Kelly Reichardt’s THE MASTERMIND is in a niche that really appeals to me: the unglamorous crime tale. It’s about an art heist, but there are zero Hollywood-style thrills involved, no witty dialogue, no gun fights, not much in the way of car chases. They seem like regular people, the plan isn’t complicated at all, lots of attention is paid to the slow, mundane details of the process. It’s a period piece, set in 1970 – that’s pretty cool. But it’s not, like… ’70s New York or anything. It’s Framingham, Massachusetts. The one very smart concession to cinematic fantasy is an excellent avant-garde jazz score by Rob Mazurek of Chicago Underground. He plays cornet and I think there’s some piano but sometimes it’s just drums, and it does make everything seem pretty cool.
Josh O’Connor (one of the CHALLENGERS) plays JB, our titular ringleader. The opening scene is a really good introduction to what the movie’s gonna be like, because it’s him in an art museum during regular hours, pretending to look at the art while scoping out how things are secured, how sleepy the security guard is, etc. There’s a mom with two kids there, and one of the kids is going on and on about a code breaking puzzle involving an alien language and how to translate some of the alien words by asking questions with yes or no answers. It’s great because it’s clear this is a kid really trying to explain this idea in his own words, and getting genuinely nerdy about it. A level of kid authenticity not common film. (read the rest of this shit…)
Well, we had Butch and Sundance, we had Bonnie and Clyde, we had Thelma and Louise and Tango and Cash. And today on DVD we have WENDY AND LUCY.
