So once again we have survived.

Posts Tagged ‘Skip Woods’

Sabotage

Thursday, April 3rd, 2014

tn_sabotageBListen all y’all, SABOTAGE is a great vehicle for Arnold Schwarzenegger right now. It’s a good mix of what you expect from him and what you don’t. It’s a movie that benefits from his Huge Movie Star presence. He can just walk in and the legendary badass backstory of his character, DEA squad leader John “Breacher” Wharton, manifests physically before our eyes. He can strut and bark commands and joke and you fully believe that his unruly team of trained killers – even big Joe Manganiello, who towers over him – respect, fear, and look up to him like he’s their dad.

I think this here is the perfect approach to Old Man Arnold: not making self-deprecating jokes like in the okay THE LAST STAND, but just being Arnold while proudly rocking a thick stripe of white hair around the edges. Yeah, I’m 66, who the fuck cares? I’m Arnold. Are you gonna be Arnold when you get to be my age?
(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

A Good Day To Die Hard

Thursday, February 14th, 2013

tn_diehard5BruceA GOOD DAY TO DIE HARD is directed by John Moore. His previous films are BEHIND ENEMY LINES, FLIGHT OF THE PHOENIX, THE OMEN REMAKE, and MAX PAYNE. Not great. The screenplay is solely credited to Skip Woods. His entire previous filmography is THURSDAY, SWORDFISH, HITMAN, X-MEN ORIGINS: WOLVERINE and THE A-TEAM. So… this is what happens.

I love DIE HARD like I love air, and nothing is as good as it. But I’m easier on the sequels than most people. I feel like we made an agreement as soon as we were okay with The Same Shit Happening To the Same Guy Twice that we would accept increasing levels of absurdity in order to continue our relationship with John McClane. I kinda hold the sequels separate from the original in my mind. They’re not untouchable, but I enjoy watching them.

(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Thursday

Friday, February 17th, 2006

This poor bastard Skip Woods. How was he supposed to know? He stumbles across this winning formula of late ’90s independent quirky crime drama, and it just so happens that another individual, somebody named Quentin Tarantino, has already done it.

You gotta feel sorry for Skip. How was he supposed to know that Tarantino loved to take larger than life movie archetypes and show the mundane parts of their lives? Like this opening scene where three criminals who obviously don’t realize how annoying they are (Aaron Ekchart, Paulina Porezkova, James LeGros) stop in a convenience store after a big score to get coffee, and argue over the price until they end up killing the clerk and then have to pretend to work there when a cop comes in. And how could Skip have known that when he has the cop ask, for no reason, whether Eckhart prefers Picard or Kirk… that it JUST MIGHT look like he was some fuckin idiot jackass blatantly and embarassingly trying to copy the most superficial elements of Tarantino’s formula? (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.