"CATCH YOU FUCKERS AT A BAD TIME?"

Hellbound

“Either this guy is nuttier than a Snickers, or there is some real heavy shit goin down.”

I’ve had this idea for years that one Halloween I should try to honor my two most covered genres by trying to review a bunch of action/horror crossovers. I knew Chuck Norris had done one, so HELLBOUND was at the top of my list. Unfortunately if this is any indication this is not gonna be one of my more worthwhile expeditions.

Our story begins in 1186 AD when Richard the Lionheart (David Robb, who in my opinion was cast in Downton Abbey based entirely on having this one his resume) battles an evil sorcerer called Prosatanos (Christopher Neame, LUST FOR A VAMPIRE, SUBURBAN COMMANDO) and locks him in a tomb using magic daggers. Then it continues in 1951 when some bandits who might’ve been professional acquaintances of Indiana Jones discover the tomb and think it would be a good idea to steal the magic daggers, releasing a force of pure evil that will, you know, cause trouble in 40-some years after he gets all the broken pieces of his shattered Magic Scepter Thing of Evil. Now he wants to conquer the world and presumably plunge it into that “1,000 Years of Darkness” Chuck Norris’s wife warned about in their anti-Obama video.
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There’s gonna be a NINJA 2

Clint Morris at Moviehole is reporting the great news that Nu Image, Isaac Florentine and Scott Adkins are reuniting for a sequel to NINJA – or NINJ* as I’ve always spelled it (the asterisk is a throwing star) – expected to film early next year.

I know NINJA isn’t as popular as the UNDISPUTEDs, but it’s a favorite of mine. It has many great fights, an excellent villain with good motivations, and a few pulpy touches like a villainous oil company/cult. My favorite thing about it is that the opposing ninjas are fighting over a box of weapons. Not magic weapons, just some old weapons. It’s a matter of honor and tradition, nothing to do with saving the world or saving lives or anything. It’s like a modern Cannon movie, except way better than most Cannon movies like it. Can you name a better movie about a white guy adopted by a ninja clan? There are many white ninja movies, but I can’t think of a better one.

And I know they’re gonna try to take the credit away from him, but Obama can hold his head up proud because NINJA and NINJA 2 happened under his watch.

Here’s my original review from 2009.

Looper

LOOPER is the new time travel related science fictional picture by Bruce Willis. But due to scheduling conflicts Bruce is only in part of the movie, most of the time he’s played by Joseph Gordon-Levitt (SHADOWBOXER) with a fake nose. This one is written and directed by Rian Johnson, the guy that did BRICK.

“Looper” is a made up futuristic word similar to how “Rian” is a made up spelling of a real name. I’m not buying either one. But I did like the movie. (read the rest of this shit…)

Dead Heat

I meant to see this when it was in theaters in 1988, didn’t get around to it until now. It’s okay. Not worth that long of a wait, but luckily I did other stuff in between.

Treat Williams (THE SUBSTITUTE 2-4) and Joe Piscopo (Saturday Night Live cast, 1980-1984) play two 1980s Movie Cops. Treat is supposed to be the straight laced one, so he wears a suit. Piscopo is the wildman who wears a leather jacket and hits on every woman who appears on camera, because that’s always funny (see also: Jay Leno in COLLISION COURSE). This was after SNL when he got really into bodybuilding, so he also shows off his muscles alot. He’s kind of a cross between a wisecracking Bruce Willis type of character and a crazy Mel Gibson one.
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Bloody Mallory

In a quest for odd action-horror combos I came across this comic booky French movie that kind of seems like their version of a Milla Jovovich vehicle. Although it came out in 2002 it’s not that slick digital type of fake-looking, like ULTRAVIOLET or a RESIDENT EVIL or something. It’s more of a retro-MORTAL KOMBAT type of look with lots of badly composited red cloudy skies, lightning strikes, green fire, etc. But it could use some aggressive KOMBATtty techno music or guitar-and-drums scoring instead of the shitty keyboard-pretends-to-be-orchestra approach.
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A GOOD DAY TO DIE HARD teaser

This is actually a really good teaser for a movie I have very little faith in, due to a theory I share with the French relating to auteurs, and also due to having seen the works of screenwriter Skip Woods. Nice cinematography, lots of shooting, doesn’t look too slick or fakey. But who knows? I wish.

The one line in the trailer reminds me of a review I once wrote.

PARKER trailer

http://youtu.be/4GMBXStd3SA

WHAT IS THIS BULLSHIT?! I mean, it looks like it could be a pretty accurate adaptation of Flashfire, and an enjoyable Jason Statham vehicle. But why would you call it “Parker” and then hang the trailer on this “these are my rules” hook that is the opposite of the character and the reason he has lasted and the reason you bought the rights to make a movie out of him? What kind of man is willing to do that, knowing he has to look himself in the mirror again at some point before he dies? Wouldn’t it be easier, and better for all involved, and for society,  to just not do that? Obviously you don’t have rules or you wouldn’t have fucking made Parker say some shit like that!

Maybe you guys were thinking of the Transporter?

All the Boys Love Mandy Lane

For my inaugural horror picture of the 2012 Halloween season I chose ALL THE BOYS LOVE MANDY LANE, an internet-acclaimed indie from 2006 that still hasn’t been released in the U.S. yet because it was bought by the Weinsteins, who proceeded to pull a Weinstein on it. But I rented the UK blu-ray. Rookie director Jonathan Levine went on to direct the also-pretty-good non-horror indie movie THE WACKNESS and last year’s Joseph Gordon Levitt/Seth Rogen/cancer dramedy 50/50. The titleistical Mandy Lane is Amber Heard, who has since played the hot girl in NEVER BACK DOWN, PINEAPPLE EXPRESS, ZOMBIELAND, THE STEPFATHER and DRIVE ANGRY.
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Assassin’s Bullet

Friends, it is my sad duty to verify reports that Isaac Florentine’s ASSASSIN’S BULLET (formerly titled SOFIA on IMDb, and out on DVD today) is no good. I guess it played a couple of theaters at some point, and it has a 0% rating on Rotten Tomatoes. I can’t say I really disagree. It’s dull and amateurishly written and even though it has a weird thing going on with being a vanity project for some lady I never heard of, that’s not enough to make it very fun.
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The Master

As I start writing this I haven’t read any reviews or comments on THE MASTER yet, but I’m betting there’s alot of this:

1. It’s a masterpiece, if you don’t get it you’re dumb, why don’t you go see some mainstream movie like whatever that one movie is called, the one that you like, I don’t know the name because I don’t watch that kind of crap or know what it is

2. It’s pretentious nonsense that is pretentious, if you like it it’s Emperor’s New Clothes. It’s totally meaningless. Boring. The critics! Fuck!!!!!

Probly heavier on #2.

I would like to propose a third view, which is B. Kind of in the middle of the two. But in a separate column I think.

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