AFTER 2 WEEKS IN LIMITED
RELEASE, THE LAST DAYS OF DISCO
EXPANDED TO 168 SCREENS…
June 12, 1998
THE LAST DAYS OF DISCO is a category of movie that arguably had its heyday in the late ’90s: the beloved indie auteurs given the money to do their thing with more production value. In this case it’s the third film of writer-director Whit Stillman, whose $250,000-budgeted debut METROPOLITAN (1990) received an Oscar nomination for best original screenplay and an Independent Spirit Award for best first feature. His second one BARCELONA (1994) cost under $3 million, but for this one he got $8 million to work with, more than either of his movies had grossed.
It’s still a movie mostly about people talking, but it costs money to have a huge club set, period costuming and a soundtrack of disco hits (just ask the producers of PROM NIGHT about that last one). The movie chronicles Alice (Chloe Sevigny, KIDS, GUMMO) and Charlotte (Kate Beckinsale, VAN HELSING, PEARL HARBOR) – both readers at a New York City book publisher – and some of the other people who hang out at the same unnamed disco as them over a period of maybe a year or two in “the very early 1980s.” They fall in and out of relationships, fuck things up, etc. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.