Back when I was doing the Spielberg marathon somebody suggested I should review POLTERGEIST, and I thought it was a good idea. Oh shit, today is the 30th anniversary of the movie’s release! I guess we’ll do it today.
It definitely fits in with the Spielberg marathon. Tobe Hooper is the credited director, but Spielberg was a very hands-on producer and writer, and it seems way more like his directorial works than his other productions do. It has good, natural performances by kids and adults, smoothly choreographed camera moves, a suburban mid-west setting, state-of-the-art-at-the-time visual effects, people looking in awe at glowing light. Like E.T. (which came out one week later) it has a little boy with a room full of STAR WARS toys. The score is by Jerry Goldsmith, but is used similar to how Spielberg uses John Williams. There’s a group of scientists in a specialized field (like JAWS, CLOSE ENCOUNTERS, even JURASSIC PARK). There’s not as much that reminds me of Hooper – just TEXAS CHAINSAW MASSACRE 2’s Lou Perryman in a bit part as a guy working on the house, and a pit of rotting corpses at the end. That part seemed like something he’d be into.
(read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.