“I’m Paul Barlow, and this is my daughter Jo.”

“Malone.”

“You got a first name?”

“Yeah.”

Posts Tagged ‘metal’

Blood Tracks

Wednesday, October 17th, 2018

I noticed there are a couple still-only-on-VHS horror movies that are heavy metal themed, and that also seems to be a motif through some of the modern horror I’ve been enjoying like DEVIL’S CANDY and MANDY, so I decided to take a look at them in this special Slasher Search investigation (in association with Tape Raider). This first one is from 1985 and it’s about a hair metal or whatever type of band who make two major mistakes

1) For some reason thinking that a remote mountain area is a cool place to film their new video

2) Choosing the remote mountain area that’s protected by a family of anti-social brutes.

3) You know what, I’m gonna count #1 as two mistakes because why they hell did they think this would look cool in a video? It doesn’t even look cool in a horror movie. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Devil’s Candy

Tuesday, October 2nd, 2018

All I knew about THE DEVIL’S CANDY (2015) was

1) I think it’s one of those ones with some kind of satan/heavy metal theme and

2) I’ve been meaning to see it because it’s the second movie from Sean Byrne, the Australian writer-director of THE LOVED ONES.

That’s why it took me a bit to figure out that this is taking place in America, and that the big Pruitt Taylor Vince looking dude is in fact the genuine item, and most of all that the muscly, tattooed, long-haired, bushy-bearded Matthew McConaghey looking lead was CAN’T HARDLY WAIT‘s Ethan Embry. I only realized it like 2/3 of the way in when I checked IMDb for somebody else in the cast. And I’ve even seen him in grown up roles like CHEAP THRILLS and LATE PHASES. So this is quite a transformation for him.

Embry (Masters of Horror: Incident On and Off a Mountain Road) plays Jesse Hellman, an edgy painter who is able to move his family from a small apartment to a roomy house thanks to a combination of soul-grinding sell-out commissions and a two-people-died-here discount. But, as I personally have noticed sometimes happens in movies, there seems to be something demonic or haunted or cursed or evil or unlucky or fucked up or at least just super, super uncool about the place. I mean, we already saw in the opening that Ray Smilie (Vince, K-9, CONSTANTINE), the adult and seemingly developmentally disabled son of the previous owners, heard whispers telling him to kill. His method of shutting up the voices is to play his electric guitar loud, but his mom makes him stop. It’s like George Wendt and Macaulay Culkin at the beginning of the “Black or White” video, but with more deadly results. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.