"CATCH YOU FUCKERS AT A BAD TIME?"

BLACK DYNAMITE wins the Golden Space Needle Award

blackdynamiteNo joke, BLACK DYNAMITE won the Golden Space Needle Award, which is the top audience award at the Seattle International Film Festival. It joins such notable past winners as KISS OF THE SPIDER WOMAN, MY LIFE AS A DOG, BAGDAD CAFE, THE WEDDING BANQUET, TRAINSPOTTING and WHALE RIDER. And, uh, PUMP UP THE VOLUME.

Not to brag or anything but I gave it the highest rating when I voted, so I am partially responsible. Also it was the only movie I bothered to see at the festival this year, which means I pick ’em well. Congratulations to everybody involved, especially star/co-writer Michael Jai White and director/co-writer/one-time-outlawvern.com-commenter Scott Sanders.

Iranian election

Well, I don’t got anything smart to say about it, but I’m seeing some of this news and flashing back to our elections in 2000 and 2004. I remember how that shit felt in the pit of my stomach. But also I’m seeing how the people of Iran are trying to do something about it and at greater risk than we were ever at. And I know I got a few readers scattered through all different countries so if you’re out there, no matter how you feel about the election, stay strong and be safe.

The Whole Shootin’ Match

tn_wholeshootinmatchA couple years ago I was on one of my bi-annual TEXAS CHAIN SAW kicks, and that led me to track down another old Austin indie movie from 1983 called LAST NIGHT AT THE ALAMO. It was a real good black and white day-in-the-life drama that happened to be written by CHAIN SAW co-writer Kim Henkel, and it also co-starred Lou Perryman two years before he got his head hammered and face peeled as L.G. in CHAINSAW 2.

That one still flounders in rare VHS obscurity, but the director, Eagle Pennell, did an earlier movie that has undergone a rediscovery. THE WHOLE SHOOTIN’ MATCH (1978)  is very similar to LAST NIGHT AT THE ALAMO: very episodic and conversational, black and white, working class Texans working out their frustrations and cementing their friendships while shooting the shit. It even has the same star, Sonny Carl Davis, and in this one Perryman is the co-lead. (read the rest of this shit…)

Highway To Hell

tn_highwaytohellAfter determining that Brian Helgeland was responsible for the scene I loved in ASSASSINS I thought I should watch one of his movies that I haven’t seen before. But not his new one (the remaking of Pelham One Two Three) because life is too short for new Tony Scott movies.

So I went way back to this VHS-only cult oddity from Ate de Jong, director of DROP DEAD FRED. This is actually Helgeland’s last credit before ASSASSINS, but it came out back in 1991, when he was still considered a horror guy, having done NIGHTMARE ON ELM STREET 4, 976-EVIL, and some episodes of FRIDAY THE 13TH: THE SERIES. (read the rest of this shit…)

Terminator Woman

tn_terminatorwomanAfter the disappointment of TERMINATOR SALVATION the last thing we need is another movie that fails to live up to James Cameron’s original creation. But here is TERMINATOR WOMAN, which not only lacks the punch of Cameron’s two sci-fi action classics, but also fails to communicate to the viewer (in this case me) why the hell it’s called TERMINATOR WOMAN. The cover says “It’s about time!” as if to suggest it’s exciting to have a woman Terminator (before TERMINATOR 3: RISE OF THE MACHINES), but the movie isn’t even remotely about robots or even terminating, and there’s also a man in the movie who fights on what is portrayed as an approximately equal skill level with the woman. So if she counts as a Terminator then he must too. I’m not sure why it’s not TERMINATOR MAN AND WOMAN.

TERMINATOR WOMAN is about two American karate cops in Africa fighting some crime lord who wants to get back some gold that was stolen from him. But the crime lord is not Warwick Davis, it’s Michel Qissi, also director, co-writer, fight choreographer and fight editor.

If you don’t know Qissi you at least know his friend: he grew up with and trained with Jean-Claude Van Damme. Onscreen he most memorably played Tong Po, the villain in KICKBOXER, although he was uncredited (it said Tong Po played himself). But here is his first try at directing (he did one other, 2001’s EXTREME FORCE). (read the rest of this shit…)

Vern makes DIRECT CONTACT with Dolph Lundgren!

tn_directcontactDIRECT CONTACT is the new Dolph Lundgren DTV movie directed by Danny Lerner (SHARKS IN VENICE) and written by Les Weldon (RAGING SHARKS). It comes out in the US on Tuesday and has already been released in Thailand, Kuwait, Italy, the Netherlands, Norway, Finland, Denmark and Sweden.When we first meet Dolph as Mike Riggins, life is not the best. #1, he lives in a Balkan prison. #2, he owes a bunch of gangsters money, and some guy spits in his food, so he has to fight everybody and stab a dude in the eyeball. #3, the screws come in and club him like a baby seal. #4, he gets put in solitary. #5, when he pukes up blood a rat comes over and starts eating it.

