One thing that would really help with the class tensions in the world would be if the rich people would stop betting on so many fucking death matches. I don’t even care if the combatants entered the competition by choice (like in BEST OF THE BEST 2) or if they were kidnapped (like in this). Whatever the context, fancy dressed motherfuckers lustily cheering for bloody death in the ring, cage or arena sends the wrong message about the value of the working man’s life. These fighters, there’s usually one or two greedy ones, one or two assholes, but for the most part they’re just human beings in a bad spot. They gotta feed their family or pay back some money so they don’t lose the dojo or the mob doesn’t kill them or whatever. Or in this one they’ve all been abducted along with their kids and moms and stuff who the bosses are threatening to kill if these ladies fail to fight to the death. You gotta have some respect for their situation and cool down with all the gleeful cheering and high-fiving, you know?
RAZE seems influenced by HOSTEL – victims locked in a dingy, windowless sanctum for the entertainment of rich sickos. Instead of being there to be tortured it’s the ol’ “they’re watching the live feed” as the fighters, all women, are forced to beat each other to death. The killing with bare hands is not 100% believable, especially from the girls who’ve never fought before. But it’s not pretty. It’s repeated head-bashings, strangulation, neck snaps, thumbs in eye sockets. Pretty brutal. The actors and stunt women acquit themselves well, but it’s rare that a shot shows more than one hit without cutting, and that’s a problem. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.