When I first heard about PRIDE & PREJUDICE & ZOMBIES – the book where Seth Grahame-Smith inserted the undead into Jane Austen’s original text – it sounded like a clever public domain art project, something I could respect without wanting to actually read it. When I heard that they were making it into a movie it sounded like kind of a bad idea, but since David O. Russell was doing it I thought maybe it would be interesting. By the time Russell left and it was finally made by 17 AGAIN director Burr Steers I had written it off.
But then I saw the trailer, where the absurd premise was done with a straight face, and that was all I needed to get on board. I should’ve known better, too, because this is actually a repeat of what happened with Grahame-Smith’s second book, ABRAHAM LINCOLN: VAMPIRE HUNTER. The wackiness of the title made me groan, but then I enjoyed the deadpan movie version. To this day it makes me smile to think that that actor had to master both delivering the Gettysburg Address and spinning an ax.
So I should learn to trust this Grahame-Smith guy. He also wrote Tim Burton’s DARK SHADOWS, which I enjoyed. But more importantly he has a corner on this rare, ballsy type of movie: lavish, earnest productions of intentionally ridiculous historical drama/horror-action combos. Steers has the unlikely discipline to treat Austen’s story of courtship among the rich with utter respect even though he’s moved it to a post-zombie apocalypse London surrounded by a moat and wall and at war with the undead hordes. I actually found myself invested in Austen’s original love story regardless of any zombie business. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.