Now, at last, we come to perhaps the key moment in this entire Ronny Yu retrospective. After years in the trenches of the Hong Kong film industry, having gained acclaim worldwide for painterly, operatic martial arts fantasies, and having made his American debut earnestly combining that style with a goofy children’s movie, Yu got a high profile Hollywood gig that seemed to many at the time like it was completely random. How the fuck does the director of THE BRIDE WITH WHITE HAIR end up helming part 4 in an American slasher series, reviving it after seven dormant years, and taking it on an intentionally eyebrow-raising tonal swerve into oddball comedy? Did they just think of him because the word “Bride” was in the title?
As the entry that first turned the CHILD’S PLAY series into more of a comedy, BRIDE OF CHUCKY (1998) is a cult favorite in its own right, and therefore became arguably Yu’s most widely known film in the West, even if many don’t necessarily know or remember that he directed it. But I’m here to argue that even though this isn’t Yu’s most representative film it does have his stamp on it, and very much fits into his filmography. (read the rest of this shit…)
July 31, 1992
Had that not happened, maybe there would be more passion for this likable if not entirely successful execution of a cute horror-comedy idea. The director is Fran Rubel Kuzui (TOKYO POP), the screenwriter is then-25-year-old Roseanne staff writer Joss Whedon, and its gimmick is almost there in the title: what if the popular, mall-loving, air-headed Valley Girl cheerleader was not just fodder in a vampire movie, but the chosen one destined to protect humanity? I can’t actually think of many Valley Girl cheerleaders in horror – it seems more like a twist on fake horror movies within other movies than on the actual genre – but it works as a tongue-in-cheek way to cross a high school comedy with horror, and at least superficially point to the serious place where their themes can overlap. 
