NIGHT OF THE HUNTED is a really tense, unsettling single-location thriller just released to Shudder. It’s directed by Franck Khalfoun (who did the Elijah-Wood-starring remake of MANIAC), and he co-wrote it with Glen Freyer, remade from the 2015 Spanish film LA NOCHE DEL RATON (NIGHT OF THE RAT). The premise is about as simple as they come: a woman on her way home late at night gets trapped in a gas station mini-mart by a sniper.
As usual in these sorts of set ups, the protagonist is already going through some drama. Alice (Camille Rowe, KNUCKLEDUST) was attending a convention for work with her co-worker John (Jeremy Scippio, UNDERBELLY BLUES). They’re driving in the middle of the night to get her home in time to see a fertility doctor with her husband Erik (Aleksander Popovic, KNOCK KNOCK 2). But we can see by the nonchalant way John gets into the shower in front of her that they’re having an affair. And we can see from Erik’s texts that they’re aware of problems in the marriage they’re trying to work out. She’s clearly wrestling with what to do with her life, and annoyed with John too, and then she goes in to get coffee, finds no one on duty to buy it from, and gets shot in the arm. (read the rest of this shit…)

It’s been a while since I’ve seen William Lustig’s MANIAC, but its memory lingers as a favorite movie somewhere in the scummy part of my brain. It’s not a slasher movie by my definition because it follows the killer the whole time, but that makes it more upsetting. Played by GODFATHER I-II supporting player Joe Spinell (who also co-wrote the movie), this maniac is a sweaty, disgusting mess living in the shadows of the flea-bitten New York City of 1980, the era of peep shows and grindhouses. He was the weirdo women had to worry about following them on the subway. He was literally the guy you didn’t want to run into in a dark alley, partly because he might be dumping a body in the garbage, and you don’t want any part of that.
It’s weird how the secret to a good movie idea sometimes is just to think of a really limited location and then figure out everything that could happen inside there. Like there’s that movie coming out where Ryan Reynolds is buried alive, and there was the one where Colin Farrell couldn’t leave the phone booth. There’s the building in 

















