WICKED: PART I starts near the end of THE WIZARD OF OZ. The Wicked Witch of the West is dead, felled by a well-aimed bucket of water. The celebration commences. Glinda the Good Witch (Ariana Grande, DON’T LOOK UP) arrives in her bubble to address the crowd, and somebody asks her if she knew that dead lady. So she tells us (part one of) the story of her days as the college roommate of the would-be wicked witch.
I’m gonna start this review with a flash forward too. I thought this movie was okay. I didn’t hate it. I don’t really get it. Stay tuned for details.
I sometimes say I’m not a musicals guy, but really I’m just not a Broadway guy. It’s not as much the “I’m gonna start singing now” format as it is the specific modern Broadway style of storytelling, tone of melodrama, sense of humor, and especially musical styles that don’t appeal to me. Case in point: huge crossover hit and cultural phenomenon Hamilton (Disney+ version). I swear I tried to watch it with an open mind, but I just don’t know how to stop wincing. It sets off all my too-corny defense systems.
(read the rest of this shit…)
And now in our journey through the films of Sam Raimi we have arrived at a difficult spot. We have come to the film that was at the time “the new Sam Raimi” but for a few years became “the last Sam Raimi?” I enjoyed OZ THE GREAT AND POWERFUL well enough when it came out in 2013 (
Like its predecessor, the not-really-sequel is full of whimsical characters and underpinned with fairy tale menace, but in most other ways it’s wildly different. The colors are subdued rather than vivid, the settings are grounded rather than stagey, it stars 10-year-old newcomer Fairuza Balk as Dorothy rather than a teen like Judy Garland, and she doesn’t sing, because it’s not a musical. While WIZARD’s costumes, jokes and dance numbers come out of the vaudeville tradition, RETURN creates its world and characters with the rapidly evolving cinematic puppetry, animation and visual FX technology of the Lucas/Spielberg era. Murch told Cinefantastique, “At first I was worried about using state-of-the-art animatronics, but so many of the OZ personnel are graduates of The Muppets, 
Have you guys seen this? THE WIZARD OF OZ? I think it’s pretty well known. Last month they had a one-week re-release in 3D Fake Imax, so I took the opportunity to see it then and I thought I should write a little about it. If you have the 3D getup at home the converted version is now on blu-ray if you’re interested.
OZ THE GREAT AND POWERFUL could also be called WALT DISNEY’S SAM RAIMI 3D. That’s what I was hoping to see, and that’s what I got. If it had been a WIZARD OF OZ prequel movie made by somebody not as exciting as Raimi I don’t know that I would’ve even bothered, and it’s not my first choice of what he should be doing now that he’s stopped being a captive of SPIDER-MAN. But it turns out to be a better-than-expected use of Raimi’s time and mine.
