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Posts Tagged ‘Warren Murphy’

The Eiger Sanction

Thursday, January 2nd, 2025

Unless I’m forgetting something, Clint Eastwood only has two movies that could be classified as spy movies, and both involve a mission to a mountain in the Alps. One is WHERE EAGLES DARE (1968) and the other is this one, THE EIGER SANCTION (1975). I’d say it’s about 65% suspenseful mountain climbing thriller, 25% assassin intrigue, and 10% colorful James Bond type shit. That last portion includes all the sexy stuff and the sinister boss, an albino war criminal named Dragon (Thayer David, ROCKY).

Clint plays Dr. Jonathan Hemlock, a great pulp hero because he’s an ex-Green Beret, secretly a retired assassin, but famously a retired mountain climber (there are fawning magazine profiles of him), now working as a college art history professor, and has a side gig as a book critic. I wondered if this might’ve been an influence on RAIDERS OF THE LOST ARK when I saw one of his students (Candice Rialson, CANDY STRIPE NURSES) making eyes and spreading legs at him in class. He turns her down because he doesn’t take advantage of students or drunks, he says. Good to know he has some limits. (read the rest of this shit…)

Lethal Weapon 2

Wednesday, July 17th, 2019

I already wrote about LETHAL WEAPON 2 along with the rest of the LETHAL WEAPON series back in 2014. I’m still happy with that review. It covers much of what’s relevant about the movie, and even features a scan from my beloved Summer 1989 Warner Brothers Catalog (as seen in the BATMAN review). But I didn’t think I should skip over the movie in this series because it’s such a crucial piece of what I’m talking about here. So the earlier review still stands, but here’s a partially overlapping supplemental look at LETHAL WEAPON 2 focusing on its place in the action movies of summer ’89.

LETHAL WEAPON (1987) was of course a quintessential ’80s action movie, the Platonic ideal of a buddy cop picture, and one of the originators of the idea of Mel Gibson and producer Joel Silver (ROAD HOUSE) as action kings. But part 2 is more my idea of what “a LETHAL WEAPON movie” is like because it invented how to sequelize that movie and make it about the continuing adventures of that now-established friendship. It takes what was already seen as heightened and makes it bigger, sexier, funnier, lethal-er (apparently it’s the biggest body count in the series at 33), creating a template (and new character in Leo Getz, played by Joe Pesci a year before GOODFELLAS) that would be used for two more sequels in the ’90s. (read the rest of this shit…)