KULL THE CONQUEROR is the story of Kull (Kevin Sorbo) but in my opinion it is kind of unfair to call him a conqueror. Honestly it’s more of a right-place-at-the-right-time kind of deal, like the end of CHRONICLES OF RIDDICK or like winning on Cash Cab. Let me explain how it all goes down.
At the beginning Kull is in a big battle with a bunch of knights. But it turns out to be a test. He’s trying to earn his way into the king’s elite army. He almost passes the test of a blindfolded flaming-sword duel with Thomas Ian Griffith (EXCESSIVE FORCE, Valek in JOHN CARPENTER’S VAMPIRES) but then Griffith finds out Kull’s from Atlantis and says forget it, we don’t work with barbarians. Destroyers maybe, barbarians – no fucking way. And this was the Hyborian age, so it was before they had laws about employment discrimination. (read the rest of this shit…)

Red Sonja (Brigitte Nielsen) is a warrior gal with red hair. Like all fantasy heroes her village was burned down and her parents were killed and she has to go on a journey where she will eventually save the world from the bitch that did it and throw her into some lava. Because she was a girl she also got raped (so we hear, luckily this is not a I SPIT ON YOUR GRAVE type approach) and that adds an extra dimension to the revenge.
Two years ago give or take a couple days I wrote about
Luc Besson might be back. For a while there he was doing those ARTHUR movies for kids, then he said he wasn’t gonna direct anymore. To be fair I haven’t watched the ARTHUR movies, because in the U.S. the Weinsteins own them and only released them in a version where the characters are dubbed by Snoop Dogg and Madonna – I’m not joking about that, that’s for real. Besson also directed that black and white movie called ANGEL-A, which I haven’t seen and don’t even know which way to pronounce.
DETECTIVE DEE AND THE MYSTERY OF THE PHANTOM FLAME is the latest directorial work from Mr. Tsui Hark. Yeah, admittedly I still mainly love him for the Van Damme/Rodman/Rourke picture DOUBLE TEAM, but he’s actually a respectable director too. This was nominated for best picture in last year’s Hong Kong Film Awards. It lost to GALLANTS but #1 I personally liked this better than GALLANTS and #2 Tsui won best director anyway. Like Soderbergh over Ridley Scott. Take that, GALLANTS.
Months ago over on
I forget who it was that put this on my radar a while back when it was a big deal in Norway, but they were right, this is an interesting movie. NORWEGIAN NINJA is hard to describe. You’d kind of need to see it for yourself to understand. So I’ll try to explain it enough that you might want to see it for yourself and then understand.
TROLLHUNTER starts out exactly like any one of these post-BLAIR WITCH fakumentaries: 3 somewhat obnoxious college kids are making a documentary (about a bear poacher?) when they stumble across something scary (a troll) and shine some lights and cameras around the woods at night getting spooked by sounds and shadows. So it’s first time actors pretending to be non-actors trying to catch something on tape and we’re supposed to sit at home watching it and pretending we think it’s real so we can be scared if they “happen” to catch something scary blurred out on the camera for like 2 seconds. 
Yesterday I ran my last review from the Summer of 2001 10th Anniversary retrospective series, so let’s go over our findings. I hope I didn’t ruin it by spreading some of the reviews out to the anniversaries of their releases. I actually watched them all close together in chronological order and wrote about them but I wanted to have an ongoing series throughout the summer. At the end of this post I have the links to all of them in order in case anybody ever wants to read them in one long chunk. 

















