"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Clint Eastwood’

Sudden Impact

Friday, August 8th, 2008

I’m not sure what the title means on this one, but if it were up to me it would be called A DIRTY HARRY SALUTE TO DEATH WISH II. The three before this all felt like “DIRTY HARRY” but in this one he goes to San Paolo and all the sudden he’s in Charles Bronson’s jurisdiction.

Let me point out a few connections: The score is by Lalo Schifrin, but the opening credits are still DEATH WISH sequel style cheeseball drum machine and keyboard rockafire explosion over establishing shot of the city (Lalo’s revenge for not getting to score part 3, I bet). Kevyn Major Howard, the gang rapist Stomper in DEATH WISH II, plays a criminal who gets off due to improper police work by Callahan. And like most DEATH WISH movies the lead villains are maniacally overacting gang rapists. In DEATH WISH and DEATH WISH II Bronson is getting revenge after (among other things) his daughter was gang-raped into a state of catatonia. In this one Sondra Locke is getting revenge because she and her sister were gang raped and her sister is in a state of catatonia. Speaking of which, Bronson’s wife Jill Ireland was in DEATH WISH II, and here we have Clint’s live-in lady friend at the time starring in this one. It ends a little more like the first DEATH WISH with the police (in this case Harry) knowing about the vigilante actions and letting it go because they sympathize. (read the rest of this shit…)

Unforgiven

Sunday, July 13th, 2008

I saw this movie years ago and like anybody I loved it. But watching it again recently I was surprised to find that it was better than I remembered. UNFORGIVEN is a GFM (Great Fucking Movie) for many different reasons, most of them you know, but I’ll try to point out a few of them.

For one thing it’s a story that you never quite know where it’s going. Supposedly it’s designed so you think Little Bill (Gene Hackman) is the good guy, since he’s the sheriff. I didn’t get that though because the first time you see him he comes in to settle this dispute in the brothel where some assholes cut up a prostitute because she gave a giggle at his “teeny pecker”. Little Bill isn’t evil but he obviously makes a poor decision by not punishing these guys but just fining them a couple ponies. No even horses, he specifically says ponies. (read the rest of this shit…)

In the Line of Fire

Sunday, June 29th, 2008

Here’s a movie not directed by Clint Eastwood (it’s Wolfgang Peterson, the DAS BOOT guy) but like alot of his directorial works of the past 20 years it deals with him getting old. Clint plays a Secret Service agent named Frank Horrigan. He’s still working but he’s washed up – he was there when JFK got shot and is still haunted by his failure. After that he became a huge asshole, he started drinking and his wife and daughter left. But this is Clint we’re talking about so we still like him, and also he plays jazz piano.

This is a good example of those ’90s big budget studio action thrillers along the lines of EXECUTIVE DECISION and DIE HARD WITH A VENGEANCE, movies that depict the workings of a city and its various departments as they respond to an emergency. In this case it’s the Secret Service responding to a threat against the president. We see Clint and his new partner (Dylan McDermott, or possibly Dermot Mulrooney – I don’t know which is which so if it’s important to you check IMDb) making their rounds, so first they have to shoot some guys over counterfeit money, then they have to check out a report of “some weirdo.” It just so happens that this is the one in a thousand of those calls that really is a dude planning to kill the president. He’s not home but he sees Clint in his apartment from afar and the game begins. (read the rest of this shit…)

The Enforcer

Wednesday, June 25th, 2008

In the third Dirty Harry picture Inspector Callahan has become some sort of an enforcer, a guy who travels around enforcing things. Alot of people tend to dismiss the series after MAGNUM FORCE, and it’s true that this one isn’t as good as the two before it, but I gotta admit I like it.

Alot of the goofiest shit from ’70s and ’80s cop movies, the cliches that get made fun of all the time, might be traced directly to this movie. This is definitely a prime example of the cartoonishly out of line bureaucrats in the police headquarters who demand the police “clean up the streets” but get mad at them when they do. “I didn’t say to use violence.” It’s got the scene where he gets suspended and has to give back his badge, which is memorable because Harry calls it a “seven point suppository… you heard me, stick it up your ass!” And the opening section of the movie is about him driving around encountering different police situations unrelated to the plot just so they can show the funny/abrasive way he deals with criminals, like the guy supposedly having a heart attack in a restaurant who he kicks and tells to get up or the liquor store hostage-takers who demand a car, so he “gives it to them” by driving through the front of the liquor store. (Of course followed by a scene where the aforementioned bureaucrat yells at him with a tally of all the damage done.) (read the rest of this shit…)

Magnum Force

Thursday, June 12th, 2008

DIRTY HARRY is probaly a better movie overall, but as far as sequels go I think MAGNUM FORCE is a work of genius, because it does two things.

