"CATCH YOU FUCKERS AT A BAD TIME?"

Vern’s review of the unrated LIVE FREE OR DIE HARD dvd, where you’re allowed to say mother&*#$@%!!!

LIVE FREE OR DIE HARD: 2-DISC ALLOWED TO SAY ‘MOTHERFUCKER’ EDITION

“YIPPEE KI YAY, MOVIE FANS!” That’s what some dipshit wrote on the back of the new LIVE FREE OR DIE HARD dvd. But in the new unrated cut of the movie itself John McClane is allowed to live free and say the whole legendary, maybe-shouldn’t-have-become-part-of-the-DIE-HARD-formula catch phrase. Say goodbye to “Yippee ki yay mother(gunshot).” It’s out the window like Hans Gruber.

The new cut is not drastically, hugely or monumentally different. If you hated the theatrical version you’ll still hate this one. The story is the same, I didn’t notice any scenes removed or added, there’s no new narration or a corny shot of a unicorn that’s supposed to make you see the whole movie in a new light. McClane still doesn’t make good on his threat to beat Kevin Smith’s character to death – not even in a deleted scene, unless it’s one a them “easter eggs” and I just didn’t find it. I’ll keep looking. (read the rest of this shit…)

November 19th, 2007 | 8 Comments »

Beowulf

THE BEOWULF 3-D IMAX EXPERIENCE

BEOWULF is the new “motion capture” weirdly computerized sword and sandal 3-D movie from Robert Zemeckis. He’s using the same technology and directational style as POLAR EXPRESS but it will go over better because that one was for kids, this one has a bunch of stabbings and monsters and a part where Virtual Angelina Jolie gives a handjob to a sword, so that means it’s more sophisticated and adult.

Ray iWinstone voices the blonde he-man of the title. Anthony Hopkins 2.0 plays the old king, Robin Wright Penn’s likeness plays the princess from the fuckin Shrek movies, and John Pac-Mankovich does his usual distractingly weird performance as some asshole who is pissed off about something or other. Also you got Crispin Glover inhabiting the monster Grendel and a very good computerized duplicate of Angelina Jolie’s head as Grendel’s hot mom. (read the rest of this shit…)

November 16th, 2007 | 65 Comments »

Fantastic Four: Rise of the Silver Surfer

FANTASTIC 4 2: RISE OF THE SILVER SURFER 1

Man, I don’t know how this works, but somehow just putting a silver guy in a movie brings me in. When FANTASTIC 4 PART 1 came out I had no interest, but when they started advertising part 2 I thought, oh, who am I fooling? Nobody can resist a silver guy. So I rented part 1 to catch up. And I gotta say, as bad as I pictured that movie being, it was actually alot worse. Definitely in the lower tier of comic book movies, which puts it in the lowest tier of movies overall unless you include immoral material like child porn, snuff, crush videos or TRANSFORMERS.

Basically the first one is the story of four unappealing dorks who get in a space accident that gives them magical powers so they put on shiny blue scuba suits, make bad puns in a big cheesy laboratory set and fight some prick that shoots lightning. The makeup on “The Thing” looks stupid, the digital effects are surprisingly terrible for a big budget movie and any attempt at turning this ridiculous shit into actual drama or excitement is immediately undermined by the constant stream of groan inducing “jokes.” (read the rest of this shit…)

November 13th, 2007 | 3 Comments »

Rabid and Fast Company

I always wanted to watch all of Dave Cronenberg’s movies in order, or at least the ones I haven’t seen or don’t remember very well, and I’m finally giving that mission a shot. This is only #2 and #3 here though so don’t start congratulating me yet. But here’s a look at some early Cronenberg.

RABID is typical of Cronenberg’s early work, because it’s about a girl who gets all worked up and bites people to death with the vagina she has in her armpit. FAST COMPANY is the least typical of all Cronenberg movies because it’s about funny car racing. That wouldn’t be a surprise if they were funny cars shaped like vaginas, but these are just regular funny cars with wheels and seats and everything. Driving fast. On race tracks. Etc. (read the rest of this shit…)

November 11th, 2007 | 4 Comments »

Blade Runner (2007 Director’s Cut)

BLADE RUNNER: SUPER DIRECTOR’S CUT FOR REAL THIS TIME GUYS SERIOUSLY I’M DONE NOW, SIGNED RIDLEY SCOTT

BLADE RUNNER is an amazing work of sight and sound, a groundbreaking depiction of future worlds, a gloomy cinematic nightmare, a unique approach to science fiction, and a complete fucking bore. Watching it on the big screen for the limited theatrical engagement of this “definitive cut” I was struck by how beautiful it looked and sounded, and also I wanted to take a nap. It’s like watching the greatest ant farm ever constructed.

Well, shit. I can’t believe I’m writing this. I know I’m only one paragraph in but I would like to extend my sincerest apologies. This is what you call a guilty un-pleasure. It’s easier for me to picture myself reading this review, written by somebody else, and pulling my hair out, than me sitting here writing it. But here I am. I always dug this movie. Never got why anybody would consider it Ridley Scott’s best (Motherfucker directed ALIEN. ALIEN! That’s his masterpiece, people. Let’s get this straight) and thought it was a little slow. But I always dug it and I was excited to see it on the big screen here. But facts are facts. I am a journalist, or whatever. I have to admit: this one time anyway, BLADE RUNNER bored the shit out of me. (read the rest of this shit…)

November 5th, 2007 | 80 Comments »

The Friends of Eddie Coyle

So there I was minding my own business, listening to an interview with Elmore Leonard. Suddenly out of the blue Elmore mentions this book I didn’t know about, The Friends of Eddie Coyle by George V. Higgins. He says it was a revelation to him, showed him that you could use profanity in a book and that you didn’t have to tell a straight forward story. And he calls it the best crime novel ever written.

