Posts Tagged ‘Paul Thomas Anderson’

Magnolia

Saturday, January 1st, 2005

This is a good picture by a Cinema Artist who knows what the fuck he’s doing but still it’s almost too much for ol’ Vern and I’m gonna tell you why. But hold on there bud I’ll get to that in a minute.

The movie starts out with the song “One is the Loneliest Number” and maybe it’s just me but I don’t think it’s a coincidence that every one of the motherfuckers in this movie is lonely as hell. You got the divorced cop who drives around talking to himself about his job pretending he’s on COPS. You got the young coke snorting gal who sleeps with older dudes like myself and enstranges from her parents. You got her dad, the game show host dying of cancer; you got the TV brainiac kid that hates answering questions, the former brainiac that wants braces for god knows why, the old man on his deathbed, his emotionally unstable young wife, his nurse… I mean I could go on all day but you might as well just see the thing and make a list of all the characters yourself. I mean hell I know I’m Writing a review here but you can’t expect miracles out of me jesus.

Like I said the dude making this movie knows his shit when it comes to the Art of Cinema. This is one of those intoxicating type filmmaking movies where you just get drunk off how great it all is. The casting is all perfect, even the minor characters like two guys that own a furniture store. You always feel like you’re seeing a scene you’ve never seen before, even if it’s something as typical as a pig interogating somebody or a lady picking up pills at the pharmacy. All of the acting is fucking spectacular and there’s a lot of good characters. Now I can’t believe I’m saying this but one of my favorites was this cop. I mean the guy’s an idiot, as well as a cop, but after a while you start to feel sorry for the dude. I mean he falls down in the mud and loses his gun and suddenly everyone on the force acts like he wet his pants or something. (more…)

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Punch-Drunk Love

Friday, November 1st, 2002

This is the new Adam Sandler picture, but instead of being directed by one of his college roommates, this one’s by a real director, “p.t. anderson” (a.k.a. Paul Thomas Anderson, director of HARD EIGHT, BOOGIE NIGHTS and MAGNOLIA). Mr. Anderson – not to be confused with Paul “not Thomas” Anderson, director of RESIDENT EVIL and crap – is one of these virtuoso younger directors that’s so obviously talented that people bend over backwards to prove he’s overrated. Not too many people saw HARD EIGHT but they’ll tell you BOOGIE NIGHTS was a ripoff of Scorsese and MAGNOLIA was a ripoff of Altman and now they’re saying PUNCH DRUNK LOVE is good for an Adam Sandler movie but it’s Anderson’s worst.

Well I’m not sure I agree with that. Sure it’s a little lighter just because it’s not long and it’s got two main characters instead of a whole ensemble. It’s not an epic. It’s smaller than the last two. But it’s his most original, and maybe his most genuine. Now he steps out from the obvious comparisons to other director’s styles and shows you which parts are the p.t. anderson style.

It’ll be funny if people go in expecting THE WATER BOY and get this instead. This is clear in the long, quiet opening scene where Sandler sits by himself in a big garage mostly just drinking coffee and talking on the phone about the regulations of a sweepstakes offer. It’s a less cartoony, much more vivid world than you’ve ever seen Sandler in, but it’s also full of surreal touches and mysteries, like the organ that somebody drops off on the street and he decides to keep it. (more…)

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