Posts Tagged ‘stop motion animation’
Monday, June 3rd, 2024
THE PRIMEVALS is about an expedition to a forgotten land in search of ancient creatures untouched by evolution (but a little bit by aliens), and the incredible thing is that we as viewers are witnessing a similar miracle. The Ray-Harryhausen-esque fantasy film was first conceived and pitched in the late ‘60s by stop motion animators David Allen, Dennis Muren and Jim Danforth, and then had various false starts in the ‘70s and ‘80s, so by the time it was filmed by Allen with funding from Charles Band in 1994 it was already a throwback. Then Full Moon Entertainment’s financial situation stalled the completion of the animation, and the movie was left in limbo when Allen died of cancer in 1999.
You’d think that would be the end of it, but fortunately Allen left the storyboards and puppets with the right person – his friend Chris Endicott, an FX artist for many Full Moon and Marvel pictures. Another couple decades later, through Indiegogo funding and the hard work of many of Allen’s animator and VFX friends, the movie was completed and premiered at the Fantasia Film Festival last summer. I was able to see it a few weeks ago at the Seattle International Film Festival, and I had a great time with it. (read the rest of this shit…)
Tags: Charles Band, Chris Endicott, David Allen, Juliet Mills, Ken Ralston, Leon Russom, Randall William Cook, Richard Joseph Paul, stop motion animation, Yeti
Posted in Reviews, Fantasy/Swords | 15 Comments »
Wednesday, May 29th, 2024
For those who currently do or want to start patronizing me on the ol’ Patreon, I have posted my review of THE PRIMEVALS, Full Moon’s Yeti vs. lizard men movie that was the passion project of their top stop motion animator David Allen, first pitched in the late ’60s, filmed in 1994, and thought dormant when he died without quite finishing it in 1999. Now it’s been miraculously unfrozen and coming to VOD soon.
If you’re not able to or don’t want to give me money, I get it and I plan to post this particular one for free here very soon. But I gotta self promote and remind you every once in a while that for less than it costs to buy a refrigerator magnet at the $1.01 Store you can get access to a bunch of exclusive posts and help me continue to work only part time at the day job and put most of my time and mental focus into providing you the good shit here at outlawvern.com. Thank you!
Tags: David Allen, Full Moon Entertainment, Patreon bonus content, stop motion animation, Yeti
Posted in Blog Post (short for weblog) | 1 Comment »
Wednesday, December 28th, 2022
Well, would you look at that? Guillermo del Toro (BLADE II) finally finished his stop motion version of Pinocchio! Looks like it was first announced 15 years ago. Like with his Frankenstein and his In the Mountains of Madness I’d kind of given up on it ever happening. Then when it clearly really was happening it was stop motion so it took some years.
After all that it’s kind of a bummer that it’s a Netflix production with too limited a theatrical release for me to see it on the big screen. But they do seem to be promoting it more than most of their movies, and maybe more people will watch it at home than would’ve if a real movie company put it out. I don’t know. The point is he finally got to make it (co-directing with Mark Gustafson, a Will Vinton claymation veteran and animation director for THE FANTASTIC MR. FOX). And even better, I think it’s really good.
I wasn’t sure I would love it. I was a little put off in the opening, because this Geppetto has a young son named Carlo who is… dare I say, pretty annoying? Something bothered me about this boy (Alfie Tempest) who seems to have no friends, life or interests outside of spending the day with his strangely-old-to-have-a-young-son father. Mrs. Vern said I hated Carlo because he was an obedient little boy, which made me realize why he had to be that way: he’s what Pinocchio will think he has to live up to. But I don’t know, man. Of course it’s incredibly sad for this elderly man to lose his young son and only friend, but it would move me even more if the kid wasn’t so damn cloying. (read the rest of this shit…)
Tags: Alexandre Desplat, Cate Blanchett, Christophe Waltz, Ewan McGregor, Finn Wolfhard, Guillermo Del Toro, Mark Gustafson, Matthew Robbins, Patrick McHale, Ron Perlman, stop motion animation, Tilda Swinton, Tim Blake Nelson, Tom Kenny
Posted in Reviews, Cartoons and Shit | 8 Comments »
Friday, December 23rd, 2022
TOYS OF TERROR is a 2020 Christmas horror movie that’s exactly what it sounds like – a movie about toys coming to life and doing evil toy shit. It seems to have premiered on SyFy, and it’s on DVD and VOD. The director is someone named Nicholas Verso (BOYS IN THE TREES) and it’s written and executive produced by Dana Gould, the comedian, Simpsons writer and podcaster. I had no idea when I rented it that anyone notable was involved, and I respect that Gould seems to have just wanted to make a straightforward, non-parody Full Moon type movie. But it comes from the dystopically named “Blue Ribbon Content” division of Warner Bros. Television, responsible for some DC Comics web animation plus the DTV movies DAPHNE & VELMA and THE BANANA SPLITS MOVIE, and has better craft and production value than many of the actual Full Moon movies, especially the later ones.