So, through the miracle of opening another window, I ordered a used copy of the book before the interview was even over. Much later it arrived, then I read it, then I loaned it to somebody and his car was stolen with it inside and later they found his car and the car thieves didn’t take the book with them. Their loss, my gain, because Elmore Leonard was right, it’s a hell of a book. Pretty much the first half of the book is all conversations, almost no description. Later some robberies start happening and it turns more into a traditional book. But it doesn’t have your normal type of a story here. It’s more a portrait of these characters and it kind of shows the complexity of a network of criminals, snitches and cops. And it has a great ear for the dialogue. Higgins I guess was a lawyer before he became a writer, maybe he was around some of these guys. (read the rest of this shit…)

November 1st, 2007 | 10 Comments »

The Town That Dreaded Sundown

This is the true story of a series of murders in Texarkana shortly after World War II. So it could also be called THE TOWN THAT COMBINED THE NAMES OF TEXAS AND ARKANSAS INTO ONE NAME AND THAT ALSO DREADED SUNDOWN. That doesn’t have the same rhythm to it though, I think they made the right decision.

This is a weird movie. It starts clunkily with corny narration about “the story you are about to see,” and the narrator pops up throughout the movie as if it’s an educational film. The actors in the small roles are obviously not actors, some of them are terrible. The filmatism is what you would call “crude and workmanlike” or maybe “serviceable” – although of course it’s a faded, full frame out of print VHS so maybe some day if they give it the Blue Underground or Dark Sky treatment it will turn out to be a fuckin masterpiece of photographical genius. (read the rest of this shit…)

October 31st, 2007 | 6 Comments »

Shivers

I cannot in good conscience recommend SHIVERS to everybody. In fact, I saw it a long time ago and didn’t get into it, but recently I felt like watching the early Cronenbergs again and this time around I enjoyed it. It’s Cronenberg’s first feature film and it is also known as THEY CAME FROM WITHIN, but should be called ZOMBIE PERVERTS or even FUCKED BY ZOMBIES.

Well, they’re not technically zombies. It’s about a sexually transmitted disease. I didn’t do this on purpose, but this is yet another apartment complex based horror. It takes place at this upscale complex called Starliner Estates, which is actually on an island so it’s isolated and has its own medical facilities and armed security. The lead is not your typical horror movie lead. He’s a middle aged doctor, head of the Starliner Medical Department, and he has some of the mannerisms of Gary Shandling. When the movie starts the infection in the apartments has already began: a former teacher of the doctor is attacking a woman in a school girl outfit. And he kills her and burns her with acid. Not cool. (read the rest of this shit…)

October 30th, 2007 | 5 Comments »

Jigsaw Needs to Study Up on Vincent Price

The 2000s have seen plenty of horror movies, remakes, sequels, remake prequels, etc. But no 21st century horror series has set up shop like Saw, out of which part IV opens this weekend. Few series gets past part II these days, so having a part IV makes Saw‘s antagonist Jigsaw (Tobin Bell) the closest thing today’s little horror fans have to a Freddy or a Jason.

But in truth Jigsaw’s shtick is not like any of the ’80s slashers. He’s more reminiscent of two characters played by Vincent Price: Dr. Anton Phibes (The Abominable Dr. Phibes and Dr. Phibes Rises Again) and Edward Lionheart (Theater of Blood). These guys are all bitter, arrogant old men who believe they have been wronged. They have a knack for setting up elaborate, sadistic traps, for eluding the authorities, for giving away clues without being caught. (read the rest of this shit…)

October 26th, 2007 | No Comments »

Pass the Torture Porn, Please

When critics talk about drawing a line… what are they talking about?

In 1974, Washington Post TV critic Tom Shales described The Texas Chain Saw Massacre as “the latest discouraging entry in a horror movie subgenre that might be called gorenography–films that strive not so much to shock or frighten as merely to sicken.” He wrote that “The Exorcist brought the cheap shocks to the mass movie market” and described a “post ‘Exorcist‘ era” where horror movies have “no characters of any depth to identify with or cheer on as the monster approaches; there is little if any cleverly contrived suspense; and the film quickly becomes not a who-dun-it but a who-gets-it-next.”

Thirty-three years later, The Texas Chain Saw Massacre is still one of the best horror movies ever made. It was even selected for preservation in the Library of Congress. And The Exorcist‘s reputation isn’t too shabby either. Yet somehow the sky has not fallen. Civilization continues unabated. The innocence of children and puppies remains intact. Horror movies still frighten as well as sicken and have characters to cheer on as they face cleverly contrived suspense, like Sally in The Texas Chain Saw Massacre. In short, Tom Shales didn’t know what the hell he was talking about, and he was wrong. (read the rest of this shit…)

October 25th, 2007 | No Comments »

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