"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Rosalind Cash’

The Omega Man

Monday, April 13th, 2020

THE OMEGA MAN has been a favorite of mine since I first saw it on cable as a teenager. I would later read the novel I Am Legend by Richard Matheson (love it) and see the first adapation LAST MAN ON EARTH (pretty good) and third one I AM LEGEND (in some ways the best adaptation, despite its flaws). The story of all these versions is of a scientist (usually named Robert Neville) who is immune to a plague that wipes out most of the population and turns the rest into vampires/ghouls/mutants.

So during daylight he’s alone in the city, at night he hides in his well-stocked home, holding off the attacking hordes, as he searches for a cure. It’s the holing up, of course, that kept coming to my mind a few weeks into Washington state’s shelter-in-place order for the Covid-19 pandemic (if I read that sentence six months ago I would’ve thought it was a reference to some sci-fi movie). I’ve mostly been looking for escapist entertainment – I’m definitely not planning on watching CONTAGION again, as seems to be popular – but I’m doing okay with genre movies that have parallels to the situation. So I watched THE OMEGA MAN again. (read the rest of this shit…)

Tales From the Hood

Monday, November 7th, 2016

tn_tales“This ain’t a funeral home. It ain’t the Terrordome neither!”

Here’s a movie that’s very much of the ’90s. After BOYZ N THE HOOD, STRAIGHT OUT OF BROOKLYN, NEW JACK CITY, SOUTH CENTRAL, JUICE and MENACE II SOCIETY established the genre of the “hood movie,” FEAR OF A BLACK HAT director Rusty Cundieff decided to mix it with the format of the anthology horror movie. Like those other movies it’s a low budget indie movie trying to get across messages about issues facing the black community, but with Twilight Zone type ironic morals and some crazy special effects and stuff. Spike Lee (whose CLOCKERS came out the same year) acted as executive producer to help get it made.

The wraparound story takes place in Simms Funeral Parlor, where three young drug dealers meet with the crazy-eyed, puffy-haired, organ-playing weirdo (Clarence Williams III, PURPLE RAIN) who runs the place. He claims to have found a bunch of drugs in an alley, but before they can make a transaction he starts opening up coffins and telling them the stories of the occupants’ deaths. As you do. (read the rest of this shit…)