It’s the story of a family coming to stay at a former children’s home that they plan to refurbish into a mansion and flip. (Same set up as The Haunting of Hill House.) It’s implied to be somewhere in Washington state, but it’s filmed in Canada – as usual, and as indicated by a cast full of actors you know are Canadian because of how many Hallmark Christmas movies they’re in. (read the rest of this shit…)
Tags: Christmas, Christmas horror, Dana Gould, Dayo Ade, killer dolls, Kyana Teresa, Nicholas Verso, stop motion animation, Verity Marks
Posted in Reviews, Horror | 2 Comments »
Thursday, December 1st, 2022
Here’s a story I may or may not have told before. It takes place on February 28, 2001. A few minutes before 11 am there was a 6.8 earthquake epicentered in the southern Puget Sound. I was at work and I saw some shelves wobble and a few things fall down, but nothing serious. Downtown there was some damage – some vehicles got crushed by falling bricks, and I remember a couple clubs where bands used to play in Pioneer Square (OK Hotel and Fenix Underground) were wrecked enough they went out of business. I called my roommate at home to make sure none of my stuff broke, and he made fun of me.
After work I went to Pacific Place to see this movie MONKEYBONE. All the advertising looked cheesy, but I was hoping it might be interesting because it was from Henry Selick, the director of THE NIGHTMARE BEFORE CHRISTMAS. Unfortunately the advertising was pretty accurate. I remember a couple times during the movie something playing on a bordering screen made a loud rumble that vibrated the whole row I was sitting in. I thought about the three escalators I took up through the mall to get to the theater, and the fourth escalator inside the theater that goes up to the floor where this one was showing, and I thought, “That’s an aftershock, and the building is gonna collapse, and I’m gonna die watching fucking MONKEYBONE.” (read the rest of this shit…)
Tags: Bob Odenkirk, Brendan Fraser, Bridget Fonda, Chris Columbus, Chris Kattan, Dave Foley, Doug Jones, Giancarlo Esposito, Harper Roisman, Henry Selick, John Turturro, Lisa Zane, Mark Ryden, Megan Mullally, Sam Hamm, Sandra Thigpen, stop motion animation, Thomas Haden Church, Whoopi Goldberg
Posted in Reviews, Comedy/Laffs, Fantasy/Swords | 21 Comments »
Wednesday, November 30th, 2022
Henry Selick, the director of THE NIGHTMARE BEFORE CHRISTMAS, just made his first movie in thirteen years. Stop motion animation takes a long time, of course, but not usually that long. (With the exception of MAD GOD.)
It’s not like he took a vacation. Only a year after CORALINE Selick moved from Laika to Pixar to start a new stop motion division called Cinderbiter. They actually animated much of a movie called THE SHADOW KING – $50 million worth – and then cancelled it. And then he developed a bunch of other movies with a bunch of other people that didn’t even get that far.
But now, finally, he has a new, completed and released one called WENDELL & WILD. He wrote it with Academy Award winning screenwriter Jordan Peele, it stars the voices of Key and Peele, it’s about demons and zombie skeletons and shit, and it has Selick’s eye for design and increasingly sophisticated stop motion, so it’s the kind of thing some people ought to be interested in, in my opinion. Only trouble is it was produced by Netflix, so they just squirted it out in a little glob exactly like Wendell & Wild squirt the cream that grows their father’s nose hairs (more on that later), so most of the people I’ve mentioned it to never heard of the fuckin thing. I read that it didn’t even make it into Netflix’s top ten when it came out, but the computer animated movie THE BAD GUYS did a couple days later when they picked it up after it had already been on DVD, blu-ray and Peacock for five months.
That doesn’t seem fair. I figured I should write a review just so it’s on record somewhere that WENDELL & WILD is a real, existent movie that was made and released and can be viewed with your eyes and everything. (read the rest of this shit…)
Tags: Angela Bassett, David Harewood, Fishbone, Henry Selick, Igal Naor, James Hong, Jordan Peele, Keegan-Michael Key, Lyric Ross, Maxine Peake, Phoebe Lamour, stop motion animation, Tamara Smart, Tantoo Cardinal, Ving Rhames
Posted in Reviews, Cartoons and Shit, Comedy/Laffs | 20 Comments »
Friday, July 15th, 2022
MAD GOD is a bizarre stop motion journey through the large intestine of a nightmare. It’s hard to describe (or know) what it’s about, but its version of the STAR WARS opening scroll is an actual scroll inked with a menacing threat from Leviticus. It ends, “I WILL MAKE THE LAND DESOLATE SO THAT YOUR ENEMIES WHO SETTLE IT SHALL BE APPALLED BY IT. AND YOU WILL SCATTER AMONG THE NATIONS AND I WILL UNSHEATH THE SWORD AGAINST YOU. YOUR LAND SHALL BECOME A DESOLATION AND YOUR CITIES A RUIN.”
