Alex Proyas’s new fantasy GODS OF EGYPT debuted at the top of the box office this week, ahead of ZOOTOPIA and DEADPOOL. Only in Russia, though. Here it’s a disastrous flop with merciless reviews.
Honestly this movie was dead the second they released a trailer. I don’t think I ever once saw it discussed in any context other than a criticism of “whitewashing,” since its lead Egyptian gods are played by white Europeans. Obviously a poor choice. Otherwise my take on the trailer was different from the conventional wisdom. I say appealingly weird, you say hahaha razzies haha sobaditsgood howdidthisgetmade haha.
Reading the headlines of the savage reviews, and seeing the weird stills accompanying them, pushed me to not miss it in the theater. At the multiplex here it opened with only two 3D screenings and two 2D each day. By comparison a nearby theater has three each of Stephen Chou’s THE MERMAID, for which Sony has been criticized for having too small of a release. (Sorry, I didn’t see that. I’m an asshole.)
The main thing here is that it’s Alex Proyas. I wasn’t gonna get my hopes up, but I didn’t trust the responses of normal people on a movie by him. Those guys said KNOWING was terrible too, for many of the same reasons I enjoyed it. In fact, his movies wouldn’t be as fun if they didn’t put some people off. They have a little bit of that “how did he get away with this?” appeal.
The good news is GODS OF EGYPT is not as bad as they said. The bad news is it’s not as crazy I’d hoped. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.