"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Richie Jen’

Twilight of the Warriors: Walled In

Wednesday, August 14th, 2024

TWILIGHT OF THE WARRIORS: WALLED IN is the awkward title they ended up with for a movie that’s been in development for like 20 years (originally to be co-directed by John Woo and Johnnie To!) under the title KOWLOON WALLED CITY and DRAGON CITY and maybe some others. I’ve been waiting for it long enough that I already watched a movie called KOWLOON WALLED CITY on Hi-Yah! because I thought, “Oh shit – that finally came out!?” (That one was pretty fun too, I recommend it.)

This one is an event for many reasons, the main one for me being that it’s the latest from Soi Cheang, director of one of my favorite 21st century action movies, KILL ZONE 2, plus other movies I liked including SHAMO and MOTORWAY. The secondary reason is that he’s working with genius action director Kenji Tanigaki (RUROUNI KENSHIN, SAKRA), and the third is that one of the all time greats, Sammo Hung, plays a major character in it.

It’s the story of a refugee in Hong Kong named Lok (Raymond Lam, SAVING GENERAL YANG), who wins an underground fight trying to earn cash to buy a fake ID so he doesn’t get deported. The Triad boss running the fights, Mr. Big (Hung), is also the guy you go to for fake IDs, and when Lok turns down a job offer from him he gets screwed on that. (read the rest of this shit…)

Breaking News

Tuesday, March 12th, 2024

Johnnie To’s BREAKING NEWS (2004) opens with a crane shot of a cool guy in a leather jacket (Haitao Li, VENGEANCE, GALLANTS, MOTORWAY) walking down a block into a building, and the camera floats up and looks into the window of the room where he tells his fellow armed robbers, led by Yuen (Richie Jen, EXILED), that it’s time to bring the money out to the car. Then the camera lowers back down to the street where hotshot inspector Cheung (Nick Cheung, AH KAM) and his loyal subordinate Sergeant Hoi (Hui Shiu-hung, ROYAL WARRIORS, NAKED KILLER, LEGENDARY ASSASSIN) are in a car staking them out. They’re concerned about two unwitting patrol officers stopping the thieves’ car for a traffic violation – could mess everything up. The shot will continue uninterrupted as one of the officers asks about a bag in the back seat and then the guns come out. The camera turns every which way to see the different sides firing at each other, the civilians fleeing, the backup police cars arriving. It cranes up to get a look at the guy hanging out a window firing a rifle down, then hopping onto a ledge and dropping to the street to run. It doesn’t cut until the thieves flee the scene in a stolen police van.

The only thing I knew about BREAKING NEWS was that people made a big deal about this long take at the time (it’s about 7 minutes). But since then we’ve had TOM YUM GOONG, CHILDREN OF MEN, HANNA, BIRDMAN, 1917, ATHENA, etc., so it not only is it a more common technique now, but this is a relatively subtle use of it . It certainly doesn’t seem like the point of the movie. It’s just a cool way to open it and show how these characters are tied together. (read the rest of this shit…)