http://youtu.be/_OuU2oRmh6Y
This looks like it has more potential than I expected, and if not I think we can all at least enjoy the narrator on this trailer. He’s working overtime to explain the plot to us. Although I’ve heard of this for a while it does not seem to be listed on IMDb, and I can’t find any mention of who directed it. I did find an article that notes that Rothrock is playing one of the bad guys.
In unrelated news, my IMDb research did lead me to discover that Wilson is listed as being in an upcoming SCORPION KING (something)quel, also alleged to feature Royce Gracie, Michael Biehn, Lou Ferrigno and Rutger Hauer as “King Zakour.” The director did BLUE CRUSH 2 and was in SORORITY HOUSE MASSACRE II.
(hat tip to Felix [I am not actually wearing a hat, that is internet slang I believe])

BEHIND THE CANDELABRA is Steve Soderbergh’s one last big score before retirement. In some countries it played in theaters, but here in his home country it went straight to cable. Why? The Man obviously didn’t get how contemporary this story is even though it takes place in the ’70s through early ’80s.
“Me and Priest go back to the golden age of hustlin.”
“I am retired. Can you dig where I’m coming from?”
it was called SUPER FLY T.N.T.? You’d think I’d’ve gotten on that shit right away. But I’m not the only one who forgot about it. This 1973 sequel has never been released on DVD. It has no external reviews on IMDb. And its soundtrack has never been on CD, even though it’s good enough that I bought a vinyl copy on ebay right after I watched the movie.
I’ve seen SUPER FLY a bunch of times, but I guess not since the VHS days. It’s a good looking movie on DVD, a nice document of extravagant ’70s clothing, small but fancy apartments, a white Rolls Royce rolling around dirty New York streets, its shiny hood ornaments leading the charge like a figurehead on a boat headed to the new world. It’s not a plot-heavy movie, it’s full of long scenes showing off the Curtis Mayfield soundtrack, for my money probly the greatest song soundtrack ever made for a movie (though the blaxploitation genre’s got several classics:
I wanted to point out 
THE RAID 2 has alot of what made
“Let’s go get those sonofabitches.”
NEED FOR SPEED is based on a video game I guess, but it seems like a THE FAST AND THE FURIOUS sequel from an alternate timeline where TOKYO DRIFT never happened, or a weird idea for a gritty reboot of the SPEED RACER licensed trademark franchise property.

















