I don’t do script reviews very often, partly because I don’t usually want to read the scripts before they’re movies. But somebody sent me Robert Rodriguez’s script for MACHETE and at the time I wasn’t sure I believed it would actually be made, so I couldn’t resist taking a look.
And then it gets messy. You know I tried out Twitter, and I don’t think it’s really for me. Here I’m testing out another technology the kids use today, the video. They got it on all the websights, etc. Anyway that’s why I haven’t had many reviews lately, I was working on this thing. So please watch and let me know what you think.
UPDATE: For those who complained that they can’t understand what the hell the robot is talking about you can click through for the text version. (read the rest of this shit…)
Here in the US these two movies were designed and released as a double feature with trailers for fictional movies in between. They were released under one unifying name that starts with a ‘G’ that is a word used to describe the shitty theaters that used to churn out sleazy horror, sexploitation, kung fu and blaxploitation movies back in the day.
I am not going to be using the g-word in this review, because I am sick and fucking tired of hearing it. It’s a perfectly legitimate title for this concept, but here is the problem. Mr. Tarantino is a huge fan and expert on these types of movies, he is the human IMDb judging from some of those interviews. So I don’t mind seeing him talk about it in every article about KILL BILL VOLUME 1 and then KILL BILL VOLUME 2 and then when they announced this g-word movie, and then while he was filming it and now to promote its release. Tarantino can use the g-word all he wants, he has earned it. So I don’t mind him and the trailers for his movie trying to explain to the kids what the g-word means. (read the rest of this shit…)
There’s alot of comic strip books turned into movies but usually they Hollywood em up alot. They change the story and the super hero clothes and turn brits into americans and alot of the fans are fundamentalists so they get pretty upset. Batman doesn’t have nipples because bats don’t have nipples, Super-man isn’t supposed to wear that shade of blue it is actually a different shade of blue, that kind of thing.
So what Robert Rodriguez did for this comic strip SIN CITY, he actually brought in the writer/cartoonist from the comic, made him co-director, and apparently pretty much used the comic as storyboards and script. He used his cool digital movie cameras and convinced a great cast to come in and fuck around in front of green screens and used computers for almost all the backgrounds. According to my team of expert nerds, there are scenes and lines from the funny pages that they cut out here and there and they mixed things together a little bit at the beginning in order to combine three stories into one. But for the most part the shots are based on the drawings and everything written on the page is said out loud in the movie. An obsessive level of faithfulness never thought possible even by Harry Knowles himself. Maybe the most faithful movie adaptation of anything ever, including plays, novels and trading cards. (read the rest of this shit…)
I am writing to inform you of an exciting new picture called KILL BILL VOLUME 2. Please forgive me if you already know about this one or have covered it already. Or if you have travelled to China to visit the set. I don’t usually read your sight except when my reviews are on it.
Just jerkin your chain bud but seriously here’s the deal. This has been coming on for a while but after seeing this movie I think today is the day. I would like to officially endorse the works of Mr. Tarantino as an important chapter in the history of Badass Cinema. VOLUME 2 is a very satisfying conclusion to that exciting saga of revenge we began oh those several months ago with The Bride. (read the rest of this shit…)
When last we saw the Mariachi, he had killed his drug dealer brother to avenge his lover’s death and the career-ending injury of his hand. He had found a new love (Carolina) and had indirectly caused the shooting of a little boy he had given guitar lessons to. He decided to give up violence, but only a little bit, so he kept his guitar case full of weapons “just in case.”
When we see him again in ONCE UPON A TIME IN MEXICO he has become even more mythical than before. Instead of having to send Steve Buscemi to bars to make up stories about him, the bartenders themselves tell the stories. His hand has healed so he can play guitar better than ever, in fact he likes to just walk around playing guitar even when people are trying to kill him. Robert Rodriguez knows how to make a hand made guitar look like the most beautiful thing in the world, so it’s good that the Mariachi is hiding out in a town of guitar makers who like him to test their creations. (read the rest of this shit…)
This is the story of a man (me), a famous television critic (Gene Shalit) and a children’s action picture called SPY KIDS PART 2. Three entitities living their separate existences. Independent and peaceful. And it coulda easily stayed that way, if not for the simple words of a newspaper advertisement. But it was not to be. Because of those words, our three lives converged. And we would be changed for a while, I guess.
GENE SHALIT OF The TODAY Show RAVES:
“THE MOST JOYOUSLY IMAGINATIVE MOVIE OF THE SUMMER! JUST ABOUT EVERY MINUTE IS FUNNY OR INGENIOUS… IN A WORD, FUN-TASTIC!”
Now I gotta be honest. Normally I don’t pay attention to these fuckwads on the ads. I am one of the most important film Writers today and I never been quoted once. So obviously these people aren’t the cream of the crop. But there was something about this quote from Gene Shalit that intrigued me. (read the rest of this shit…)
Well ever since Scream 3 I have been trying to see bad sequels to movies I haven’t seen in the first place. And this one holds a particular specialness to me because it is a part 3 and I am a scholar of part 3s.
Actually, this one isn’t all that bad, for one thing it can get away with not being in 3-D. Unlike Scream 3 it has an excuse because it’s straight to video, and I mean who the fuck wants to sit at home by yourself wearing 3-D glasses. I mean give me a fuckin break.
Anyway this western doesn’t really “hang together” as the famous shoplifting critic Rex Reed might say but it does have its moments which is a hell of a lot more than you can say for most straight to video part 3s in my opinion. The opening to be specific is very strong, with an obvious Sergio Leone influence. It’s in the desert with bright, bleached out photographication and lots of heightened sound effects. You hear the wind and the rattlesnakes and the incessant clicking of guns like you just hooked your hearing aid up to a car battery. (read the rest of this shit…)
In this movie Bruce plays Leo, a drunk rich dude calling his wife on a cell phone. It’s a small part but this is Bruce we’re talking about and he makes it fucking SOAR. He’s hanging out in a hotel room with this spoiled celebrity jerry lewis fan and they decide to re-enact a bet from an alfred hitchcock episode and if they lose the bet a man loses his finger which is kind of a dumbass bet to make in my opinion but hey man, free country.
Well Bruce doesn’t have a whole lot to do with all that, he mainly has this conversation with his wife he’s going to be home late and it’s funny. But this is only the last of four “rooms,” little stories about what goes on in this hotel even when Bruce is not there. (read the rest of this shit…)
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Recent commentary and jibber-jabber
Fred One on Red One: “RRA, I believe there was more of a Christmas subplot that got cut but now all that remains are the…” Dec 25, 23:21
jojo on Red One: “Just watched Cash On Demand. It’s about a tight 80 minutes of classic British acting and suspense. TCM always slips…” Dec 25, 13:16
Billydeethrilliams on Red One: “Mr. Majestyk- I lurk about 99% of the time here, but I love your comments and… yes, you would absolutely…” Dec 25, 11:57
Mr. Majestyk on Red One: “NOSFERATU about to ruin a lot of Christmases.” Dec 25, 08:35
CJ Holden on Red One: “Ugh, NOSFERATU? The proof that Hollywood is now so out of original ideas that they start to remake 100 year…” Dec 25, 08:06
Billydeethrilliams on Red One: “Just watched Cash On Demand. It’s about a tight 80 minutes of classic British acting and suspense. Watch this instead…” Dec 25, 07:16