August 12, 1994
CORRINA, CORRINA is a nice comedy-drama that deals with grief, love and some heavy race and class issues in a very light, warm-hearted sort of way. Is that bad? We can talk about it later.
Manny Singer (Ray Liotta between NO ESCAPE and OPERATION DUMBO DROP) is a recently widowed jingle writer in suburban Los Angeles, 1959. His 9-year-old daughter Molly (Tina Majorino, also in the seal movie ANDRE this summer – sorry, I had to skip a few things) is so not-over-it she refuses to speak, but he’s gonna be screwed if he doesn’t return to work, so he looks for a housekeeper/nanny to stay home with her. After some misfires he ends up with Corrina Washington (Whoopi Goldberg, also in THE LION KING and [briefly] THE LITTLE RASCALS this summer), who seems cynical at first but of course forms an adorable bond with the kid.
In 1994 I wasn’t interested in things this cutesy, and never considered watching it. Now I’m a middle-aged cornball, so I found it moving to see Whoopi turn that little girl’s cartoonish pout into a giggle. Majorino has a pitch perfect deadpan for the non-speaking portions and then a timid little mouse voice when she does talk (spoiler). She breaks your heart when she lays in the grass with her dead mom’s dress laid out next to her, one hand in its pocket, or when Manny lies to a deliveryman that Mrs. Singer is in the bath tub and she lights up and runs to the bathroom to see her. Damn, Manny. What a fuck up. So then you’re primed for the opposite emotion when she notices her dad slipping and referring to Corrina as “your mother” and she doesn’t point it out but breaks into a huge, toothy grin. (read the rest of this shit…)
June 8, 1983
I know it goes back to The Prince and the Pauper or some shit, but Hollywood particularly loved this kind of comedy concept in the ’80s through ’90s: What if a non-rich guy could live among the rich? And what if a rich guy could live among the non-rich? What laughs would we have? What lessons would we learn? Don’t you agree it would be valuable? This one’s writers, Timothy Harris & Herschel Weingrod, later gave us 
Best pal retirees Ben (Wilford Brimley, whose other 1984 releases were MURDER IN SPACE, 
