"CATCH YOU FUCKERS AT A BAD TIME?"

Archive for the ‘Horror’ Category

High Tension

Wednesday, January 4th, 2006

HIGH TENSION (aka HAUTE TENSION, aka SWITCHBLADE ROMANCE)

This is another one of those heavily buzzed foreign imports that I put off watching forever. The final deciding factor, I keep seeing the trailer for a remake of THE HILLS HAVE EYES which is made by these same frenchmen. So I figured I oughta investigate, see what these guys are about.

HIGH TENSION is a well made throwback kind of slasher movie, but not as good as WOLF CREEK. Similar subject matter though. Two young ladies, Marie and Alexia, go to visit Alexia’s parents out in the french boonies. While everybody’s in bed, some grunting redneck schlub (he looks like M. Emmett Walsh in an Ed Gein costume) drives up in a rusty truck, breaks in and starts killing everybody. Most of the movie – and the best part of the movie – involves Alexia being tied up and gagged in the back of the truck, while Marie chases the killer trying to save her. (read the rest of this shit…)

Wolf Creek

Saturday, December 31st, 2005

THIS REVIEW IS BASED ON ACTUAL EVENTS.

First off, I gotta address a couple points. Number one, regarding the reputation of this movie. I think it’s getting a bad rap. One Seattle critic wrote about walking out instead of reviewing it. Another one (“shout out” to Andrew Wright as the kids would say) mentioned the other critic walking out and said he didn’t blame her (his review was “a recommendation, I guess”). Roger Ebert gave WOLF CREEK zero stars and pretty much condemned it as a failure for the human race. Even some of the horror fans who liked it are talking about it like it peeled off their skin and made them eat it and despite the unpleasantness of the whole ordeal they begrudgingly had to admit that it did a good job of forcing them to eat it. (read the rest of this shit…)

Candyman 2 and 3

Wednesday, November 9th, 2005

CANDYMAN in: FAREWELL TO THE FLESH and CANDYMAN in: DAY OF THE DEAD

Last week I watched this CANDYMAN movie. The review is above but maybe somebody is too lazy to read it so I’ll just say it was surprisingly good and classy for a slasher movie about a guy with bees in his stomach that likes to gut people with a gorey hook hand. Anyway I decided as a completist and foolish optimist I should give these two other Candyman adventures a shot. Maybe lightning strikes three times, you know.

Well truth be told, number 2 is not all that bad. It’s just not all that good either. This one is directed by Bill Condon, who went on to do GODS AND MONSTERS and KINSEY and write some musicals. So it’s not just a random hack, although nobody knew it at the time because this was 1995, it was before they had time travel. Anyway it treats the material as seriously as the first one does, but it’s less dreamy and more literal. The setting is moved to New Orleans which we find out is Candyman’s birthplace. (read the rest of this shit…)

Candyman

Sunday, October 30th, 2005

This movie surprised me. Everything about it is classier than I expected. From his reputation you’d think this Candyman guy is just a B-list Jason or Freddy type. But it turns out he’s more a classic movie monster like Dracula or the Phantom of the Opera. And his movie has more subtext than all of Freddy and Jason’s pictures put together, including JASON X. Hell, throw in a couple Child’s Plays too. And one or two Halloweens. And one Silent Night Deadly Night. No Texas Chainsaws though, that would tip the scale.

You know why we have to deal with Jason? Because of some horny counselors not doing their job. Freddy, because of some overzealous parents who took the law into their own hands. Dr. Phibes because some doctors fucked up a heart operation. But we got Candyman because of a bigger reason: America’s history of racist oppression. This is the only slasher/ghost movie I know of that deals with the legacy of slavery and racism (only BLACULA comes close). (read the rest of this shit…)

Infested: The Invasion of the Killer Bugs

Thursday, October 27th, 2005

Well as you know I am always searching for straight to video movies that don’t suck. And even I sometimes forget why that is my mission, so let me put it down in writing here as a reminder. See, in the old days you had b-movies, you had exploitation movies, etc. And the idea of these movies was low budget, lowbrow, easy investment quickie moneymaker. Like squeezing out sausages. And there was alot of disposable garbage made, because that was the whole point. But within that world there were people like Roger Corman, William Castle, Jack Hill etc. who sometimes made movies that transcended just being a product, movies that some people still watch and hold dear today. Lots of directors like John Sayles, John Demme and maybe one or two other guys got their start working on cheapo Roger Corman movies about women in prison or giant alligators. Also unfortunately Ron Howard but that doesn’t count. And people like George Romero and Sam Raimi started with low budget independent movies made for the drive-ins, movies that nobody would expect to still be considered great all these years later. (read the rest of this shit…)

The Devil’s Rejects

Tuesday, July 26th, 2005

If you ever saw THE HOUSE OF 1,000 CORPSES, there’s one thing you probaly remember. It’s this montage set to “I Remember You” by Slim Whitman. It’s got lots of slow motion and you can’t hear anything but the music as the cops discover a couple of the house’s thousand corpses unexpectedly, then get gunned down by the Firefly family. The montage ends with Otis (Bill Texas Chain Saw Massacre 2 Moseley) holding a gun to a cop’s head and it sits there with 20 full seconds of complete silence and stillness before he executes him.

