No man, I don’t got a problem. I just watch Michael Bay movies recreationally. I don’t gotta watch them when I wake up or nothin. It’s just every once in a while. I only watched PEARL HARBOR ’cause I was doing all the summer of 2001 movies. And TRANSFORMERS 3 because I thought it would be funny. Then people said I should watch this one. It’s not a big deal, man. That’s not that many. You don’t know what you’re talking about.
The Rock
Season of the Witch (2011)
I can’t really think of a compelling reason why anybody should see SEASON OF THE WITCH, but it’s way more watchable than I expected. The trailers were dreary and cheap looking, it didn’t look like there was anything very original or exciting about it, it’s from the director of GONE IN 60 SECONDS (remake), and then I think it got delayed but I can’t really prove it because nobody was waiting for it to come out so who would remember?
(read the rest of this shit…)
Next
NEXT is a 2007 Nicolas Cage sci-fi vehicle from director Lee Tamahori (ONCE WERE WARRIORS, xXx: STATE OF THE UNION). I finally got to it because I saw that KILL THE IRISHMAN movie and liked it enough to want to look up what else Jonathan Hensleigh has been up to. He’s credited as a writer on this along with Gary Goldman (BIG TROUBLE IN LITTLE CHINA, TOTAL RECALL, NAVY SEALS) and Paul Bernbaum (Riptide, The A-Team, 21 Jump Street, etc.). I got a hunch which one was the primary visionary behind this, but I’m not gonna say it. (read the rest of this shit…)
Welcome to the Jungle
WELCOME TO THE JUNGLE is a little low budget cannibal movie put out in ’07 by Dimension Extreme. That’s the division of Dimension Films that puts out independent or foreign horror movies they buy the rights to. They’re extreme so I believe that means they’re like other Dimension movies except they wear backwards hats and ride snowboards. I think ROGUE is the only movie released by them that I saw and liked alot, but I’ve heard good things about INSIDE and TEETH.
This one didn’t get much attention other than a little controversy when rumors spread that it was a remake of CANNIBAL HOLOCAUST. Writer/director Jonathan Hensleigh got mad and claimed otherwise in interviews, but on the commentary track he calls what he said “unfortunate” and admits that CANNIBAL HOLOCAUST was “obviously” a huge influence.
(read the rest of this shit…)
Black Dynamite: The Cartoon: The Pilot
I know most of you have already seen this (and sent me the link – thanks for that) but I just realized I could embed it on here and it’s like I’m personally presenting it to you. I’m coming out and introducing it, or inviting you over to my apartment to watch it. There will be a Q&A and light refreshments afterwards.
I’m not sure how close they are to having the actual BLACK DYNAMITE cartoon series ready, but the Adult Swim cartoon people have made this 11-ish minute pilot available to prove that it’s a good idea. Click on the thing here for the video and some comments.
Super
SUPER is the landmark thirty-seventh movie about “what if somebody really tried to be a super hero?” But this one was made by James Gunn, the Troma guy turned SCOOBY DOO screenwriter who got some cred when he wrote the DAWN OF THE DEAD remake and then directed SLITHER. Looks like he’s had trouble getting anything off the ground since then (I guess the suits didn’t go for his take on Pepe Le Pew) so he made this one independently like he used to do, but maybe with some more skills and connections he’s made in the big leagues. For example the bit part of the lady at the pet store is played by Linda Cardellini from E.R., because she was Velma in SCOOBY DOO. (That was weird, I thought that character would come back or something, but no. She’s just a pet store lady.) (read the rest of this shit…)
BKO: Bangkok Knockout
BANKGKOK KNOCKOUT is the name of the latest cinematic knee to the skull from those crazy fuckin Thai stunt people – the guys with the amazingly acrobatic, bone-crunching martial arts, the unbelievable falls and vehicle hits, the guys who get knocked off of trucks or hit by motorcycles for real, and make all the stunt people in every other country look like total sissies. Here in the U.S., Magnet Films will release it on DVD August 30th under the title “BKO: BANGKOK KNOCKOUT,” which stands for “BANGKOK KNOCKOUT: BANGKOK KNOCKOUT.” It’s directed by Panna Rittikrai, who’s had a hand in pretty much all of the modern Thai action classics. He was director of BORN TO FIGHT and ONG BAK 2-3 (taking over after Tony Jaa left), and choregrapher for ONG BAK, TOM-YUM-GOONG/THE PROTECTOR and CHOCOLATE. He was Jaa’s mentor and founder of the Muay Thai Stunt team. He’s pretty much the godfather of this shit. (read the rest of this shit…)
Attack the Block
When I was leaving ATTACK THE BLOCK I noticed the poster for SUPER 8 hanging outside the theater. I guess it’s pretty obvious, but until I saw that it hadn’t occurred to me that they’re two really different versions of a similar idea: a group of kids save their neighborhood from an alien invasion. In fact, writer/director Joe Cornish says, just like J.J. Abrams did, that he was mostly inspired by the Amblin movies of the ’80s and specifically E.T. (the extra-terrestrial).
That influence is all over the surface of SUPER 8, but ATTACK THE BLOCK has a completely different style. Even though it takes place in modern day London it really makes me think of late ’70s, early ’80s movies about young people in New York City – BEAT STREET, THE WARRIORS, the “Beat It” video. It also put me in mind a little bit of ASSAULT ON PRECINCT 13 over here on the west coast. The score by a gentleman named Basement Jaxx is a hell of alot closer to John Carpenter than John Williams. (read the rest of this shit…)
Brazilian Brawl
Once again browsing the action section in a video store has led me to a strange movie that I never heard of before. This way of life is rapidly crumbling. When everything is piped into our faces on demand we won’t have to stick with our risky bets. We’ll click on something and if it seems shitty we’ll click on something else and not give it a chance to turn interesting. In fact, we’ll probly just turn it off and watch porn instead. So we will never see BRAZILIAN BRAWL.
But in my world, where you gotta actually go outside, travel to a building, pick out the movies to watch and physically transport them back to your home, you’re gonna invest the time to try to give the thing a chance. And you are gonna watch BRAZILIAN BRAWL from beginning to end (about one hour) because you could not resist renting the movie with the cover that shows a guy doing a flying kick with two guns and the words “STARRING THE WORLD FAMOUS MARTIAL ARTS MASTERS THE MACHADO BROTHERS. THESE HOMBRES THROW DOWN.” (read the rest of this shit…)
Rush Hour 2
released August 3rd, 2001
I know, I know. Every motherfucker on the internet is putting up their essays marking the 10th anniversary of Brett Ratner’s RUSH HOUR 2 today. As fascinating a topic as we all know it is, I believe there could be a small chance that one or two of you are probly getting toward the area where pretty soon there is almost really not gonna be that much more to say about RUSH HOUR 2. And I know that for many of us this is a day when we want to be among friends and loved ones, thinking about how much they mean to us, and how much RUSH HOUR 2 means to them. But please, friends – if you have the time, take a few minutes to read my take. It would mean alot to me, just like this movie means alot to each and every one of us as movie fans, as thinkers, as sons and daughters, as mothers and fathers, brothers and sisters, citizens, humans, spiritual beings.
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