With the release of this movie I’d say there’s now officially a subgenre of sci-fi movies about the angst of long distance space travel. Two of my favorite movies ever – 2001 and ALIEN – are in this category. There’s also DARK STAR, a predecessor to ALIEN and an inspiration to this movie (one of the characters is even named Pinback after Dan O’Bannon’s character in that movie). I also liked the remake of SOLARIS, but I still gotta see the original one. Rounding out the category now there’s Danny Boyle’s SUNSHINE.
This one takes place sometime in the future, but probaly not too long in the future. The main difference between then and now: the sun is dying. Pretty shitty. Humanity came up with a plan where they sent a spaceship called The Icarus which would set off a bomb that would reignite the sun. But that ship was a bunch of slackers or something so nobody heard from them again. This is the story of the Icarus II, where they decided to use up Earth’s resources to make the last possible bomb that they could use to try to relight that bitch. (read the rest of this shit…)
ROBOCOP
COMMANDO is a rare commodity – a Schwarzenegger picture on a low enough budget to feel like the early Seagal and Van Damme pictures. The good ones, though. Schwarzenegger plays John Matrix, the perfect name for an ex-special forces muscleman who lives in a cabin out in the woods with his daughter Alyssa Milano. (Who is the boss, anyway? I never did figure that out.) She doesn’t want him going on dangerous missions anymore so he stays home and spends his days chopping wood and feeding deer with her. Luckily, before he gets too bored with this Snow White lifestyle some other soldiers he used to be knee dip in the shit with kidnap his daughter as a way to force him to assassinate some South American leader or other. So he gets to go to war. And to be honest he looks more comfortable running around with camoflauge paint on then he does feeding a deer. We all have our little things we’re good at, you know. 
I’ve seen this movie many times over many years, and I’m sure you have too. I don’t think I need to try to convince anybody to like ALIENS. Asking somebody if they like ALIENS is like asking them if they like pizza or ice cream. You can assume the answer is “yes” and if not it’s just some weird quirk that person has, you can’t really make much of it.
In James Cameron’s idea of a romantic comedy Schwarzenegger plays Harry Tasker, an agent for the “Omega Sector” secret spy agency who protect America from terrorism and are led by Charlton Heston with an eyepatch. He has one eye on the enemy, the other eye on infinity. Or something. The opening shows that Harry is willing to blow shit up but is more of a suave James Bond type than the usual Schwarzenegger character. He gets his way through trickery, wears a tux and even does a tango with Tia Carrera. (Remember when she was supposed to be a big deal?) He just happens to be a muscleman under that tux but nobody seems to notice in the movie, it’s not really relevant to the character.
After watching the TERMINATOR movies for the first time in years I was so excited about James Cameron I decided I should go back and re-watch the Cameron movies I didn’t like, see if maybe my perspective has changed. Maybe there was some magic there I just wasn’t picking up on.
THE TERMINATOR
I never did write a real review of the popular Danny Boyle picture 28 DAYS LATER, just a little blurb in a summer recap column. To make a short story stay short, I liked it but did not understand the hooplah. It seemed to me most of it had already been done in Romero’s movies, and I liked it better when it was a real movie instead of a home video. So I was kind of annoyed by all the hype at the time that Boyle had “reinvented the zombie movie.” Even the controversial running zombies were straight out of RETURN OF THE LIVING DEAD. Somebody give Dan O’Bannon some credit. When he did that in 1985 it was a clever new take on zombies.
This is a suspense thriller from Kathryn Bigelow, the director of POINT BREAK and NEAR DARK, and one of the few women directors to get much of a chance in these types of movies. This one stars Jamie Lee Curtis as a just-graduated cop who, on her first ever patrol, has to shoot a guy holding up a grocery store.
Well they got spaghetti western versions of the samurai movies, they got American versions of Japanese horror movies, they got a black version of THE ODD COUPLE. So if it’s 1989 and you’re Australian director Philip Noyce (THE QUIET AMERICAN, RABBIT-PROOF FENCE), why not do a white version of ZATOICHI with Rutger Hauer as a soldier blinded and left for dead in Vietnam, nursed and trained in swordsmanship and now wandering the sides of American highways ready to unleash his sword-cane if it comes to it?