That movie was pretty good, I liked it overall for it’s spunk and what not, but it was real sloppy and uneven. And that “I Remember You” scene was the one part where the director, a guy named Rob Zombie (yeah I know, I think it’s Hungarian or something), seemed like a real filmatist. Well good news, Mr. Zombie’s new one THE DEVIL’S REJECTS is not as much a sequel to HOUSE OF 1,000 CORPSES as it’s a sequel to that scene. It’s about the brother of the first cop killed in the montage hunting down the Fireflies for revenge. And all the sudden the Zombie guy knows what the fuck he’s doing: real good framing, way better acting, expert use of slow motion and effective montagings edited to old country music, blues and classic rock. Very dirty and raw, lots of ’70s techniques like Peckinpah slo-mo and fancy wipes. Kind of what Jim Van Bebber was going for with THE MANSON FAMILY. Maybe not quite as authentic but way better thought out and more involving. It’s almost changed genres – now it’s less straight up horror and more of one of those sicko ’70s serial killer/crime/road pictures, or a revenge picture like LAST HOUSE ON THE LEFT. It’s just as sick and inexcusable but more fun. (read the rest of this shit…)

Land of the Dead

Wednesday, June 22nd, 2005

Hi, everyone. “Moriarty” here with some Rumblings From The Lab…

I’m working on my review for this one now, having seen it earlier tonight. For now, I’ll leave it in the always-capable hands of Vern:

Fellas –

Well the Batman fans have their good Batman movie to get excited about, the Star Wars fans have their good Star Wars movie to complain and make rape metaphors about*, and now comes the actual, genuine most anticipated movie of the summer. In my opinion.

[*and no, this is not a license to talk about Star Wars in the talkbacks. you even THINK about mentioning Hans shooting whatsisdick the hutt or what have you, even in a relevant comparison to the works of George Romero, you’re fuckin fired]

There’s not much of a rumbling in the media, there doesn’t even seem to be as much excitement on the internet thing here as you’d think there’d be. But some of you out there know what I’m talking about. We’ve been waiting for this movie a long god damn time. I mean how many false alarms can you live through over the years, the guy saying he almost has the money to make another Living Dead movie? It starts to seem like a pipe dream. How many Resident Evils and 28 Days and Haunted Mansions can go by with us saying “fer chrissakes you morons, just give George Romero some money for a living dead picture and make the world a better place for all creeds, colors and stripes.” (read the rest of this shit…)

Seattle Film Fest: Vern tackles the new GODZILLA: FINAL WARS film… possibly the last one!

Wednesday, June 1st, 2005

SPOILER ALERT !!

Hey folks, Harry here… I hate Vern… he see MAN IN SUIT first! I hate Moriarty… he see MAN IN SUIT firster! I wanted to see MAN IN SUIT firstest!!! ARGHHHHHHH!

Boys –

I don’t know if you’ve heard the news yet but apparently Godzilla is retiring. I know, I thought it sounded kind of sudden too, but according to the Toho Studios over there in Japan – actually they probaly never said this, but it was reported in magazines here so we’ll pretend it’s true – this is ABSOLUTELY gonna be the VERY LAST Godzilla movie. EVER. The final chapter. The final nightmare. I don’t see how they could ever go back on their word on something like that, so they will probaly just have to start making domestic dramas, or find some new young and edgy giant monster, start him off small and hopefully build him up until all the kids are like, who the fuck is Godzilla? Sounds lame to me, just a ripoff of (new more extreme giant monster from Toho studios). (read the rest of this shit…)

From the Writers of SUPERMAN RETURNS, Vern reviews their straight to DVD – URBAN LEGEND 3: BLOODY MARY!!!

Sunday, May 22nd, 2005

SPOILER ALERT !!

Hey Folks, Harry here with the man-god Vern and his preview look at URBAN LEGENDS 3: BLOODY MARY. Ya know… some folks have all the luck, Vern has the rest. Now, behold as he unveils to all of us – the films we’re dying to see are always in front of his eyes. Now here ya go…

Hey fellas,

Vern here on the straight to video beat. Usually I prefer the real whacked out bad ones (Seagal) but as a Positive individual and an idealist it is my duty to report when I manage to see one that’s surprisingly decent. Don’t get too excited, I’m not really recommending this picture. Standard direct to video rules apply. Probaly shouldn’t rent it, but if you’re stuck in a hotel somewhere and it’s on cable, and you don’t want to spring for the porn, it’s not that bad. Competence is a quality that is rare in the world of DTV sequels, so it’s worth applauding. Good job on the competence with this one, guys. (read the rest of this shit…)

Vern braves and endures Wes Craven’s CURSED!

Friday, February 25th, 2005

SPOILER ALERT !!

Hey folks, Harry here to bestow upon you the glory and the greatness that is the mighty Vern. He wades through films and text like the Grim Reaper in a Corn Field…. shitting out the husks of material that dreams of better days. Now he turns his excellence at Wes Craven’s troubled latest. A film left hemorraging from the Dimension process, but with a pedigree of cool otherwise. Let’s see what Vern says…

Harry –

Don’t know if you’re sick of me yet this week but I just saw CURSED one day early, so what the fuck man you know what happens next. A review, some belligerent talkbacks, etc.

This is the new one from Wes Craven, who in my eyes at least still has some small amount of credibility. I know he tries his damndest to piss it away on executive produced projects like DRACULA 2000, WISHMASTER, WES CRAVEN’S SO-CALLED CARNIVAL OF SOULS, etc. And he’s done some bad ones all throughout his career. Like DEADLY FRIEND and DEADLY BLESSING. I forget which one is which. One of them involves a robot. And VAMPIRE IN BROOKLYN. And THE HILLS HAVE EYES 2. (read the rest of this shit…)