I'm not trying to be a hero! I'M FIGHTING THE DRAGON!!

Posts Tagged ‘Milo Ventimiglia’

Rocky Balboa

Tuesday, November 24th, 2015

tn_rockybalboaI already reviewed ROCKY BALBOA when it came out, but it’s such a great movie I wanted to checked in on it again.

It’s hard to believe this humble character drama is Stallone’s directorial followup to the rock n roll tall tale ROCKY IV. The style, the content, the tone, even the character are from different planets. This one has zero (0) Survivor songs in it and it reminds me less of ROCKY IV than of later Clint Eastwood directorial works: quiet, mournful, wintery colors, gentle piano scoring, character driven, raw. And the trashy people who give Rocky a bunch of shit at a bar could be family members from MILLION DOLLAR BABY.

This is a more pure ROCKY I throwback than ROCKY V was because Rocky’s life is simple, humble and gentle again. He’s not poor – he owns a restaurant called Adrian’s – but that’s not exactly high roller shit. He actually runs the place, seems to be there every day to greet customers, does the hiring and shops for some of the ingredients himself. It’s small, and Paulie makes fun of his “Italian food made by Mexicans.”

That Adrian has died since part V is crucial. Even in V, when Rocky lost “everything,” he didn’t lose Adrian. Rocky is alone again, but seems to take it in stride, because he’s Rocky. Although the beginning is specifically about marking the anniversary of Adrian’s death by visiting important places like the ruins of the skating rink where they had their first date, I get the feeling that the shot of him sitting contently at her grave in a folding chair is a pretty regular occurrence. And I love that Paulie lingers uncomfortably on the perimeter just like he did in II when she was in the hospital. He’s very aware that he’s an asshole and doesn’t deserve to be near her as much as Rocky does. He’s tormented by how he treated her. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Wild Card

Friday, February 6th, 2015

tn_wildcard“I can take care of things. That’s all you need to know.”

In WILD CARD, Jason Statham plays Nick Wild (seriously), a legendary special ops badass who now works as an all purpose “security consultant” for hire. That’s not going well for him, though. He shares his office with a lawyer (Jason Alexander from THE BURNING) on the strip mall outskirts of Vegas, most of his friends seem to be prostitutes, hotel maids, gangsters or casino employees, and he gets such glamourous gigs as getting fake beat up by Vinnie from Doogie Howser to impress a Sofia Vergara. It’s hard to bask in your own greatness when you’re such a fucking loser. So in that sense this is less like THE TRANSPORTER and more like REDEMPTION (where he starts out as a homeless crackhead).

He gets a couple “Just how badass is he?” speeches, but one of them is by himself, and ends with “And I lie alot.” As cool as this guy is – his name is Nick Wild, for God’s sake! – everybody knows he’s a fuckup, and this is underlined by casual comments about the mediocre value of his life. When a friend wants him to get involved in something dangerous and he asks “What if they kill me?” she says “I’ll be miserable for days.” Not years, not months, days. Later a gangster wants to hear his side of the story before killing him just because if he was innocent of what he was accused of “I would feel dreadful.”

If some of this sounds familiar that’s because it’s a remake of HEAT. Not the one by Michael Mann, the 1986 one with Burt Reynolds and based on the book by William Goldman. It counts as a remake though because they re-used Goldman’s old script with just a few tweaks, like Van Sant did with PSYCHO. (In fact, Anne Heche is even in this. But not Vince Vaughn) They changed his name from Nick Escalante and added references to his Britishness. He says “mum” in one part. And I noticed big changes in the action parts (I missed a trick Burt did to light a guy on fire, and a scene where he torments a guy in the dark). But mostly, from what I could remember, it’s scene-for-scene the same. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.