When I first heard that the trusted manufacturers of sturdy action cinema at 87North Productions were making a Santa Claus movie, I misunderstood. I pictured sort of a BAD SANTA meets DIE HARD – a serious action movie where it’s some deadbeat mall Santa who’s in the wrong place at the wrong time and has to save the day, hopefully using a velvet sack’s worth of seasonally themed methods.
So when I realized that the Santa Claus played by David Harbour (BROKEBACK MOUNTAIN) in VIOLENT NIGHT is the actual Santa Claus, having his Christmas Eve deliveries interrupted by hostage takers and using “Christmas magic” to fight back, I was disappointed at first. Sounded corny, I thought.
I was wrong. I want to apologize to Santa. VIOLENT NIGHT is an admirable and solid take on a type of movie I treasure: the genre mash-up that knows it’s ludicrous to combine these particular types of movies but moves forward trying to deliver on both genres as well as the unique opportunities offered by their combination. So it has the trappings of a DIE HARD/UNDER SIEGE scenario (ruthless mastermind, elite mercenary force, carefully planned heist, hero mixed up in it by mistake, shocking deaths of innocent people, bad guys picked off one-by-one with stolen or improvised weapons) but also a heartwarming holiday tale (little girl wavering in her belief in Santa, family having trouble getting along, lessons about selflessness). It’s a comedy, but not a spoof. It tries to deliver faithfully on the mission of each genre. (read the rest of this shit…)

VEGAS VACATION is a standout in the VACATION franchise saga in that it’s the only one that doesn’t have a NATIONAL LAMPOON’S in the title. I don’t know if they sued to get it off of there, like Stephen King did with 

star pinch hitter of a co-writer to carry his dead weight and turn this into something truly special. But that person must’ve been busy so he got Robert Klane, writer/director of the disco movie THANK GOD IT’S FRIDAY (1978). Klane had previously been a novelist, but in 1970 adapted his book WHERE’S POPPA? into a movie, which led to writing some episodes of M*A*S*H, an unproduced GREASE sequel called GREASIER, the Summer of 1985 movie that I skipped THE MAN WITH ONE RED SHOE, etc.
Clint Eastwood is Philo Beddoe in…

















