There was a time, I must admit, when I didn’t properly appreciate HARD TARGET. I had already been intoxicated by the unadulterated John Woo of THE KILLER, BULLET IN THE HEAD and HARD BOILED (in that order, I believe) so when I watched his 1993 Hollywood debut I could only see the compromises. American Woo was less violent, less stylish, less emotional and built around the stiff toughness of Van Damme instead of the smooth charisma of Chow Yun Fat.
But with the passage of time comes wisdom and context. From the perspective of today we can see that HARD TARGET stepped deeper into the Woo Zone than any of his subsequent American films save for FACE/OFF. More importantly, it’s clearly a masterpiece among Van Damme vehicles, themselves an enjoyable body of work that can benefit from some Woo. A pessimist sees HARD TARGET as Woo watered down with Van Damme. But I’m an optimist now so I know it’s a refreshing glass of Van Damme spiked with a shot of Woo tequila. (read the rest of this shit…)
John Badham is pretty much the ultimate journeyman director. Somehow he ended up directing SATURDAY NIGHT FEVER, but for the rest of his career he’s had a striking lack of voice or character. Rarely horrible or offensive, sometimes pretty good, usually okay and forgettable. And DROP ZONE is his Wesley Snipes movie.
Well, it’s October again so it’s time to start up my annual tradition of Slasher Search, where I spend the month trying to find a good ’70s or ’80s slasher movie that I never saw before. Every year it gets harder because the pool keeps getting smaller and sadder. It’ll be almost impossible to match last year’s winner, the legitimately great Canadian hospital-set slasher 
WARNING: This unfinished review here was written in the year 2000 when I was young and stupid. I’m leaving it here for the comments, for historical purposes and for my own accountability, but please if you’re just looking for a review of HARD TARGET read 
