"We're still at war, Plissken. We need him alive."

"I don't give a fuck about your war... or your president."

Posts Tagged ‘Genesis Rodriguez’

Run All Night

Monday, March 16th, 2015

tn_runallnightAlthough he’d already done HOUSE OF WAX and GOAL II: LIVING THE DREAM, it was ORPHAN that brought director Jaume Collet-Serra to my attention. I gotta admire a director whose movie I go to thinking I’m gonna be all ironical on it and then it defeats me with its audacity and genuine cleverness. So far that’s the height of his output, but I keep going back.

I guess I’d be watching them anyway, because his ORPHAN follow up has been three Liam Neeson vehicles in a row. UNKNOWN was a somewhat forgettable twisty thriller with some good touches here and there. Apparently I forgot to even post a review of it, but the part I remember liking best was some awkwardness between Neeson and Diane Kruger where they laugh because they’re in her small apartment and hear sex noises from next door, and that turns out to be set-up that her walls are thin enough for him to throw a guy through. NON-STOP was more my speed, a fun take on a confined-location-high-concept with some pretty interesting political subtext. Now the third one, RUN ALL NIGHT, takes the collaboration in a different direction. There’s less emphasis on the thrillery gimmicks and more on the character drama.

Oh, hey, this might explain it: it’s a screenplay by Brad Ingelsby, the guy that wrote OUT OF THE FURNACE. That’s another movie that uses badass genre elements but is more interested in exploring relationships than in satisfying expectations. (Though this one does have shootouts and car crashes.) (read the rest of this shit…)

Tusk

Wednesday, February 4th, 2015

tn_tuskI don’t know how it happened but somehow I became the guy that’s more lenient on Kevin Smith movies than everybody else. Back in his hey day when he was a Miramax family member, an indie movement poster boy, a voice of a generation, a director of a movie in the Criterion Collection, a critical darling praised for his dialogue, I used to think he sucked. Here’s an overly harsh one I wrote back when people still seemed to like him (I advised readers not to make eye contact with people who recommend it to them). So I’m as confused as anybody that now that he’s widely hated and semi-retired I keep having anĀ  “actually it’s not that bad” reaction to his “flicks,” as he calls them. COP OUT at least had a couple laughs, and his first horror movie, RED STATE, I actually thought was kinda good and now, I’ll be damned, I kinda liked TUSK too. What the hell?

TUSK is less consistent than RED STATE but a little more inspired in its absurdity. It continues the technique of coasting on an excellent performance by Michael Parks as a sadistic weirdo. This time he plays a retired Canadian proud of his life of rugged adventure and deranged, it turns out, by a long period of being stranded after a shipwreck. What’s that mean, that he had to go cannibal to survive, something like that? No, not quite. It means he got messed up by being isolated with only a walrus as his friend. He called him Mr. Tusk, according to his JAWS style monologue about the incident. And now he’s undergoing unusual measures to get that relationship back. (read the rest of this shit…)