Gee, thanks God!
The God of this movie may or may not be a weird priest played by REPO MAN director Alex Cox, one of a few live action characters seen briefly. He’s the one who sends a character I know from reading is called “The Assassin” – a man in a gas mask who is lowered in a diving bell past towers and rocks and layers of dinosaur bones and stone idols to a war-torn wasteland. He seems to be on a mission to set off a suitcase of dynamite deep in the earth, and most of the movie is a long journey downward, following an ever-crumbling map.
People who demand a strong narrative will melt into a puddle and be lapped up by weird crab monsters with human teeth. There’s a story here, but it’s all dream logic, told with mood, atmosphere and symbolism, not words. There’s virtually no human language that can be heard clearly – just some grunts like in those original Aeon Flux shorts. The score by Dan Wool of Pray For Rain (Cox’s guy since SID & NANCY) is crucial, but so is the sound design by Richard Beggs (TUCKER: THE MAN AND HIS DREAM, CHILDREN OF MEN), which helps bring life to these inanimate objects. It’s all ticking clocks, whirring servos, tinkling music boxes, puttering engines, rattling cages, crackling flames, clicking gears, flittering wings, collapsing earth, air raid sirens, explosions, gunfire, gnomes chirping like Jawas, babies crying in the distance, and most of all the sounds of the Assassin’s thick coat shifting around, and his boots crunching into dirt. (read the rest of this shit…)
Tags: ???, Alex Cox, Phil Tippett, stop motion animation
Posted in Reviews, Cartoons and Shit, Science Fiction and Space Shit | 9 Comments »
Tuesday, February 16th, 2016
ANOMALISA is a sad, sometimes funny story about loneliness and petty, ugly human nature. If I told you it had some bizarre, seemingly unfilmable premise then that would all add up to tell you it was a Charlie Kaufman film, but it actually doesn’t have that. It’s just about a guy who travels to Cincinatti to speak at a convention and the night he spends at a hotel. Nothing crazy. It’s mostly very realistic, a frank look at relationships between men and women. It’s animated, though.
It’s all done in a beautiful and unique form of stop motion. Other than being made with small materials it’s almost entirely an attempt at naturalism, no cartoonish stylization at all. One exception is that they left the seams between the mouth and eye sections, which in other movies done with this technique such as PARANORMAN or THE BOXTROLLS were digitally removed. But this is a Charlie Kaufman movie so pretty much everything that seems a little strange – those seams, the androgynous facial structure of most of the characters, one actor providing most of the voices – turns out to be intentional and thematic.
We could compare this to Wes Anderson’s THE FANTASTIC MR. FOX as another unusual stop motion feature that fits naturally into the filmography of its live action auteur. But that one emphasized the hand-made-ness, showing off the imperfections in animating fur, using cotton balls for clouds and puffs of smoke. ANOMALISA miraculously mimics human intimacy in rubber. (read the rest of this shit…)
Tags: Charlie Kaufman, David Thewlis, Dino Stamatopoulos, Duke Johnson, Jennifer Jason Leigh, stop motion animation, Tom Noonan
Posted in Cartoons and Shit, Drama, Reviews | 7 Comments »
Monday, October 13th, 2014
Hey, I’ve admitted it before. I’m a Modern Man, I can dig on the cartoons sometimes. But I don’t always gotta go public about it. For example I didn’t need it on record that I thought FROZEN continued the evolution of the Disney Princess formula in smart, pro-girl ways. The rest of the world took care of that, I didn’t need to say anything. Stoicism. But I just saw THE BOXTROLLS which was amazing and I don’t trust the rest of the world to make a big deal about this one, so here I am.
THE BOXTROLLS is the third movie from Laika, the stop motion studio out of Oregon who did CORALINE and PARANORMAN. Because of modern technologies like motion control, digital photography and now 3D printing this artform keeps getting more detailed and sophisticated, yet it has a very old fashioned charm to it. It’s all about the tactile and the textured. It’s puppets moving around on elaborate model sets. You can see the fabrics and stitches on the clothes, the brush on the paint. I like how you can see that the eyes are a hard, shiny material under the rubbery skin. That the eyelids look like separate pieces. I like computers, but this shit has an appeal that computers can’t re-create. (read the rest of this shit…)
Tags: Laika, li'l bastards, stop motion animation
Posted in Cartoons and Shit, Reviews | 9 Comments »