On the other hand, it’s kind of a cute rat eating the blood he puked up. Not RATATOUILLE cute, but he doesn’t look like he has fleas. Well-groomed. So it could be worse. (read the rest of this shit…)

Hit!

tn_hitSee, this is the type of gold I’m always digging for. This is why I keep browsing and renting weird old movies I don’t know much about. I’m trying to find a movie like HIT!. Last time I rented a Billy Dee Williams movie it was AGENT 00-SOUL, which I’d wanted to see for years only to discover it’s not a serious movie, it’s a “comedy” where he just keeps tripping on things and falling out of things. It makes the worst Leslie Nielsen movie look like the Coen Brothers.

But HIT! is not only a serious movie, it’s revenge-meets-arthouse, almost like POINT BLANK. It’s an ambiguous, slow-burn revenge movie with great performances and character moments and a creepy Lalo Schifrin score. There’s more care put into the buildup and the little moments than into the action movie parts, but they’re good enough for that to be a fair trade.

In the beginning a teenage girl dies from a heroin overdose. Billy Dee plays her father, some kind of CIA agent. He doesn’t talk until 15 minutes into the movie. Before that he just smolders. His boss tries to help him out, tries to send him on a vacation. But he wants to go after the source – not the street pushers, but the top of the pyramid, some guys in Marseille who run a heroin cartel. Of course the agency tells him not to, and of course he does it anyway. (read the rest of this shit…)

Vern is down with BLACK DYNAMITE

tn_blackdynamite1I’ve missed some potential good ones at this year’s Seattle International Film Festival, but I was not about to miss the midnight show of BLACK DYNAMITE. If you don’t know what this is, it’s a retro blaxploitation movie where Michael Jai White (also co-writer) plays the title character, an ex-CIA, Vietnam vet, kung fu practicing, five-women-at-a-time-fucking badass motherfucker trying to find out who killed his brother.

Doing a blaxploitation homage in 2009 sounds good on paper, because there are a finite amount of authentic movies of this genre. At a certain point you run out of blaxploitation to watch, and you need more. It never hurts to have backups. But when you think about it there are a million ways for a movie like this to be disappointing or worse. BLACK DYNAMITE has great posters and trailers, but that doesn’t prove anything. For my tastes it’s a fine line to walk. I didn’t want to see something too jokey or spoofy, something that was mocking these movies more than paying tribute to them. And there’s no reason to assume an independent film out of nowhere from filmatists without that much of a track record will capture a vintage blaxploitation feel. (read the rest of this shit…)

Drunken Master

tn_drunkenmasterSadly, David Carradine wasn’t the only martial arts star who died yesterday – we also lost Shih Kien, best known as Han in ENTER THE DRAGON. Apparently he’s also in DRUNKEN MASTER but I didn’t realize it at the time so if anybody remembers which character he played let me know.

DRUNKEN MASTER is Jackie Chan and director Yuen Woo Ping circa 1978, still old school kung fu era, when their movies were always period pieces about masters, training, fighting styles and duels. Jackie plays the Chinese folk hero Wong Fei Hung as a bratty little prick, always fuckin around in class, cheating, getting in fights, stealing. It’s all played for laughs but I think you’re supposed to think it’s charming and lovable. If so I’m not sure it works.

At first he seems kind of heroic because he defends a guy from theft. This guy is selling jade, some asshole tries to rip him off and then breaks the jade and refuses to pay for it. So Fei-Hung duels the asshole and leaves him in a bodycast (his own friend says “he looks like a dumpling.”) (read the rest of this shit…)

David Carradine

deathrace2000Nothing too fancy, but just wanted to take a minute to pay some respects to poor David Carradine. Like many people I was saddened by his passing, and by the knowledge that for now on whenever you mention the poor guy some god damn prick will get to make a smarmy quip about the apparent circumstances of his death. Can’t defeat his kung fu but you can defeat him with your powers of ironic distance and obvious jokes. Congratulations, dick.

To tell you the truth I used to kind of resent Carradine as the white guy who got to star in two Bruce Lee creations, the show KUNG FU and the movie CIRCLE OF IRON. Well, the truth is it wasn’t really his fault, I don’t really blame him for taking the job on KUNG FU and CIRCLE OF IRON was after Bruce’s death anyway. Plus, he did a better job replacing Bruce Lee than the other guy did replacing James Coburn. He’s really good in both roles, actually. (for a white guy.)

Come to think of it it’s kind of weird, Carradine is so associated with martial arts, but he didn’t practice them until he did that show, so he could also be in all those westerns and shit without somebody making him do karate. He was foremost an actor but also could teach a tai chi workout if he wanted to. My favorite Carradine movie was always DEATH RACE 2000 (pictured above), where he played the famous death race driver Frankenstein. It’s the satire and the crazy cars and everything that I like in that movie, but it’s hard to imagine Frankenstein without that voice and that lanky frame. He was a super hero. (read the rest of this shit…)