ONE:

It does a good job of following the template of the original and delivering alot of what people liked about that one, for example the classic hot dog/bank robbery scene is replaced by a scene where he goes to get a hamburger at an airport cafe and ends up stopping a hijacking. You gotta love when he butts into the security pow wow at the airport, they tell him what’s going on, he asks “Can I make a suggestion?” and it cuts to him walking toward the plane wearing a pilot’s uniform. Classic! (read the rest of this shit…)

Dirty Harry

Tuesday, June 10th, 2008

Man, I’ve watched DIRTY HARRY so many times since I’ve been writing about movies, and it is clearly one of the classics of Badass Cinema (the Loose Canon, I recently decided it should be called. Get it it is a pun I believe.) But I just figured out that I never wrote a review of it. Weird.

This time I watched it on the occasion of buying the new DIRTY HARRY ULTIMATE COLLECTION box set, which totally made my day and I did feel lucky punk and it is so good it would blow your head clean off and is the most powerful box set in the world. That is not really puns but you know what’s going on there, I think you get it. (read the rest of this shit…)

Yojimbo, Fistful of Dollars and Last Man Standing

Thursday, August 9th, 2007

YOJIMBO
and
FISTFUL OF DOLLARS
and – why the hell not –
LAST MAN STANDING

I’ve been doing alot of themed movie-watching lately and I don’t want that to grow stale, so I decided to mix things up a little. Three movies starring my favorite badasses, but from different years and different countries. Just a real variety of material here. YOJIMBO is about this bad motherfucker who wanders into a small town torn apart by two warring gangs, and he goes back and forth working for them, plays them against each other, rescues a woman from them then gets beaten up real bad but escapes and hides out and then tricks them some more and also I forgot to mention there’s alot of good jokes about the town coffin maker getting business from his activities. FISTFUL OF DOLLARS, on the other hand, is about this bad motherfucker who wa– hey, wait a minute! (read the rest of this shit…)

Letters from Iwo Jima

Friday, February 2nd, 2007

Dear Friends,

Last year we all heard Clint Eastwood, who I still consider the greatest living human, was directing this World War II movie produced by Steven Spielberg. Not really my genre, but with Clint directing obviously I was looking forward to it. Things got more interesting during filming when he announced that he realized the story of Iwo Jima needed to be told from the Japanese perspective too, so he was doing another movie straight after FLAGS OF OUR FATHERS, originally titled RED SUN, BLACK SAND. And that sounded more interesting to me. Way to be ambitious, Clint.

But when FLAGS OF OUR FATHERS came out it was underwhelming enough that, to be honest, I lost some of my interest in LETTERS FROM IWO JIMA. That first movie’s not terrible, and I really like what it was about – the complicated feelings of some guys who are declared war heroes for bullshit reasons and have to go along with it in order to raise war bonds and help out their fellow soldiers who are still fighting. But the way the story was told was just not Clint enough. Usually when he directs the stories are pretty spare, pretty bare, and the emotions are raw. The score of FLAGS was about the only thing that was the usual laid back Clint. He had to jump between the present day with the son of one of the flag raisers interviewing the survivors, the actual battle of Iwo Jima, and the war bonds tour after the battle, and then all of those are jumbled up so they’re in even less order than it sounds like. (read the rest of this shit…)

Vern Reviews FLAGS OF OUR FATHERS!!

Wednesday, October 11th, 2006

Merrick here…

The fabulous Vern sent in his thoughts on FLAGS OF OUR FATHERS. His reviewis rather long, so I’ll get out of the way and let him speak for himself.

Here’s Vern…

Well, shit. I feel like an asshole giving a room-temperature review to my man Clint Eastwood’s long awaited WWII drama. Because Clint is the best. If there was some reason why the entire human race had to be destroyed except for one movie star, and I had to choose who it would be, I would choose Clint. I don’t care if he’s old, he’s the number one Badass Laureate of all time. He’d make a damn good last representative of our species, and he could still take on the vampires pretty good I think. But despite (and partly because of) my great respect for the man, I gotta be honest: I don’t consider this a great movie. (read the rest of this shit…)

Absolute Power

Friday, January 14th, 2005

Okay, so everybody in their right mind loves the old Clint Eastwood pictures, and most people and critics love the Serious Clint Eastwood Pictures like Unforgiven, Mystic River and now Million Dollar Baby. But the period between Unforgiven and Mystic River is kind of an ignored period. The in between period is not as Serious or Important as those movies and they usually get mixed reviews. Well I was busy at the time so I missed most of these but now I decided to catch up starting with 1997’s Absolute Power.

Now this is a suspense thriller and the way it unfolds, it almost reminds me of a less flashy Brian DePalma. It even has the old DePalma voyeurism. But what I’m talking about is it takes its time setting up all the pieces and giving you the information you need a chunk at a time. (read the rest of this shit…)