"KEEP BUSTIN'."

Posts Tagged ‘Dark Horse Comics’

Dr. Giggles

Monday, November 18th, 2019

DR. GIGGLES is not the best kind of horror movie, but it’s a kind I like: the kind that knowingly, shamelessly embraces absurdity and formula. It says okay, I am a slasher movie, my theme is “a killer doctor,” step aside and I will do my thing. So you kinda know what it’s gonna be, and you get a laugh from some of the specific choices or smile with satisfaction when that thing you were assuming had to happen does happen.

We first see the good doctor (Larry Drake in his feature film followup to DARKMAN) demonstrating an experimental surgery to his colleagues in the observation deck. But then we realize that he’s not supposed to be doing this – he’s escaped his cell in a mental institution, he’s cutting up one of the doctors, and the “colleagues” are other patients. Security there nicknamed him Dr. Giggles because he’s a John Doe and he does indeed giggle alot. Drake is so good at the creepy giggling I wonder if he brought it to the character and they rebuilt the movie around it. (read the rest of this shit…)

Timecop

Monday, March 18th, 2019

Recently when I ranked all the ’90s comic book movies for Polygon I rewatched TIMECOP for the first time since that decade. I decided to disqualify it when I read on the production notes extra that it was originally written as a script and then made into a Dark Horse Comics series, but I’m glad I watched it first, because it’s better than I remembered.

Jean-Claude Van Damme (BREAKIN’) plays Max Walker, a regular cop who’s about to be recruited to a new secret government agency that travels back in time to stop other time travelers from changing history. Knowing the future presents ample opportunities for get-rich-quick schemes (for example, in the opening a guy uses a futuristic machine gun to steal gold from the Confederate Army), but the government worries this could butterfly-effect shit up, so they try to control it. (read the rest of this shit…)

The Mask

Tuesday, March 12th, 2019

When I was invited to write my recent Polygon article about comic book films of the ’90s, I looked over a list and was a little surprised that I had seen and was very familiar with close to all of them. I checked out a few I hadn’t seen, like TEENAGE MUTANT NINJA TURTLES III (not great, but not really my thing), and there were a few I felt I really needed to rewatch because I hadn’t seen them since they were released. In the case of THE MASK, holy shit, that was 25 years ago. I’m not sure it’s a movie anybody talks much about anymore, but I thought it was interesting enough to earn a full review.

I believe that wave of movies I wrote about were all ripples that came out of the giant splash that was Tim Burton’s BATMAN in 1989. More than just a hit, BATMAN was a cultural phenomenon. It’s hard to explain to people who weren’t there, but the hunger for Batman caused by that movie does not have a contemporary comparison I’m aware of. Wearing of bat symbol clothing (licensed or bootleg) rivaled Seahawks gear around here during playoffs. It was a time when they made Converse with bat symbols on them and then I swear to you they made a phone shaped like Converse with bat symbols on them. So studios scrambled to find another old character who could capture the zeitgeist like Batman had, and all those movies being in production paved the way for adaptations of lesser known comics (we didn’t call them “properties” back then because we didn’t want to sound like assholes). (read the rest of this shit…)

Polar

Tuesday, January 29th, 2019

POLAR (a new Netflix original, exactly like ROMA) is one of these movies about a legendary hitman trying to retire. And it’s the type that takes place in a very exaggerated world where murder-for-hire is a thriving business populated with many quirky and talented individuals possessing a flair for fashion and creative violence. It seems like if it’s not inspired by the JOHN WICK saga it’s at least given aid and comfort by it, but technically it’s based on a comic book that started in 2012. Polar was a web comic, improvised by writer/artist Victor Santos in black, white and orange, and posted one page at a time, with no dialogue until it was later collected into a graphic novel by Dark Horse Comics. The movie is far from silent or monochrome and it’s more structured than that sounds like it would be, but when you hear it’s based on a comic book it makes plenty of sense. (read the rest of this shit…)