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Archive for the ‘Action’ Category

God help us… Vern has seen X3…

Tuesday, May 23rd, 2006

SPOILER ALERT !!

Ahoy, squirts! Quint here. Vern has done it again. I gut-laughed at least 3 times during this review… It contains some spoilers, so be warned of that. All these positive reviews for X3 give me hope for the film, but I am worried about a common thread going through these reviews that seem to say that if you care at all about the comics or how these characters will be different from their comic book forms then you might not like the film. Is it wrong to be a geek about a comic book movie? I just know that I loved the Dark Phoenix Saga and I wish I could shake the original comic telling of her story going into the movie, but I know I can’t. I really hope I’m smiling as hard as Vern was when watching the flick. Sounds huge and fun. After Vern, I have another review that is from a fan that is very honest about the film, but is kind of a sad read. Enjoy the laughter and happiness first!

X-MEN 3: THE THIRD AND LAST STAND OF THE X-MEN

Fellas,

In the talkback for my review of last week’s big movie, SEE NO EVIL, Brycemonkey requested that I review X-MEN 3: X3 THE THIRD X-MEN. As someone who strives for excellence that puts me in a tough position because on one hand I want to make the newsies happy by reviewing the movie, but on the other hand I’m not sure they’ll like it because I don’t know jack and/or shit about the X-Men outside of these movies.

Ordinarily that would be okay, most movies you’re not expected to do twenty years of preparatory research before you are allowed to have an opinion about them. But X-Men is different. I don’t know if anybody else has ever noticed this before, but through my personal experiences here and there I’ve made an observation that some people take this comic strip shit VERY seriously. Don’t worry, I’m not talking about you. You’re cool. But those other guys are fuckin NUTS. what a bunch of nerds, am I right? ha ha we’re different though. (read the rest of this shit…)

Code of Silence

Tuesday, May 16th, 2006

In 1985, a couple years before director Andrew Davis introduced the world to Steven Seagal in the classic ABOVE THE LAW, he did another, similar movie, sort of a rough draft, starring Chuck Norris.

They have the same setting (Chicago), the same villain (Henry Silva) and alot of the same supporting actors playing cops and criminals. They have the same type of cheesy ’80s scores by David M. Frank. (Get ready for cheesy slap bass and the whitest horn section you ever heard.) ABOVE THE LAW is about CIA corruption (inspired by the Iran-Contra affair) but CODE OF SILENCE sticks with corrupt cops. (read the rest of this shit…)

Mission: Impossible III

Saturday, May 6th, 2006

I like this “Mission Impossible” series. The first one, by Brian DePalma, is the best, a real tight and stylish twisty thriller with amazingly tense suspense scenes and cinematic tricks and surprises. And the occasional show offy special effects action scene. The perfect combination of Brian DePalma and summer event movie.

The second one, by John Woo, is a horrible piece of shit that finally made America realize what they had done to John Woo. But if you don’t hold it to the standards of “being a good movie” it’s pretty fucking funny. The amazing motorcycle chest bump scene comes to mind. In the John Woo filmography I consider this in the same dumb-action category as HARD TARGET and BLACKJACK. (read the rest of this shit…)

Vern Ponders Seagal’s MERCENARY FOR JUSTICE Linguistics!!

Monday, April 17th, 2006

SPOILER ALERT !!

Merrick actually looked up how to spell “shittiness”…

Vern just sent in this review of Steven Seagal’s new MERCENARY FOR JUSTICE.

Wow…what a sad title. Ever notice how the shittiness of titles seems commensurate with a project’s budgetary considerations, release plans, etc.? Someone should develop a “Historical Scale of Titular Shittiness” to see if this theory holds.

Seagal once broke Sean Connery’s wrist while training him for NEVER SAY NEVER AGAIN. Let’s see if he now breaks Vern’s heart…

Hello, my name is Vern and I am currently rated one of North America’s top three or four practicing Seagalogists, as well as one of the top two Verns on google. I am the man to come to for the inside dope on every new Seagal picture. However for the last one, BLACK DAWN, the guy who gets me the early screeners fell through and I had to rent it after it hit the shelves just like anybody else. No big deal, I can take my lumps, but there’s a few guys out there – I remember Fat Paul was one of them, and a few others – they’re asking me if I can hook them up with the early review. And as someone who strives for excellence, I got no choice but to come through.

I missed my screener for MERCENARY FOR JUSTICE too but I managed to score the actual DVD just 48 hours before they hit the streets, and I’m here to share my preliminary findings. It’s an Easter miracle. (read the rest of this shit…)

Vern dons goggles to see HOLLOW MAN 2… yes, HOLLOW MAN 2!!!

Wednesday, April 12th, 2006

SPOILER ALERT !!

