"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Harlem’

The Brother From Another Planet

Monday, December 30th, 2024

I’m not fully acquainted with the filmography of John Sayles, but I’m pretty sure THE BROTHER FROM ANOTHER PLANET is an outlier. It was 1984, so Sayles had already had his Roger Corman/exploitation beginnings (writing PIRANHA, BATTLE BEYOND THE STARS, ALLIGATOR, THE HOWLING and THE CHALLENGE) and moved into directing his indie dramas (RETURN OF THE SECAUCUS 7, LIANNA, BABY IT’S YOU). Here he makes his only ever sci-fi movie as a director, but it’s not all that commercial. Supposedly the story came to him in a dream.

The most sci-fi part is the opening cockpit lights and bleeping sounds as the mysterious extra-terrestrial played by Joe Morton (CURSE OF THE PINK PANTHER) crash lands on earth. He loses a leg in the process and hops around in an abandoned church until he somehow grows it back. Since he’s missing one shoe we see that his feet have three big clawed toes, like a dragon, but otherwise he looks human. In the city he finds a replacement shoe in a garbage can and I wondered if he understood that was garbage or if he just assumed Earth has public shoe dispensers. (read the rest of this shit…)

If Beale Street Could Talk

Monday, January 14th, 2019

After MOONLIGHT I was gonna see the new Barry Jenkins movie no matter what. Didn’t have to ask what it was about. Probly wouldn’t sound like my thing anyway. If I had asked, the answer might’ve been something like “in early ’70s Harlem, a young woman and her family try to clear her fiance who has been falsely accused of rape.” But that would’ve been misleading because it’s not at all a thriller or a legal drama. There aren’t any plot twists or shocking revelations. We never see a courtroom. The background is the inescapable, self-perpetuating undertow of an unequal justice system, but the foreground is a story about love, not just between this couple but between them and their families.

Like MOONLIGHT it’s gorgeously lit and photographed by James Laxton (YOGA HOSERS), has thick mood and atmosphere, a strong sense of the character of its setting, and a cast full of revelatory performers, people you just want to be around, faces you want to (and get to) stare at in vivid closeup. The two lovers, Tish Rivers (KiKi Lane making a great debut) and Fonny Hunt (Stephan James, who played John Lewis in SELMA and Jesse Owens in RACE), absolutely beam with infatuation. We hear a little bit about them growing up as best friends, but we don’t need it. Their eyes tell us how enamored they are of each other.

But Fonny is, as Tish puts it, “behind glass” when she brings him news that they’re going to have a baby. And not for the last time we will hear firm assurances that things will be okay, people will stick together, odds will be overcome. (read the rest of this shit…)