius who worked on such other part 2s as STAR WARS part 2, INDIANA JONES part 2, ROBOCOP part 2 and HOUSE part 2. He was also “demon supervisor” on THE GOLDEN CHILD part 1. He has his own studio which did some of the effects in BLADE part 2, in case any of the talkbackers were wondering how I was gonna work that one into this review.

Anyway more importantly Mr. Tippett did the effects for the first STARSHIP TROOPERS and he has also brought back the same writer, Ed “I also did ROBOCOP” Neumeier. So we’ve got some of the same people involved, even if we’re missing the crucial ingredient of Paul Verhoeven, perverted Dutchman. (read the rest of this shit…)

Dawn of the Dead (2004)

Thursday, March 18th, 2004


Hi, everyone. “Moriarty” here with some Rumblings From The Lab…

Next up, we’ve got our friend from Seattle, the one and only Vern…


A few months ago I would not think I would be saying this. But I just saw the DAWN OF THE DEAD remake, and I did not want to perpetrate violent acts against anybody afterwards. Not the Scooby Doo guy, not the commercial director guy, not anybody. If the Scooby Doo dude would’ve been standing right there when I came out, and there was a clear opening to punch the guy hard in the balls, or toss him through a windshield like Steven Seagal did to that pimp in the opening scene of OUT FOR JUSTICE, I still wouldn’t have done it. I would’ve been like, “It’s cool man, it’s cool.”

That’s high praise. I would not punch the writer of this movie in the balls. Put that on the poster, fuckers. (read the rest of this shit…)

Vern on the 2nd ‘Reel’ CINERAMA Film Festival in Seattle!

Wednesday, March 10th, 2004

Hey folks, Harry here with Vern… he’s our magical little friend from up in Seattle and he doesn’t like KRULL! What sort of soulless mutherfucker doesn’t dig on KRULL! KRULL is the film that introduced the GLAVE and THE GLAVE is the fucking weapon of choice in my D&D household! And the Spider sequence… the sand in the hand… Ancient bitter love… FIRESTEEDS! Oh absolutely it’s got levels of funk 4 feet deep all about, but I love all sorts of crazy shit in that movie, and would love to see it in 70mm. ENVY! Ok, here’s Vern, who I still like, even if he’s too backwoods to get KRULL!

Boys –

Every once in a while – or once a year, I guess – Seattle’s landmark Cinerama (Cinerama.Com) theater has a film festival where they show a bunch of archival 70mm prints and a couple in actual 3-projector Cinerama. And then a bunch of people watch the movies, etc.

This year some of the films shown include LAWRENCE OF ARABIA, HOW THE WEST WAS WON (in 3-strip Cinerama), THIS IS CINERAMA, OKLAHOMA and IT’S A MAD, MAD, MAD, MAD WORLD. I forgot to go to those but I saw GHOSTBUSTERS, TOTAL RECALL and KRULL instead. All in 70mm. (read the rest of this shit…)

Vern Has Seen WILD THINGS 2!! No… Seriously…

Monday, March 8th, 2004

Hi, everyone. “Moriarty” here with some Rumblings From The Lab…

This got lost in the e-mail last week, which sucks. An unpublished Vern review is like an unrecorded McCartney/Lennon song. Even if it’s for WILD THINGS 2.

Howdy boys

Not sure if you got this review that I sent you boys last week. Maybe you didn’t feel it was up to my meticulous standards. But I feel the people have a right to know. A right to know that there is a WILD THINGS 2.

So yep, I saw WILD THINGS 2. Unneccessary direct to video sequel to underrecognized 1998 John McNaughton masterpiece. And believe it or not I’ve been waiting for this one anxiously. Not expecting it would be anything other than garbage, but just hoping on the off chance that maybe it would be fun. Yeah, I’ll give you two guesses which one it was. The first one. The one about the garbage, and the not being anything other than, or whatever it was I just said. (read the rest of this shit…)

2001: A Space Odyssey

Friday, March 5th, 2004

Lately I’ve only been reviewing current movies, but as you know, the Hollywood Reporter had a story the other day that MGM has hired a first time director to do a “re-imagining” of 2001 with “modern pacing and music” that will “take full advantage of state-of-the-art digital effects.” The director is not someone I’m familiar with, but they say he is perfect for the job because he’s done alot of music videos and won a couple of Miss Clio awards for his commercials. So before they ruin it I thought I would revisit Kubrick’s masterpiece of space ballet and shit.

No, don’t worry, I’m just fucking with you. They’re not doing a remake, as far as I know. But you almost believed it, right? Because it’s so awful, so wrong, so undeniably vile, that someone is definitely going to have to do it eventually. They came for Hitchcock and Hooper and Romero and Carpenter and Walking Tall and Amityville Horror and House of Wax and they even tried Billy Jack. They already got Charade and Planet of the Apes and Dr. Seuss. They burrowed into the brains of Lucas and Spielberg and Friedkin and Scott and made them second guess their younger, better selves. And now they’ve got their greedy bastard eyes on Kubrick. You fucking know they do. They’ll wait until his assistant is dead and his assistant’s grandchildren or whatever it takes, but the day it becomes possible, they dig out the contracts and they sign them in blood and they will swallow one end of 2001 and suck it down like one of those threads the yogis use and pull the entire movie out through the ass and into a paper shredder. You already know this, but I’m telling you this, because we need to get this out in the open, for our own good. We need to face the inevitable. (read the rest of this shit…)