Hey folks, Harry here… I feel it’s my duty to bring this Vern review – as I was amongst the first to herald the genius of Paul Verhoeven’s HOLLOW MAN… sadly the version I saw well in advance of the release of that film is not the film that everyone else saw. I still like the one that was released, but no where near the longer edit which I feel was far far better. Well here’s Vern with a look at the much needed sequel! Here ya go…

Boys–

Like most DTV sequels, the title HOLLOW MAN II immediately brings up a question: who the fuck are they making HOLLOW MAN II for?

Well in this particular case, I am gonna have to step forward. I am the guilty party. They are clearly making this movie for me, and I can prove it. (read the rest of this shit…)

Doom

Sunday, April 2nd, 2006

There are three very clever sequences in this movie. First, it opens with narration over a starfield, and then pans over to show Mars. Suddenly the familiar UNIVERSAL logo letters spin around Mars. So it’s just like the usual studio logo except the red planet instead of the globe. Then the letters go off screen and the camera zooms into Mars and into a space colony where the movie takes place. It’s like there’s not even time to bother with a studio logo, our only option is to work it into the plot. That is how urgent it is to get to the motherfucking DOOM.

Yeah yeah, I know my movie history, so you don’t have to flood me with emails pointing out that the great visionary McG already connected the first shot of C’S As 1 to whichever studio logo it was. But this is a different thing because the movie has already started, and then we get the logo within the movie. If we are to follow our understanding of standard cinematical language, there may really be giant letters orbiting around Mars within the reality of DOOM. It all takes place indoors, so there’s no way to know if there are giant UNIVERSAL shaped shadows dripping across the landscape. (read the rest of this shit…)

Mean Guns

Wednesday, March 29th, 2006

A while back I reviewed this sci-fi action movie called EQUILIBRIUM and I complained about the cliche of using techno music in all the action scenes. I asked why somebody didn’t try out some different styles of music on some action scenes. A while later a guy named Jonathan Lee wrote to inform me of a movie called MEAN GUNS where they did just that, they used mambo music during all the action (and other parts of the movie).

The only recognizable stars are Ice-T and Christopher Lambert, and then there’s a bunch of other people. Mario Van Peebles was not available. Anyway, “The Syndicate” has recently bought a prison somehow, and the day before the grand opening Ice-T calls a bunch of criminals there for big meeting, like THE WARRIORS. (read the rest of this shit…)

Transporter 2

Monday, March 27th, 2006

One day not too long ago I was sitting in a theater waiting to watch some movie, the identity of which has by now dissolved into the fountain of time. (that’s not a real saying, I just made it up. My audience deserves new sayings, not the same old shit they’ve heard before and understand.) And suddenly there was a trailer for a sequel that probaly nobody, and definitely not me, asked for. The movie of course was THE TRANSPORTER 2 in case you forgot which review you’re reading here. There was kicking, jumping, cars flipping, things exloding, a half naked lingerie wearing sexy nurse assassin with makeup smeared down her eyes Tammy Faye Baker style, that sort of thing. There was this ridiculous shot where The Transporter jumps his BMW from one parking garage into another and skids out right on the edge of the thing. All that flash and bang got me excited and I realized that somehow, even though I kind of hated THE TRANSPORTER, I wanted to see the sequel. I can’t remember ever being excited about a sequel to a movie I didn’t like. But like Jesus and the correctional system said, you gotta give a guy a second chance. (read the rest of this shit…)

Desert Heat

Thursday, March 23rd, 2006

DESERT HEAT aka COYOTE MOON or INFERNO

When I reviewed Jean-Claude Van Damme’s SECOND IN COMMAND on The Ain’t It Cool News recently I made a shocking admission: I haven’t seen a whole Van Damme movie since 1998’s KNOCK OFF. I understand if that means I lose credibility in some of your eyes, but I gotta be open and honest with you people. I’m one of them straight shooters, in my opinion. So I gotta admit it: I learn more and more about Steven Seagal every day, but when it comes to Van Damme I’m a straight up amateur. And I want to become a more well rounded person so I asked for some advice on the best movies from Van Damme’s post-theatrical days. Two people made convincing cases for COYOTE MOON, or DESERT HEAT as it’s called here in the states, so that was my first stop. (one guy described the plot, the other guy a threesome scene.) (read the rest of this shit…)

Formula 51

Monday, March 20th, 2006

FORMULA 51 aka THE 51st STATE

Here’s a movie I always meant to see just because it was directed by Ronny Yu (BRIDE OF CHUCKY), but I skipped it because I never heard a single good word about it. Until the day Paul wrote to disagree with my MUNICH review and then, possibly to avenge me for the review, recommended I watch this one.

Okay, so the movie’s not terrible, it has it’s moments of inspiration, but to me it was a big mess and a little on the cheesy side. When it was over I realized that a better score would’ve gone a long way toward making it more acceptable. Ronny Yu does the whole thing in a goofy, frinetic style and then the cheeseball dance music done by some guy named “Headrillaz” makes it seem like some out of touch commercial trying to be cool. (read the rest of this shit…)