WOLF MAN is an event not just because it’s a new wolf man but because it’s the fourth movie directed by Leigh Whannell, the last two being UPGRADE and THE INVISIBLE MAN. As with the latter, he’s working with Blumhouse to do a mid-budget modern take on one of the classic monsters (this time co-writing with his wife Corbett Tuck).
His version takes place in a mountainous part of Oregon where very few people live. In 1995, a hiker disappears there, and the locals claim to have spotted him suffering from some kind of disease. (I like that this turns him into a local legend like the Wild Man of the Navidad or the North Pond hermit.)
Grady Lovell (Sam Jaeger, LUCKY NUMBER SLEVIN) is a serious hunter, possibly survivalist, definitely very intense, living off the grid in a little cabin in the woods. He brings his son Blake (Zac Chandler) hunting and is always yelling at him to pay attention to his lessons about how dangerous the world is and shit. They get separated chasing a deer and Blake gets a glimpse of… well, you know. They end up hiding in a deer blind listening to an unseen beast tearing up their deer. That night Blake hears his dad talking to someone on the CB about what he saw. He told his kid it was a bear, but he knows it was something else. Or maybe he’s crazy. That would be fair to assume. (read the rest of this shit…)
I checked around, and unless somebody’s lying to me it seems nobody asked for there to be a straight-to-Paramount+ prequel to 
I saw this movie THE ROYAL HOTEL that came out on video last week, and I really liked it, so I watched the previous one by director Kitty Green, and that was even better. Let me tell you about them in this Kitty Green/Julia Garner Stressful Job Double Feature, presented in order of release.
WE ARE WHAT WE ARE (2013), like 
